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The Inevitable Decline?

Radical roster makeover means Mavericks look like playoff contenders but nothingmore

Matthew Postins
Oct 29, 2012 | 3:07 pm
  • Dirk Nowitzki is the only trophy-holding player who remains in Dallas.
    theurbandaily.com
  • Steve Nash is now playing with the Los Angeles Lakers, a team favored to win the2013 NBA championship.
    halestormsports.com
  • Dallas billionaire Mark Cuban is known as much for his stints on realitytelevision as he is for owning the Mavericks.
    Bornrich.com
  • Shawn Marion is one of just four players remaining from the Dallas Mavericks'NBA championship team of 16 months ago.

Say you’re a Dallas Mavericks fan, and you left to go live under a rock shortly after the Mavs won their NBA title in June 2011. You emerge from that rock to watch Dallas’ regular season opener against the Los Angeles Lakers on October 30, and you take a look at the roster.

Something tells me the likely reaction would be something along the lines of, “Um, exactly how long was I gone?”

The Mavericks’ radical roster makeover since their championship makes Washington Redskins owner Daniel Snyder’s personnel moves look restrained. In just 16 months, the Mavericks have released all but four players from that championship team. Only two of them — Dirk Nowitzki and Shawn Marion — were regulars. Only six players return from last year’s team, which saw its season end in the first round of the playoffs.

In just 16 months, the Mavericks have released all but four players from the 2011 championship team.

The other four returning players are Rodrigue Beaubois, Dominique Jones, Vince Carter and Brandan Wright. Dallas’ rallying cry after winning the title was “Keep our powder dry.”

At least that’s what owner Mark Cuban kept saying. His desire to save money after the title was tied to luring one or two true superstars to Dallas last summer to surround Nowitzki and to take over the franchise once Nowitzki retired.

Cuban and the Mavericks failed on that front. Deron Williams chose to stay in New Jersey. Dwight Howard, a player some thought the Mavs could trade for, will be in Laker gold in the opener. So will Nowitzki’s former running mate, Steve Nash.

The Mavericks did their best to give Nowitzki as competent a supporting cast as they could this season without mortgaging their financial flexibility. The results are solid. They range from competent professionals like forward Elton Brand and center Chris Kaman to enigmatic youngsters like O.J. Mayo.

The Mavs grabbed big man Eddy Curry late last week to replace suspended guard Delonte West. There are three rookies, including a 28-year-old pivot man who went to Florida State after a stint in the military. It is a motley crew, more so when you consider that Nowitzki will miss the first few weeks of the season due to knee surgery.

Life without Dirk
Is this the start of the inevitable decline and end of the Nowitzki era in Dallas? Or has it already begun? I’ve detailed the decrease in Nowitzki’s overall numbers the past two seasons, but I still believe he has good years left. Good, not great. Even the great ones slow down eventually. That’s why the supporting cast is so critical.

​When you look at this roster, there’s Nowitzki and a bunch of complementary parts. They might end up working well together, but it’s still a chemistry experiment.

The Mavs tried to cling to the glory days once before. Remember 1991? Entering that season, the Mavericks had a successful but aging core of players, namely Rolando Blackman, Brad Davis and Derek Harper. In an attempt to keep the Mavs relevant, they went after another group of aging veterans — Fat Lever, Alex English and Rodney McCray — as Dallas attempted to build around its young star, Roy Tarpley.

Of course that failed miserably. Tarpley’s drug abuse, combined with the mounting injuries to the older players, precipitated a decade-long spiral for the franchise, one that didn’t end until Cuban bought the team and Nowitzki was in his third NBA season. Is that where this Mavericks team is headed?

When you look at this roster, there’s Nowitzki and a bunch of complementary parts. Now, they might end up working well together, but it’s still a chemistry experiment. Nowitzki’s knee means you can expect a slow start.

The harder part will be finding the younger players around which the Mavs will build their roster once Nowitzki is gone. None of this year’s draft choices — Jared Cunningham, Jae Crowder and Bernard James — look like cornerstone players. They may fill nice roles down the road, but they’re not going to be superstars.

If it sounds gloomy, well, it is. We’re witnessing the slow, inevitable decline of the greatest stretch in Mavericks history. Only time will tell if Cuban will find a formula that will allow the Mavericks to return to the NBA finals one day.

unspecified
news/sports

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Texas Touchdown

This new interactive exhibit captures a century of Texas football history

Kimberly Reeves
Aug 12, 2026 | 3:46 pm
DeMarco Murray of the Dallas Cowboys
Photo courtesy of Dallas Cowboys
Football season is just weeks away, and a new online exhibit from the Texas Archive of the Moving Image explores more than a century of the sport's history in Texas.

Football season is just weeks away, and before Friday night lights return and college stadiums roar back to life, Texans can get an early kickoff with Game Film: Texas Football Culture in Motion, a new interactive online exhibit. The project from the Texas Archive of the Moving Image celebrates more than a century of the state's high school, college, and professional football history.

The free digital exhibit uses archival game film, home movies, television broadcasts, and local news coverage to explore how football is woven into the fabric of Texas life. Rather than presenting a collection of videos, the archive has curated an interactive experience that lets visitors discover the people, traditions, innovations, and defining moments behind the state's football culture.

Game Film encourages exploration through interactive features. Visitors can follow a timeline of football milestones spanning high school, college, and professional football, click through an interactive state map highlighting archival footage available from schools and programs across the state, or browse themed collections devoted to Friday night culture and fan traditions.

This project, unveiled July 31, was curated by Katharine Austin, a longtime curator at the Texas Archive, as part of the Texas Film Commission's Texas Moving Image Archive Program.

The interactive timeline traces the sport from its earliest days through the modern era, spotlighting milestones including:

  • 1894: the beginning of the Texas-Texas A&M rivalry
  • 1900: the first Red River Rivalry
  • 1914: the formation of the Southwest Conference
  • 1921: the UIL's first state football championship
  • 1938: TCU quarterback Davey O'Brien becoming the first player from a Texas college to win the Heisman Trophy
  • 1959: the founding of the Houston Oilers
  • 1960: the Dallas Cowboys joining the NFL
  • 1987: SMU's NCAA "death penalty"
  • 1996: Drew Brees leading Westlake High School to its first state football championship
  • 1999: Houston being awarded the NFL expansion franchise that became the Texans

Many later entries include original television reports and archival footage from the events themselves.

An interactive state map offers another way to explore the collection, highlighting schools, colleges, and professional teams represented in the archive.

One click reveals a silent film of Austin High School's 20-7 victory over Sunset High in the 1942 UIL state championship, while another captures Timpson High School's homecoming celebration in East Texas, complete with parade floats, marching bands, and community festivities. Other sections spotlight Friday night traditions, Darrell Royal's wishbone offense, Bill Yeoman's Veer defense, behind-the-scenes stories from the Houston Oilers, and the invention of the quarterback flak jacket.

Game Film is the latest in a series of interactive exhibits from the Texas Archive of the Moving Image, joining projects including Women on the Move, Journey to the Moon Through Texas, Meet Me in San Antonio, La Frontera Fluid, and Breaking News: Rescuing the First Draft of History.

The archive's broader collection and the nonprofit both accept public donations of historic films, videotapes, photographs, and other moving-image materials, helping preserve Texas stories for future generations.

archives college football dallas cowboys film football history
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