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    Movie Review

    Scream queen returns for Halloween in horror dramedy Your Monster

    Alex Bentley
    Oct 25, 2024 | 12:35 pm
    Your Monster

    Your Monster

    Vertical Entertainment

    Actor Melissa Berrera has been on an upward trajectory in the past few years, starring in the rebooted Scream franchise and as one of the leads in the movie version of Lin-Manuel Miranda’s In the Heights. Given its title - Your Monster - and release date, her latest film would seem to be poised to take advantage of the thirst for Halloween horror content.



    Instead, it plays more like a dramedy, with Barrera starring as Laura, who as the film begins endures a string of unfortunate events: She’s in the hospital for unknown reasons, her boyfriend Jacob (Edmund Donovan), breaks up with her, and the breakup forces her to move back to her childhood home, with only her friend Mazie (Kayla Foster) for company as her family is otherwise out of the picture.

    Just her luck, the monster (Tommy Dewey) who freaked her out as a child is still living there, although now he acts like a normal person instead of some scary creature. While they initially butt heads over sharing the same space, they gradually start to bond, with the monster encouraging Laura - an aspiring Broadway actor - to pursue a role in Jacob’s new musical despite their recent split. Her antagonistic relationship with Jacob and her growing one with the monster each start to color the way she acts.

    Written and directed by Caroline Lindy, a first-time feature filmmaker who made a short film version of the story in 2020, the film never seems to settle on the right tone. Laura is initially presented as an over-the-top character, a trait that keeps her at arm’s length when it comes to emotional connection. Slowly, drama, horror, and romance start to be introduced, each to little success because of Laura’s personality and the presence of a monster who’s rarely very monstrous.

    It seems like Lindy wants the movie to be kind of a twist on the Beauty & the Beast story, this time with the monster the more level-headed of the two. There are moments when it feels like the film is headed down the right path, but it never quite gets to the intended destination. It’s also hampered by a side plot involving Jackie (Meghann Fahy), the actor chosen to be the lead in Jacob’s musical, creating a rivalry with Laura that fails to inspire.

    Another (perhaps unintended) reference is the 1985 Michael J. Fox movie Teen Wolf, whose title character this movie’s monster resembles in both looks and demeanor. The goofiness of having the monster act like a regular human being works well in the introductory phase, but it doesn’t make as much sense as the film goes along. The twists that the story takes don’t really match up what has come before.

    Barrera has shown promise in other recent roles, but the choices she makes in this role don’t serve her or the character well. Dewey, who was a stand-out performer in the recent Saturday Night, is fun as the monster, but it’s ultimately a one-note role that doesn’t give him much to do. Donovan also has little nuance in his character or performance, resulting in him being uninteresting.

    The premise of Your Monster is one that could have been taken in many different directions, but the one chosen by Lindy turned out to be the least successful. She never gets a handle on exactly what story she wanted to tell, and in the end it’s a muddled, mostly boring affair.

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    Your Monster is now playing in theaters.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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    The Housemaid is now playing in theaters.

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