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    Movie Review

    Dense A.I.-centric plot keeps Mission: Impossible - Dead Reckoning Part One from flying high

    Alex Bentley
    Jul 12, 2023 | 11:52 am

    Since Tom Cruise and Christopher McQuarrie started making movies together, the results have been mostly amazing. McQuarrie has either written, or written and directed, Cruise-starring movies like Edge of Tomorrow, Mission: Impossible – Rogue Nation, Mission: Impossible – Fallout, and Top Gun: Maverick (yes, he also wrote Jack Reacher and The Mummy, but nobody’s perfect).

    The duo is back together again in their favorite series with Mission: Impossible – Dead Reckoning Part One, what could be the beginning of the end to Cruise’s three-decade run as IMF agent Ethan Hunt. As always, Hunt and his extreme world-saving adventures have run him afoul of the U.S. government, with Eugene Kittridge (Henry Czerny, returning for the first time since in the original film) tasking a group of mercenaries to take out Hunt once and for all.

    Hunt, naturally, has bigger concerns on his mind, this time an artificial intelligence known as The Entity that threatens to destabilize the entire world. Joined by team members Luther Stickell (Ving Rhames) and Benji Dunn (Simon Pegg), love interest/fellow spy Ilsa Faust (Rebecca Ferguson), and a thief by the name of Grace (Hayley Atwell), Hunt travels around the world trying to track down a cruciform key that could help stop The Entity.

    Directed by McQuarrie and co-written by McQuarrie and Erik Jendresen, the nearly three-hour film is the longest in the series’ history, mostly because the filmmakers fill its running time with a ton of exposition. Even for a series that is famously dense with confusing plots, this one takes the cake, as scene after scene tries to explain how dangerous The Entity is, as well as how new villain Gabriel (Esai Morales) fits into the scheme.

    Somewhat disappointingly, that means that the series’ action scenes take a bit of a backseat. To be sure, there are some truly spectacular sequences, including a finale that will have audiences holding their collective breath, but they’re not as plentiful and definitely not as impactful as ones in previous films. Perhaps McQuarrie is saving the truly great stuff for Part Two, or perhaps – after upping the ante in each film in the series – he and his team were due for a letdown.

    The film also suffers to a degree from a lack of a compelling central villain. The idea of A.I. taking over the world is very timely given the rise of ChatGPT, but in the context of an action film, it’s not that exciting. How or why Gabriel is a conduit for The Entity is also confusing, as is his supposed long antagonistic relationship with Ethan, which is never explored well enough to be noteworthy.

    The 61-year-old Cruise is as fearless as ever, giving his all to each action scene and truly making you feel the depth of Hunt’s emotion. Ferguson, who’s been a boon for the series in the past two films, is great again, although she’s not given as much to do in this film. Atwell fits in nicely, but the presence of Ferguson and Vanessa Kirby as returning character The White Widow makes her superfluous in the “pairing Cruise with femme fatales” game.

    Mission: Impossible – Dead Reckoning Part One is still much better than the majority of franchise films being offered up by studios, but when you have the track record the series has had to this point, anything less than greatness is discouraging. Part Two awaits in 2024, so redemption may not be far off.

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    Mission: Impossible – Dead Reckoning Part One is now playing in theaters.

    Hayley Atwell and Tom Cruise in Mission: Impossible - Dead Reckoning Part One

    Photo courtesy of Paramount Pictures

    Hayley Atwell and Tom Cruise in Mission: Impossible - Dead Reckoning Part One.

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    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

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    Project Hail Mary opens in theaters on March 20.

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