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    Weekend Event Planner

    These are the 10 best things to do in Dallas this weekend

    Alex Bentley
    May 25, 2023 | 6:00 am

    There is quite the variety of events going on across Dallas this long Memorial Day weekend, with multiple outdoor events and celebrities of all different types. Choices include a (literally) major golf tournament, dance in a (sculpture) garden, two local theater productions, a horror convention, two big rock concerts, a classical concert, a unique musical performance, and an arts festival.

    Below are the best ways to spend your precious free time this weekend. Want more options? Lucky for you, we have a much longer list of the city's best events.

    Thursday, May 25

    Pilobolus in the Garden
    Photo by Casey Howes and Krystal Butler

    Pilobolus in the Garden will be at Nasher Sculpture Center on May 25 and 26.

    KitchenAid Senior PGA Championship
    Major Championship golf is coming to Frisco for the first time with the playing of the 83rd KitchenAid Senior PGA Championship at the Omni PGA Frisco Resort. Twenty-five major champions will be part of the 156-player field, including John Daly, David Duval, Ernie Els, Nick Faldo, Jim Furyk, Retief Goosen, Pádraig Harrington, Bernhard Langer, Tom Lehman, Justin Leonard. Davis Love III, Jose Maria Olazabal, Vijay Singh, Mike Weir, and more. The tournament takes place through Sunday.

    TITAS/Dance Unbound presents Pilobolus in the Garden
    Pilobolus in the Garden is a special TITAS-commissioned site-specific project created for, and in, the Nasher Sculpture Garden. The magical work involves the famed Pilobolus dancers performing with Booker T. Washington HSPVA’s student dancers, moving throughout the entire the Nasher garden landscape. The dancers, and audience, move quietly through the sculpture garden in an outdoor experience. There will be four performances through Friday.

    Pocket Sandwich Theatre presents How the Other Half Loves
    How the Other Half Loves follows three married couples whose lives are hopelessly, hilariously, entwined. Chaos ensues following the consequences of an adulterous affair between a married man and his boss' wife and their attempts to cover their tracks by roping in a third couple to be their alibi, resulting in a chain of misunderstandings, conflicts, revelations, and laughter. The production runs through June 17 at Pocket Sandwich Theatre in Carrollton.

    Friday, May 26

    Texas Frightmare Weekend
    The annual Texas Frightmare Weekend, the Southwest’s premier horror convention, celebrates all aspects of genre films. The event features a variety of celebrity appearances, including filmmaker John Carpenter; filmmakers Sam and Ted Raimi; Amber Midthunder, Dakota Beavers, and Dane DiLiegro from Prey; actor/dancer Amie Donald from M3GAN; and more. There will also be autograph signings, screenings, exclusive parties, and horror memorabilia vendors from all over the country. The event takes place through Sunday at Irving Convention Center at Las Colinas.

    Dead & Company in concert
    Dead & Company comes to Dallas part of their final tour since forming in 2015. The band - Mickey Hart, Bill Kreutzmann, John Mayer, and Bob Weir, with Oteil Burbridge and Jeff Chimenti – will perform two sets of music drawing from the Grateful Dead’s historic catalog of songs. The concert is at Dos Equis Pavilion.

    Dallas Symphony Orchestra presents "Liszt & Ligeti"
    The final concert in Dallas Symphony Orchestra's 2022/2023 classical series will be "Liszt & Ligeti," featuring conductor Jaime Martin and pianist George Li. The program will include Ligeti's Concert Românesc für Orchester, Liszt's Piano Concerto No. 1 in E-flat Major for Piano and Orchestra, and Bartok's Concerto for Orchestra. There will be three performances through Sunday at Meyerson Symphony Center.

    Bush in concert with Our Lady Peace
    British rock band Bush is a rarity in the music industry, in that they've consistently been more popular in the United States than their native country. Their debut albums, 1994's Sixteen Stone, went to No. 4 on the Billboard 200, but only No. 42 in the UK, a trend that has remained the same throughout their career. They'll honor that special relationship with U.S. fans at this concert at The Pavilion at Toyota Music Factory in Irving, which is in support of their 2022 album, The Art of Survival. They will be joined by Our Lady Peace.

    Richardson Theatre Centre presents No Sex Please, We're British
    A young bride who lives above a bank with her husband, who is the assistant manager, innocently sends a mail order off for some Scandinavian glassware. What comes is Scandinavian pornography. The matter is considerably complicated by the man's mother, his boss, a visiting bank inspector, a police superintendent, and a muddled friend who does everything wrong in his reluctant efforts to set everything right, all of which works up to a hilarious ending of closed or slamming doors. The production runs through June 11 at Richardson Theatre Centre.

    Jess Garland presents Luminescence
    Part of AT&T Performing Arts Center's Elevator Project series, Luminescence is a performance featuring Jess Garland on a laser-harp created by frequent collaborator Eric Trich. The performance shows the connection between light, sound, and visual arts. There will be three performances through Sunday at Wyly Theatre.

    Saturday, May 27

    Deep Ellum Community Arts Fair
    Taking the place of the now-defunct Deep Ellum Arts Festival, the inaugural Deep Ellum Community Arts Fair seeks to highlight the wide variety of artists, performers, and entertainers in the Dallas area. Taking place through Monday, the event will be filled with curated exhibits, concerts, and food showcasing the talent and businesses inside of the community. The layout of the fair will run down Crowdus Street to bring more foot traffic to Deep Ellum businesses.

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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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