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    Concert News

    Dallas' Longhorn Ballroom reveals first acts to perform at restored venue

    Teresa Gubbins
    Jan 31, 2023 | 2:27 pm
    Emmylou Harris

    Emmylou Harris

    Kat Villacorta

    The big acts are coming out for Dallas' famed Longhorn Ballroom, slated for a comeback in spring 2023.

    The historic venue, currently in the final throes of a renovation by Kessler Presents, is anticipated to softly reopen at the end of March, and already has shows on the books by epic performers including Asleep at The Wheel, Old Crow Medicine Show, Joshua Ray Walker, and Emmy Lou Harris.

    Harris' show on April 22 will be the first at the Longhorn for this long-reigning Americana queen.

    Kessler Presents is the team headed by historical steward Edwin Cabaniss, who also restored the Kessler Theater in Oak Cliff and The Heights Theater in Houston.

    They're reopening the Longhorn Ballroom with the goal of bringing it back to its heyday so a new generation can enjoy what is a Texas legend.

    "We are excited to share the first batch of shows as it is just a taste of what patrons can expect from Longhorn Ballroom programming in the coming years,” Cabaniss says in a release. “From the legendary to the emerging-and-rocketing-toward-stardom, every bill during our soft launch is made up of artists we love and are personally excited to see perform."

    The first round of shows with dates are as follows:

    • March 30: Asleep at the Wheel with Brennen Leigh and Joshua Hedley
    • March 31: Old Crow Medicine Show with special guest Joshua Ray Walker
    • April 1: Morgan Wade with special guests Lucero and Kaitlin Butts
    • April 22: Emmylou Harris

    Tickets for some shows begin going on sale January 31.

    Western Swing torchbearers Asleep at the Wheel with Brennen Leigh and Joshua Hedley will be the first acts back in the Longhorn, keeping in line with Kessler Presents' goal of connecting the venue's history to the present and future.

    "We first played the Longhorn in 1974, and for a bunch of young Bob Wills fans, it was a thrill," says Asleep at the Wheel frontman and founder Ray Benson in a statement. "I have seen the ups and downs of the Longhorn over the last 50 years, and am very excited and relieved that Edwin and his team are going to continue to honor the tradition of this special place and make sure it is never forgotten or lost like so many other of Texas’ historic venues and dance halls."

    "To be the first band back on the Longhorn stage for the reopening is an honor and an opportunity I take great pride in having," Benson says. "You can bet the dance floor will be packed and Bob Wills music will be played!"

    Morgan Wade was originally scheduled for the Kessler Theater, but that show sold out, prompting the team to move the show to the Longhorn, which with 2,000-plus seats is larger capacity, and adding alt-country favorites Lucero to the bill.

    Tickets can be purchased at Longhornballroom.com and go on sale at 10 am on the following dates:

    • January 31: Morgan Wade/Lucero
    • February 1: Asleep at the Wheel
    • February 3: Old Crow Medicine Show (with artist presale on February 1)
    • February 3: Emmylou Harris
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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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