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    Movie Review

    Horror film It Lives Inside sets itself apart with unique cultural details

    Alex Bentley
    Sep 21, 2023 | 9:11 am

    Like most genres in film history, horror movies have tended to be relatively homogeneous, focusing mostly on white characters and, if it delved into religion, Christianity. As movies in general have become more diverse, so has the storytelling, something which benefits a film like It Lives Inside.

    Betty Gabriel in It Lives Inside

    Photo courtesy of Neon

    Betty Gabriel in It Lives Inside.

    The story centers on Indian-American teenager Samidha (Megan Suri), who’s suffering to a degree with her cultural identity, indicated by the opening scene depicting her shaving the dark hair off her arms. Her self-esteem isn’t helped by her childhood best friend, Tamira (Mohana Krishnan), having turned herself into an outcast, eating lunch under bleachers and carrying a weird jar around everywhere.

    Tamira claims that something lives inside the jar that has to be constantly fed, and a confrontation between the two unleashes the monster on Tamira and starts a series of scary dreams for Samidha. As the monster slowly insinuates itself into Samidha’s increasingly isolated life, she must turn to the one person with whom she’s having the most difficulty, her mother, Poorna (Neeru Bajwa).

    The feature film debut for writer/director Bishal Dutta and co-writer Ashish Mehta, It Lives Inside has the familiarity of other previous mysterious force/monster movies, but sets itself apart by incorporating Indian and Hindu traditions. When Samidha confronts Tamira, she discovers a book filled with all manner of strange drawings and writing, but instead of being merely the scrawls of a possessed person, much of it is a reference to Hindu mythology.

    For much of the film, Samidha shuns the traditions that her family, especially her mother, tries to keep alive. So it’s no small irony that it’s those same rituals and knowledge that may serve as the key to understanding and defeating the monster. It feels like the filmmakers are trying to tell a story about the costs of assimilation into a new country/culture as much as they’re to scare audiences.

    Compared to other horror films, they do a pretty good job with the atmosphere and special effects. The monster is kept hidden in the shadows for most of the film, so there’s a solid creepy factor that keeps the tension level high. In fact, they might have done well not showing it at all; it’s only when it’s revealed that the spell is broken to a degree.

    Suri is at the start of what’s shaping up to be a solid career, having co-starred in the recent Missing and on Netflix’s Never Have I Ever. She makes for a great lead character and horror protagonist. She’s aided by good supporting turns from Krishnan, Bajwa, and Betty Gabriel, who plays her teacher.

    It Lives Inside more than holds its own in the scare department and ups the ante with its unique details. In a year that’s featured its fair share of intense movies, it brings a different perspective alongside its horrors.

    ---

    It Lives Inside opens in theaters on September 22.

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    Movie Review

    Podcaster lets creepy noises get under her skin in Undertone

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Nina Kiri in Undertone
    Photo courtsy of A24
    Nina Kiri in Undertone.

    While the horror genre is still capable of producing some innovative filmmaking, most of the output tends to fall back on jump scares and other tropes to deliver their terror. So when a film like the new Undertone tries something different, it should be applauded for the effort, even if it’s not as successful in its execution.

    Evy (Nina Kiri) is a podcaster who co-hosts a show called Undertone, which focuses on paranormal videos and sounds they find on the internet. Her co-host, Justin (Adam DiMarco), lives in London, so - for kind of contrived reasons - in order to make the time difference between them work, Evy records at around 3 am her time. Evy - who lives at home with her bedridden, dying mother - is the skeptic of the two, consistently debunking clips that Justin presents to her.

    Her doubts are tested when Justin brings in a series of 10 audio clips that purport to be about a boyfriend recording his girlfriend as she talks in her sleep. The audio begins in a lighthearted manner and quickly turns creepy and then sinister as unexplained things start happening. Evy senses that what she’s hearing is bleeding into her own world, especially when inexplicable actions take place in her mother’s bedroom.

    Written and directed by first-time feature filmmaker Ian Tuason, the film is effective early on when it introduces the story concept. Making great use of sound design, Tuason essentially puts the audience inside Evy’s head, where every little sound is heightened. Setting the podcast sessions in the middle of the night ups the anxiety level for both her and the audience.

    However, as the film goes along it gets a little tedious watching Evy listen to the audio, even as Tuason attempts to keep the film dynamic by moving the camera around her. The premise of the story - progressively going through 10 clips - and Tuason’s framing of shots that focus as much on the background as they do on Evy seem to promise more interesting results than actually transpire.

    What ultimately holds the film down more than anything is its lack of different viewpoints. The only other person who’s actually seen is Evy’s mother, who is unable to speak. Evy speaks to Justin, another friend, and a doctor over the course of the story, and while each broadens our understanding of Evy somewhat, none of them make her a truly three-dimensional person. Getting a little more information about her history might have helped the story work better.

    Kiri does her level best to vary her acting in the various podcast scenes, and even when they start to get repetitive, she remains compelling and watchable. It’s difficult to judge the other actors based on audio alone, but knowing that DiMarco also starred in season 2 of The White Lotus helps to visualize him and his acting style.

    Undertone does well in creating a spine-chilling mood, but it needed something beyond that to become a truly great horror movie. Tuason shows some promise as a filmmaker, especially in the way he uses the camera to create tension, but a more complete story will serve him better the next time around.

    ---

    Undertone is now playing in theaters,

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