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Show business

Texas’ ban on certain drag shows ruled unconstitutional — again

Associated Press
Aug 27, 2026 | 12:03 pm
Mexican drag queen Mikaela La Brava
Prominent Mexican drag queen Mikaela La Brava.
Photo by Dave Soto on Unsplash

Texas once again cannot enforce its restrictions on some public drag shows after a federal judge declared a 2023 law unconstitutional for the second time.

U.S. District Judge David Hittner initially declared Senate Bill 12 unconstitutional in September 2023 only a few months after it was passed by the Texas Legislature, citing First Amendment violations. More than two years later in November, the 5th U.S. Circuit Court of Appeals unblocked the law and returned the case to Hittner with specific instructions on how to reassess it.

Hittner reaffirmed his ruling Tuesday, August 25, stating in his order that besides removing several plaintiffs and defendants from the lawsuit, the appellate court’s decision “did not disturb” his prior decision declaring SB 12 unconstitutional. The ruling again pauses the law, which had gone into effect in March after the 5th Circuit’s decision.

The ruling described SB 12 as overly broad in its definitions of performance and nudity, stating that provocative cosplay at conventions, swimming athletes, or Dolly Parton and Elvis impersonators could potentially be penalized under the law.

“The vast majority of the law’s numerous applications violate the First Amendment because all the performances that it has an actual impact on are constitutionally protected and are targeted for prohibition based on content and viewpoint,” Hittner wrote.

The suit was originally filed against Texas Attorney General Ken Paxton, two counties three district attorneys, and one county attorney by two community pride groups, two entertainment groups, and Brigitte Bandit, a drag queen and longtime Texas LGBTQ+ rights activist. After the 5th Circuit’s ruling, the two pride groups were removed as plaintiffs and Paxton was left as the sole defendant, which Hittner said satisfied the higher court’s instructions.

Tiffany Epiphany and Brigitte Bandit Tiffany Epiphany with local celeb and activist Brigitte Bandit at an Austin Pride parade. Photo by Natalie Grigson

“We use our performances to assert liberation, power, and joy with our community,” Bandit said in a statement provided by the American Civil Liberties Union of Texas, which represented the plaintiffs. “As a lifelong Texan, I’m sick of this state trying to censor art and stoke hatred and violence against drag artists and the LGBTQIA+ community.”

SB 12 as adopted in law contains no language explicitly referencing drag performances, however a previous version while in the Legislature specifically included references to drag. Hittner noted in Tuesday's ruling that opponents of drag performances are not obligated to attend them.

“Finally, for those who find such activities as described in this case offensive, the solution is relatively simple … just don’t go,” he wrote.

Hittner also denied a request from Paxton for a supplemental trial and new discovery in the case. Paxton, in a social media post Tuesday, said his office would seek an appeal to the ruling to protect Texas kids.

“This is a profoundly flawed decision that endangers our children and is an affront to Texas values,” he said.

---

This story was originally published by The Texas Tribune and distributed through a partnership with The Associated Press.

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Movie Review

Post-apocalyptic film The Dog Stars tests the mettle of star Jacob Elordi

Alex Bentley
Aug 27, 2026 | 10:24 am
Jacob Elordi in The Dog Stars
Photo courtesy of 20th Century Studios
Jacob Elordi in The Dog Stars.

There has never been a shortage of post-apocalyptic films in movie history, with the genre proving popular since it allows viewers to confront fears about the real world without actually having to experience the extreme conditions depicted on screen. The Dog Stars deals with its version of the end of the world in ways that are alternately genteel, brutal, and downright wacky.

Hig (Jacob Elordi), a mechanic and pilot, lives on a rural airfield in Colorado alongside his prepper friend Bangley (Josh Brolin). An unspecified virus has wiped out most of humanity and the two of them have banded together to survive. As the film begins, Hig is making one of his occasional plane trips to Denver, gathering medical supplies, gas, and treats for both the two of them and a group of Mennonites who live close by.

While Bangley is happy being a loner and taking out anyone who dares step foot on their property, Hig wants to try to find other survivors, especially when he picks up a scratchy radio signal from Grand Junction. A perhaps ill-advised solo journey puts him in contact with Pops (Guy Pearce) and Cima (Margaret Qualley), a father-and-daughter living on their own, along with other groups who are much less welcoming.

Directed by Ridley Scott and written by Mark L. Smith, the film is a relatively slow-paced affair that is occasionally punctuated by moments of violence. On the plus side, that allows for plenty of character development for Hig - who’s still mourning the wife he lost and has a deep bond with his dog, Jasper - and Bangley, whose go-it-alone mentality makes it a little difficult to fathom how he ever came to trust Hig in the first place.

This is no zombie movie, and so while characters still fear exposure to the mysterious virus, it’s more about the finality of death than hordes of undead coming after them. There are however, desperate individuals and marauding groups that become occasional threats, and the manner in which they are dealt with in the film can be shocking. It’s easy to feel the menace from the more organized groups, but when small duos or trios are dispatched without even a word, it tests the audience’s moral compass.

The film has a mostly meandering quality instead of a specific plot as Hig explores the area in his plane. This works for the majority of the film, but a few sequences in the final 45 minutes of the film give the story an abruptly bizarre turn, making them feel like they belong in a totally different movie. Scott and Smith manage to right the ship before the film ends, but to say those elements come out of nowhere is an understatement.

Elordi, whose recent roles (Wuthering Heights, Frankenstein) have been showier, has a solid presence here, becoming someone whose expertise and continuing grief are completely believable. Brolin makes for a nice foil as a man who gets by on machismo. Qualley, who tends to be over-the-top in her parts, keeps things low-key, which makes Cima interesting and sympathetic. Pearce goes a bit manic as the over-protective father, but it works in the context of the film.

Like a lot of post-apocalyptic films, The Dog Stars leaves you with more questions than answers, but the time spent with the characters makes up for any nagging plot discrepancies. Save for a couple of weird sections, the film stays grounded in reality, making it feel like an entertaining meditation on how life could be should disaster strike.

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The Dog Stars opens in theaters on August 28.

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