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    concert news

    Goth rock gods The Cure will tour in summer 2023 with date in Dallas

    Alex Bentley
    Mar 9, 2023 | 9:09 am
    The Cure

    Robert Smith and The Cure will play Dos Equis Pavilion on May 13.

    The Cure/Facebook

    Legendary English rock band The Cure is coming to Dallas, part of a North American tour that will include the first Texas stop at Dos Equis Pavilion on Saturday, May 13.

    Called Shows of a Lost World, the tour launches on May 10 in New Orleans, and including two other dates in Texas: Houston on May 12 and Austin on May 14.

    The tour also includes two 3-night stands — at Madison Square Garden in New York and the Hollywood Bowl in Los Angeles — before wrapping up in Miami on July 1. The majority of the venues will be outdoor, including the Dallas date at Dos Equis Pavilion.

    The tour supports a new album that has been in the works since 2019, called Songs of a Lost World, which is forecast to come out sometime this spring.

    This year marks The Cure's 45th anniversary after their formation in 1978. They rose to fame in the late '80s/early '90s with top-selling albums Disintegration and Wish, featuring indelible hits like "Lullaby," "Lovesong," and "Never Enough."

    The last time The Cure came to this side of the pond was 2016, when they played the same three Texas cities. Their last visit before that was in 2008, giving fans precious few opportunities to see them play live.

    The touring lineup includes frontman Robert Smith, the band's only original member, plus guitarist Reeves Gabrels, bassist Simon Gallup, drummer Jason Cooper, keyboardist Roger O’Donnell, and drummer Jason Cooper, plus the surprise return of guitarist/keyboardist Perry Bamonte, who played in the band from 1990-2005.

    Tickets go on sale on Wednesday, March 15 via Ticketmaster Verified Fan Sale, which requires registration to access. Fans can register through March 13 at 10 am Pacific Time.

    In an email sent out to fans, Smith stated that "The Cure have agreed all ticket prices, and apart from a few Hollywood Bowl charity seats, there will be no ‘platinum’ or ‘dynamically priced’ tickets on this tour."

    The tour dates are as follows:

    • May 10 New Orleans, Smoothie King Center
    • May 12 Houston, Toyota Center
    • May 13 Dallas, Dos Equis Pavilion
    • May 14 Austin, Moody Center
    • May 16 Albuquerque, Isleta Amphitheater
    • May 18 Phoenix, Desert Diamond Arena
    • May 20 San Diego, Nicu Amphitheatre
    • May 23-24-25 Los Angeles, Hollywood Bowl
    • May 27 San Francisco, Shoreline Amphitheatre
    • June 1 Seattle, Climate Pledge Arena
    • June 2 Vancouver, Rogers Arena
    • June 4 Salt Lake City, Vivint Smart Home Arena
    • June 6 Denver, Fiddler’s Green Amphitheatre
    • June 8 Minneapolis St. Paul, Xcel Energy Center
    • June 10 Chicago, United Center
    • June 11 Cleveland, Blossom Music Center
    • June 13 Detroit, Pine Knob Music Theatre
    • June 14 Toronto, Budweiser Stage
    • June 16 Montreal, Bell Centre
    • June 18 Boston, Xfinity Center
    • June 20-21-22 New York, Madison Square Garden
    • June 24 Philadelphia, Wells Fargo Center
    • June 25 Columbia, MD Merriweather Post Pavilion
    • June 27 Atlanta, State Farm Arena
    • June 29 Tampa, Amalie Arena
    • July 1 Miami, Miami-Dade Arena
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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