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    Weekend Event Planner

    David Bowie tribute and fast cars top best weekend events in Dallas

    Alex Bentley
    Jan 14, 2016 | 6:00 am

    Mid-January brings a nice hodgepodge of events to the Dallas area. Among the new things starting this weekend are three theater productions, all of them from local companies, a driving experience like no other, a big arts event at Fair Park, and the memorial for a music legend.

    Below are the best options for your precious free time Thursday through Sunday. Don't like what you see? Lucky for you, we have a much longer list of the city's best events.

    Thursday, January 14

    Arts & Letters Live: Eric Weiner
    Author Eric Weiner tends to write about life's big questions, such as how different places in the world deal with happiness or God. In his newest book, The Geography of Genius, he explores the history of places and the connection between our surroundings and our most innovative ideas. Weiner will talk about this book in an Arts & Letters Live event at Dallas Museum of Art.

    Second Thought Theatre presents Martyr
    Second Thought Theatre kicks off its 2016 season with an area premiere about religious fundamentalism gone wrong. The play is the story of Benjamin, who is obsessed with the Old Testament. As the teen’s behavior becomes increasingly aggressive, his teachers, his mother, and his fellow students begin to worry that Benjamin’s religious fixation has gone too far. The production will run at Bryant Hall next to the Kalita Humphreys Theater through February 6.

    Friday, January 15

    Fittipaldi Exotic Driving
    Most of us could never dream of even sitting in a Ferrari or Lamborghini, much less owning one. Now, thanks to the new Fittipaldi Exotic Driving at Texas Motor Speedway, you can actually drive one on a race track — for a price. Taking place one weekend a month for the rest of 2016, drivers will have the opportunity to choose one of four luxury cars in which to take six laps around TMS' infield track.

    Uptown Players and Turtle Creek Chorale presents Aida
    Uptown Players and the Turtle Creek Chorale will collaborate again to present a concert version of Elton John and Tim Rice’s Aida, with a combined cast of more than 100 actors, singers, and members of the TCC. Aida is an epic tale of love, loyalty, and betrayal chronicling the love triangle between Aida, a Nubian princess stolen from her country; Amneris, an Egyptian princess; and Radames, the soldier they both love. It will play three times at Dallas City Performance Hall through Sunday.

    Saturday, January 16

    6th Annual Artopia
    ​Artopia, presented by the Dallas Observer, is a celebration of Dallas culture that incorporates food, drink, art, music, and fashion into one evening. Featured highlights include an immersive art experience by Jeremy McKane, musical performance by Dezi 5, and fashion shows with DJ Sober. Artopia will take place at Centennial Hall at Fair Park.

    The David Bowie Music Video Party
    The death of music legend David Bowie was a shock and a loss that many people are feeling. This event at the Alamo Drafthouse in Richardson, the third of three local Bowie tributes, will be a chance for fans to grieve and sing along to some of Bowie's most well-known songs.

    Sunday, January 17

    The Complete Works of Shakespeare: Twelfth Night
    We are just over three years into Shakespeare Dallas' quest to present staged readings of every single work Shakespeare ever wrote. The 28th in the series will be Twelfth Night, Shakespeare’s comedy of gender confusion in which a girl disguises herself as a man to be near the count she adores, only to be pursued by the woman he loves. There will be two performances in Hamon Hall at Winspear Opera House, one Sunday and one Monday.

    Tool in concert with Primus and 3Teeth
    It's only been a couple of months since Tool lead singer Maynard James Keenan was in town playing with side project Puscifer. Fans will get the real deal with this concert at Verizon Theatre at Grand Prairie, and perhaps a hint at when Tool's new album will finally come out, which has been held up due to some crazy legal wranglings. They'll be joined by Primus and 3Teeth.

    Second Thought Theatre will present Martyr at Bryant Hall through February 6.

    Second Thought Theatre presents Martyr
    Photo by Karen Almond
    Second Thought Theatre will present Martyr at Bryant Hall through February 6.
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    Movie Review

    Glen Powell bumps off rich family in How to Make a Killing

    Alex Bentley
    Feb 19, 2026 | 12:45 pm
    Glen Powell in How to Make a Killing
    Photo courtesy of A24
    Glen Powell in How to Make a Killing.

    Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

    He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

    Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

    Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

    Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

    However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their - pardon the pun - execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

    It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

    How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

    ---

    How to Make a Killing opens in theaters on February 20.

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