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    Weekend Event Planner

    Theater and comedy top the 13 best things to do in Dallas this weekend

    Alex Bentley
    Feb 6, 2025 | 6:00 am

    If you're a theater fan, then this weekend in and around Dallas will be heaven, as it features the start of no fewer than nine separate local theater productions — plays, musicals, children's theater, decidedly adult theater, and more. Other choices include performances of one of the most famous classical music compositions of all time, a visit from a famous comedian, an opera production, and the final days of an art exhibition.

    Below are the best ways to spend your free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Jeremy Piven
    Photo courtesy of Jeremy Piven

    Jeremy Piven will perform at Improv Arlington on February 7 and 8.

    Thursday, February 6

    The Firehouse Theatre presents Million Dollar Quartet
    Million Dollar Quartet transports audiences to December 4, 1956, when an extraordinary twist of fate united four music legends - Johnny Cash, Jerry Lee Lewis, Carl Perkins, and Elvis Presley - at the iconic Sun Records studio in Memphis for an unforgettable jam session that made history. The production runs through February 23 at The Firehouse Theatre in Farmers Branch.

    Dallas Symphony Orchestra presents "Beethoven’s Fifth Symphony"
    No other symphony has such instant recognition as Beethoven’s Fifth. Rising from its four powerful opening chords, it follows a euphoric path from tragedy to triumph, from darkness into the light, uplifting spirits on the journey. Conductor Fabio Luisi will also lead the Dallas Symphony Orchestra and Concertmaster Alexander Kerr in Bruch’s romantic Violin Concerto and the world premiere of Pulitzer Prize-winning Native American composer Raven Chacon’s first major work for orchestra. There will be four performances through Sunday at Meyerson Symphony Center.

    Kitchen Dog Theater presents Wakey, Wakey
    The first words in Will Eno's play Wakey, Wakey are spoken by Guy, a man who knows, like all of us on some level, that he is about to die. The play questions why we are here and the journeys that everyone takes to eventually get to the same place. Eno challenges what is worth celebrating in life and what is worth treasuring in this moving and funny play. The production runs through February 23 at Beau Bumpas Media in Dallas.

    Friday, February 7

    Improv Arlington presents Jeremy Piven
    You probably know Jeremy Piven from his role as Ari Gold on the HBO series Entourage or from any number of TV and movie parts over his nearly 40-year career. But what you might not know is that he is also on a quest to introduce his fans to an even funnier side with his stand-up comedy show. He'll perform four times through Saturday at Improv Arlington.

    Art Centre Theatre presents The Vagina Monologues
    An Obie Award-winning whirlwind tour of a forbidden zone, The Vagina Monologues introduces a wildly divergent gathering of female voices, including a six-year-old girl, a septuagenarian New Yorker, a vagina workshop participant, a woman who witnesses the birth of her granddaughter, a Bosnian survivor of rape, and a feminist happy to have found a man who "liked to look at it." The production runs through February 22 at Art Centre Theatre in Plano.

    The Dallas Opera presents Orpheus and Eurydice
    How far would you go to save your one true love? In this classic myth of unwavering love that celebrates the transcendent power of music, Orpheus descends to the land of shadows to rescue his bride Eurydice. His music charms its gatekeepers, and the gods allow Eurydice to return - on the condition that Orpheus lead her back to the world of the living without gazing upon her face. The opera will have four performances through February 15 at Winspear Opera House.

    Richardson Theatre Centre presents The Murder of Roger Ackroyd
    In this thrilling stage adaptation of Agatha Christie’s ingenious 1926 novel, the tiny village of King’s Abbot is rocked by scandal when Roger Ackroyd, the wealthiest man in town, is found dead shortly after the apparent suicide of his fiancée. The production runs through March 2 at Richardson Theatre Centre.

    Theatre Coppell presents You're a Good Man, Charlie Brown
    Based on the beloved Charles Schulz comic strip, You're a Good Man, Charlie Brown finds Charlie Brown and the entire Peanuts bunch exploring life's great questions as they play baseball, struggle with homework, sing songs, swoon over their crushes, and celebrate the joy of friendship. The production runs through February 23 at Coppell Arts Center.

    Lewisville Playhouse presents Tigers Be Still
    In this family comedy, Sherry Wickman, armed with a new art therapy degree, moves back home, seeking work but facing rejections. Struggling with unemployment, she retreats to her childhood bed until a job offer sparks hope. Now if only her mother would come downstairs, her sister would get off the couch, her very first therapy patient would do just one of his take-home assignments, her new boss would leave his gun at home, and someone would catch the tiger that escaped from the local zoo, everything would be just perfect. The production runs through February 23 at Lewisville Playhouse.

    Uptown Players presents we are continuous
    The deeply personal story of we are continuous delves into the dynamics between a mother, her son, and his husband as they navigate the perplexities of their interconnected lives. Simon, a gay Black man, and his devout Christian mother, Ora, have always been close. Despite knowing Simon is gay, Ora has avoided discussing his sexuality since he came out at 16. The play illustrates the difficult journey of acceptance and the immense strength needed to mend what is shattered. The production runs through February 23 at Theatre Three.

    Saturday, February 8

    Cara Mia Theatre presents Tina's Journey
    Tina’s Journey (El Viaje de Tina) is about a young girl, her family, and her ancestors who hope to cross the U.S.-Mexico border before the Day of the Dead holidays. Performed in contemporary and Mexican folk masks, the play is a whimsical yet heartfelt production that is an accessible way for young people to learn about the migration of children into the United States. The production runs through February 23 at Latino Cultural Center.

    Ochre House Theater presents Fate Complete
    Set in the 1960s, Fate Complete follows Evelyn Forsyth, a war child who made it big in the movie industry then gave up her rocketing career to be with the love of her life, William Forsyth, a well-established movie executive. By all appearances, William and Evelyn had the ideal life; however, all is not what it appears to be. Beneath the surface, an abusive cycle is exposed, and Evelyn is left with difficult choices. The production runs through March 1 at Ochre House Theater.

    Sunday, February 9

    Dallas Museum of Art presents Cecily Brown: "Themes and Variations" closing day
    Sunday will be the final day to see "Themes and Variations," a major mid-career retrospective of pioneering British-American painter Cecily Brown, at the Dallas Museum of Art. It is the first exhibition to fully explore Brown's work through the lens of its groundbreaking reconfiguration of cultural politics, bringing together nearly 30 large-scale paintings and drawings from across almost 30 years of her career.

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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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