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    Lights fantastic

    What to expect at 'Lightscape,' North Texas' new walk-thru winter wonderland

    Stephanie Allmon Merry
    Nov 23, 2022 | 11:20 am

    Dallas-Fort Worth’s most Instagrammable new holiday lights display is best enjoyed without clinging to a phone. “Lightscape,” which made its North Texas debut at the Fort Worth Botanic Garden on November 18, walks visitors through a winter wonderland experience unlike any other in DFW.

    As the name says, the event features “lights” in “landscape,” so the natural surrounds of the garden are the stage on which the light features shine. The third star of the show is music, and the major supporting character is strategic use of … darkness.

    Yes, darkness.

    What makes "Lightscape" different from other modern Christmas light attractions is that it’s not a constant, over-the-top, bombastic blast of LEDs. There are high-lights and low-lights, moments of razzle dazzle and moments of quiet contemplation. Parts are whimsical, parts are worshipful.

    The holiday season is not (for most people) one steady dousing of joyful Christmas spirit. In the same way, “Lightscape” evokes the many different spirits of Christmas: the wonderment, the majesty, the mysticism, the reverie, the joy, and all the merriment.

    Yes, of course, snap those selfies and record those reels, but then tuck that phone away and take it all in as a total sensory experience.

    Feel the chilly air hit your face as you pose in the bluebonnet field with a Texas country serenade. Sip your hot chocolate and linger on a bench, watching the reflection in the water of trees changing colors to “Silent Night” in the Japanese Garden.

    And if you start to think, “This part of the path seems dull,” look up at a sky-high tree lit purple or green and, think, “I wonder why, out of all the trees, they chose that one?”

    Below are five highlights of the mile-long walking path through the display, based on a sneak-peek visit. If you don’t want spoilers, skip to the bottom for some valuable “know before you go” information. (You’ll want to know about the spiked hot chocolate.)

    Winter Cathedral – This is the feature in all the ads and every influencer reel. An 18-foot-tall, 110-foot-long cathedral guides guests through a long tunnel illuminated by tens of thousands of LED light globes. You might think it’s the grand finale - It’s not; there’s still much more to come. Andrea Bocelli singing “O Holy Night” adds to a true “cathedral” experience; pause and take in the light-filled spectacle when he gets to the rousing line, “Oh Night Divine.”

    The Rose Garden – What makes this fun is that it’s actually in The Rose Garden. A sprawling installation of 5,000 handmade color-changing roses with life-like silk leaves fills the garden where many in Fort Worth have celebrated weddings, engagements, and celebrations of life. This whimsical botanical playground also looks a bit like a retro “Light Brite” board.

    Fire Garden – Perhaps the most surprising feature of the whole event is a field of structures that fill the landscape with real fire, created from hand-poured candles, flickering in the breeze. Set to an a capella choral rendition of “Auld Lang Syne,” it feels like a candlelight worship service at a church. It’s a beautifully contemplative moment.

    Bluebonnets – Merry Texmas, y’all. A field of 2,000 bluebonnets twinkle and shine and bathe the landscape in bold blue and white LED pixel lights, while a country crooner sings, “Merry Texas Christmas, You All.” An entirely different way to take iconic bluebonnet photos. (You can’t actually plop down in the field, but there are plenty of spots for shots.)

    Japanese Garden – Whatever you do, don’t skip this at the end. The entire garden is transformed into a space both meditative and majestic. Trees are lit in various colors and change colors to the soft sounds of “Silent Night.” Water features that look like falling leaves in the pond “dance” to Vivaldi’s Four Seasons. It’s an awe-inspiring finale to the entire experience.

    Good to know:

    • "Lightscape" runs November 18-January 8 at Fort Worth Botanic Garden; information and tickets are here.
    • No shows on: November 21-22 & 24, November 28-30, December 5-6, December 12-13, December 25, and January 2-3.
    • The entire event is outdoors and uncovered, and about a mile long. It’s an all-walking experience so wear comfy shoes and dress appropriately for the elements.
    • The average tour time from start to finish is 1.5 hours, although there is no time limit.
    • Concessions (charcuterie cones, turkey legs, veggie burgers, hot and cold beverages) are sold at stands throughout the event. Various kinds of spiked hot chocolate and apple cider are available for adults; they’re $12 apiece.
    • There are a few gravel spots and dark pathways, especially walking to and from the parking lot. If you’re not sure-footed, you might keep your phone flashlight handy.
    • Strollers and wheelchairs were able to navigate the entire event.
    • Tickets (timed every 15 minutes) run $28-$30 for adults, $18-$20 for children (ages 3-12), and free for infants (0-2 years old). FWBG members receive $5 off of each ticket.
    • Prices do not include parking, which runs $15-$20, according to the website. A $60 VIP ticket package includes parking.

    Lightscape Fort Worth Botanic Garden

    Photo by Michael Merry

    The Fire Garden is like a candlelight worship service.

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    Movie Review

    Jessica Chastain drama Dreams stumbles through steamy romance

    Alex Bentley
    Feb 27, 2026 | 1:30 pm
    Isaac Hernández and Jessica Chastain in Dreams
    Photo courtesy of Teorema
    Isaac Hernández and Jessica Chastain in Dreams.

    The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.

    It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.

    Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).

    Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.

    But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.

    Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.

    Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.

    Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.

    ---

    Dreams is now playing in select theaters.

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