Concert News

Jonas Brothers chart 20-year retrospective tour with stop in Dallas

Jonas Brothers will play at Globe Life Field in Arlington on August 31.

Photo courtesy of Jonas Brothers

Pop trio Jonas Brothers will launch on a massive tour in 2025, called Jonas20: Living the Dream, which will include a stop at Globe Life Field in Arlington on August 31.

UPDATE 6-14-25: The Jonas Brothers show in Arlington has been relocated from Globe Life Field to Dos Equis Pavilion in Dallas. The show will take place on the same date, but fans will have to buy tickets anew. Ticketholders will receive full refunds automatically sent to their point of purchase, and then will receive priority status on being offered seats when the new shows go on sale. The venue change is one of six U.S. shows that were relocated to arenas or amphitheaters. Fans were informed of the news on June 13 in email messages sent from Ticketmaster and on the Brothers’ Instagram account.
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Announced at JONASCON, a special one day event in New Jersey celebrating the band's 20th anniversary, the tour will travel to 43 cities over the course of three months, starting in East Rutherford, New Jersey on August 10.

In addition to Arlington, the Jonas Brothers will play in Austin on October 17, San Antonio on October 18, and Houston on October 19.

The tour will be a full-circle celebration of the band's 20-year journey from performing in malls to headlining the biggest stadiums in the world.

Each night will have dedicated sets from every chapter of Jonas, including Nick Jonas & the Administration, Nick Jonas’ solo career, Joe Jonas’ solo work, and DNCE, followed by the headlining performance from the Jonas Brothers.

The tour will start off with 10 straight concerts in football and baseball stadiums, including Globe Life Field, at which they'll be joined by special guest Marshmello. The Arlington concert will also feature the band Boys Like Girls.

The tour will transition to basketball arenas for the majority of the dates, with Boys Like Girls and The All-American Rejects serving as opening acts in select cities.

The group released their first single, "Mandy," in 2005 ahead of their 2006 self-titled debut album. They've released six albums in their career, most recently The Album in 2023.

Although no new album has been announced, they recently released a new single, “Love Me To Heaven.”

Fans can sign up for the Artist Presale through Wednesday, March 26 at 9 am CT at livemu.sc/jonasbrothers. The Artist Presale will run on Thursday, March 27 from 10 am to 3 pm.

The general on-sale begins on Friday, March 28 at 10 AM at ticketmaster.com.

JONAS BROTHERS: “JONAS20: Living the Dream” TOUR DATES

Sun Aug 10 – East Rutherford, NJ – MetLife Stadium
Tue Aug 12 – Washington, DC – Nationals Park
Thu Aug 14 – Philadelphia, PA – Citizens Bank Park
Sun Aug 17 – Hershey, PA – Hersheypark Stadium
Thu Aug 21 – Toronto, ON – Rogers Centre
Sat Aug 23 – Boston, MA – Fenway Park
Tue Aug 26 – Chicago, IL – Wrigley Field
Thu Aug 28 – Detroit, MI – Comerica Park
Sun Aug 31 – Arlington, TX – Globe Life Field
Sat Sep 06 – Los Angeles, CA – Dodger Stadium
Thu Sep 18 – Vancouver, BC – Rogers Arena
Sat Sep 20 – Portland, OR – Moda Center
Mon Sep 22 – Seattle, WA – Climate Pledge Arena
Thu Sep 25 – San Francisco, CA – Chase Center
Fri Sep 26 – Sacramento, CA – Golden 1 Center
Sun Sep 28 – Phoenix, AZ – PHX Arena
Sun Oct 02 – Denver, CO – Ball Arena
Fri Oct 04 – Omaha, NE – CHI Health Center
Sun Oct 5 – Des Moines, IA – Wells Fargo Arena
Tue Oct 07 – Kansas City, MO – T-Mobile Center
Wed Oct 08 – St. Louis, MO – Enterprise Center
Fri Oct 10 – St. Paul, MN – Xcel Energy Center
Sun Oct 12 - Milwaukee, WI - Fiserv Forum
Tue Oct 14 – Nashville, TN – Bridgestone Arena
Thu Oct 16 – Tulsa, OK – BOK Center
Fri Oct 17 – Austin, TX – Moody Center
Sat Oct 18 – San Antonio, TX – Frost Bank Center
Sun Oct 19 – Houston, TX – Toyota Center
Wed Oct 22 – Tampa, FL – Amalie Arena
Fri Oct 24 – Sunrise, FL – Amerant Bank Arena
Sun Oct 26 – Orlando, FL – Kia Center
Tue Oct 28 – Atlanta, GA – State Farm Arena
Wed Oct 29 – Raleigh, NC – Lenovo Center
Sat Nov 01 – Lexington, KY – Rupp Arena
Sun Nov 02 – Indianapolis, IN – Gainbridge Fieldhouse
Tue Nov 04 – Knoxville, TN – Thompson-Boling Arena at Food City Center
Wed Nov 05 – Charlotte, NC – Spectrum Center
Thu Nov 06 – Columbia, SC – Colonial Life Arena
Sat Nov 08 – Columbus, OH – Schottenstein Center
Sun Nov 09 – Buffalo, NY – KeyBank Center
Tue Nov 11 – Cleveland, OH – Rocket Arena
Wed Nov 12 – Pittsburgh, PA – PPG Paints Arena
Fri Nov 14 – Uncasville, CT – Mohegan Sun Arena

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Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Photo courtesy of MUBI

Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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