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    Movie News

    Dallas movie theater is one of 15 in U.S. to host magical hologram

    Teresa Gubbins
    Nov 10, 2025 | 10:06 am
    Now You See Me: Now You Don't hologram

    Now You See Me: Now You Don't hologram

    Lionsgate

    One Dallas movie theater will be part of a first-of-its-kind promotion to hype the new film Now You See Me: Now You Don't: According to a release, 15 theaters across the U.S. will host appearances by the cast — Jesse Eisenberg, Isla Fisher, and the rest — in hologram pop-ups.

    Moviegoers can take selfies with the holograms starting on November 14, when Lionsgate releases the film in theaters.

    Working with technology by Proto Hologram, Lionsgate will bring the characters — played by Jesse Eisenberg, Isla Fisher, Dave Franco, Justice Smith, and Ariana Greenblatt — into theaters. In the promotion, the holograms take out their own cell phones to capture selfies with the theater patrons, who can download the images via QR code.

    Proto is also in use for the AI Jerry Jones at AT&T Stadium. But Lionsgate Worldwide Distribution president Kevin Grayson says in a statement that the promotion is perfect for this particular film.

    “This amazing technology borders on magic, so there’s no better way to anticipate the release of Now You See Me: Now You Don’t,” Grayson says. “Get your selfies with the cast now, before they disappear.” Clever! You can see why he's Lionsgate's president of Worldwide Distribution.

    "This represents a new milestone for holographic experiences in cinemas, and the largest theatrical activation Proto has ever delivered,” said David Nussbaum, Founder and Chairman of Proto Hologram. “We were thrilled to work with Lionsgate to bring the cast directly into theater lobbies."

    Moviegoers can see the tech in action at the following theaters:

    • Phoenix — Harkness Tempe Marketplace
    • Los Angeles — AMC Grove 14
    • Orange County — Regal Irvine Spectrum
    • San Francisco — AMC Bay Street, Emeryville
    • Denver — AMC Westminster Promenades 24
    • Washington, DC — AMC Tysons Corner
    • Orlando — AMC DINE-IN Disney Springs 24
    • Atlanta — Regal Atlantic Station
    • Chicago — AMC Chicago River East
    • Boston — Showcase Legacy Place (Dedham)
    • St. Louis — Marcus Ronnie's Cinema 20
    • Albuquerque — Cinemark Albuquerque Rio 24
    • New York — AMC Empire 25
    • Dallas — Cinemark Webb Chapel
    • Houston — Regal Mrq*E

    In Now You See Me: Now You Don’t, the Four Horsemen (Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher) unite with a new generation of illusionists (Justice Smith, Dominic Sessa, Ariana Greenblatt) in a mission to expose the corruption of Veronika Vanderberg (Rosamund Pike), a diamond heiress with ties to arms dealers, traffickers, and warlords.

    Aided by the legendary Thaddeus (Morgan Freeman), the two generations of magicians overcome their differences to try and defeat their adversary. The release promises some of the most thrilling illusions ever captured on film.

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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

    ---

    Five Nights at Freddy's 2 opens in theaters on December 5.

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