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Movie Review

Top Gun: Maverick cruises past summer blockbusters with its need for real speed

Alex Bentley
May 25, 2022 | 3:45 pm
Tom Cruise in Top Gun: Maverick. play icon
Tom Cruise in Top Gun: Maverick.
Photo courtesy of Paramount Pictures

So many different movie and TV properties from the 1980s have been rebooted or reimagined over the years that it’s a wonder the decade still has anything to offer. But when Top Gun: Maverick, the sequel to 1986’s Top Gun, was announced, it marked something special, both because it had been over 30 years since the original, and because star Tom Cruise is still operating at the peak of his entertaining powers, a rarity for any longtime Hollywood A-lister.

Cruise returns as Pete “Maverick” Mitchell, stuck at Captain in the ranks of Naval officers because he still has a penchant for disobeying orders from his superiors. One such stunt that opens the film in a stellar way has Maverick sent back to North Island in San Diego to train the best of the best Top Gun graduates for a special mission overseas, a teaching job that his superior, Beau “Cyclone” Simpson (Jon Hamm), promises will be Maverick’s last post ever.

Of course, Maverick has no intention of teaching “by the rules,” and so he guides his trainees — which include Jake “Hangman” Seresin (Glen Powell), Bradley “Rooster” Bradshaw (Miles Teller), and Natasha “Phoenix” Trace (Monica Barbaro) — through a series of increasingly risky flight sessions, all to get them prepared for a seemingly impossible scenario.

Directed by Joseph Kosinski and written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, this is the final major movie that was scheduled for release in 2020 to finally make it to the big screen. And even though some have been frustrated by its multiple delays, the wait was well worth it, as the high-flying action, with the audience right there in the planes for much of it, can only properly be enjoyed in an all-encompassing environment.

Some sequels try to change things up to offer something new, and some say “if it ain’t broke, don’t fix it.” Maverick falls squarely in that second category, as it essentially offers up the greatest hits from the original in a slightly repackaged manner. You have Rooster, the son of Goose (Anthony Edwards), singing “Great Balls of Fire” just like his dad. You have Maverick romancing Penny (Jennifer Connelly), a bar owner who’s his equal in many ways, just as Charlie (Kelly McGillis) was. You have the Top Gun pilots engaging in a game of shirtless beach football, a tip of the hat to the shirtless beach volleyball game from the first film.

But what everyone really wants is to be wowed by the fighter plane action, and the film does not disappoint. There’s nothing quite like the thrill of seeing planes fly at hundreds of miles an hour in close proximity to one another, and the effect increases exponentially when we’re put in the cockpit with Cruise or others. Seeing the actors actually experience the debilitating effects of g-force while in a steep ascent ups the verisimilitude of the film so much that you find yourself holding your breath due to the tension.

The actual mission the pilots are training for is a bit nebulous. The filmmakers make sure that the target, a uranium facility that’s about to become operational, is located in an unnamed country to thwart any unnecessary hand-wringing about maligning a certain area of the world or its people. This lack of specificity keeps that part of the story from meaning all that much, but in the end all we care about is the pilots and their skills.

I’ve said it many times before, but no other superstar actor gives more to his chosen craft than Cruise. He’s right there in the plane, on the motorcycle, and on the beach, mixing it up with people 25-30 years younger than him, and not seeming out of place in the slightest. The young pilots are all cast well, from established people like Teller and Powell to lesser-knowns like Barbaro, Lewis Pullman, and Jay Ellis.

What makes Top Gun: Maverick as successful as the original is the willingness to go against the grain of 21st century moviemaking and forgo obvious CGI. The planes, the pilots, and their need for real speed is what makes a Top Gun movie special, and the filmmakers deliver in almost every possible way.

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Top Gun: Maverick opens in theaters on May 27.

Tom Cruise in Top Gun: Maverick.

Tom Cruise, Top Gun Maverick
Photo courtesy of Paramount Pictures
Tom Cruise in Top Gun: Maverick.
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Movie Review

Revived Coyote vs. Acme shows Looney Tunes’ enduring appeal

Alex Bentley
Aug 28, 2026 | 12:00 pm
Wile E. Coyote in Coyote vs. Acme
Photo courtesy of Ketchup Entertainment
Wile E. Coyote in Coyote vs. Acme.

No movie studio has gone through more ups and downs in the past few years than Warner Bros. In 2022, they oddly shelved two mostly-completed movies, Batgirl and Scoob! Holiday Haunt. But the next few years brought major movies like Barbie, Dune Part Two, Sinners, Superman, Weapons, and One Battle After Another, giving them a huge boost. Strangely, that led directly into a proposed sale to Paramount that is now going through legal battles.

Another previously-shelved Warner Bros. movie, Coyote vs. Acme, is now seeing the light of day thanks to a deal with a small company called Ketchup Entertainment. Taking its cue from the classic Looney Tunes cartoons, the film creates a world in which Wile E. Coyote - sick of constantly being thwarted in his pursuit of Road Runner by faulty Acme products - decides to sue the company.

To do so, he approaches the law firm of Avery, Jones & Maltese, led by Kevin Avery (Will Forte). The firm typically takes on small cases that are easy to settle, but - with a little subterfuge from Wile E. Coyote - they are soon presenting Acme and its lead attorney, Buddy Crane (John Cena), with a lawsuit that could be worth millions of dollars. Naturally, the big corporation won’t give in without a fight, leading to all sorts of shenanigans on both sides.

Directed by Dave Green and written by Samy Burch from a story by Burch, James Gunn, and Jeremy Slater, the film is a fun mixture of nostalgia and clever storytelling. Most of Looney Tunes’ classic characters make an appearance in the film, including Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, and Sylvester. The two, other than Wile E. Coyote and Road Runner, who get the most play are Tweety, who appears in some of the movie’s funniest scenes, and Foghorn Leghorn, reimagined as the CEO of Acme.

The blend of live action and animation is not quite on the level of something like Who Framed Roger Rabbit, but it is still effective. It also affords the film plenty of opportunities to employ Looney Tunes’ signature brand of cartoon violence that doesn’t actually leave lasting damage. The gags are very familiar for those who grew up on the studio’s short films, but combined with the inventive ways in which they’re used and the pointed jabs at corporate culture, they become somewhat fresh again.

Naturally, there are plenty of references in the film, starting with the name of the law firm, which pays homage to legendary directors Chuck Avery and Chuck Jones, as well as writer/animator Michael Maltese. Sly jokes that could turn the film from PG to PG-13 sneak their way in, although they steer clear of elements that haven’t aged well (documented in a recent viral comedy clip). But the film is at its best when it leans into the well-earned traits of its favorite characters and just lets them cook.

Forte is a great scene partner for Wile E. Coyote, as he can turn even minor slights into comedy gold. His deadpan reactions are the ideal way to counter the insanity going on around him. Cena has proven in other films that he has great comic timing, and he demonstrates that skill well here, too, especially in a fantastic scene opposite Tweety. The voice talent does a good job with the iconic characters, although the legendary Mel Blanc remains the gold standard.

Coyote vs. Acme is not a world-changing movie by any means, but it is a fun twist on the characters many know and love that deserved to be seen by moviegoers. Wile E. Coyote may never actually catch Road Runner, but this movie shows that his unceasing attempts remain entertaining after all these years.

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Coyote vs. Acme is now playing in theaters.

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