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    Season Announcement

    Dallas Summer Musicals is livin' it up with 2020-21 season of shows

    Lindsey Wilson
    Jan 17, 2020 | 11:12 am

    Of the eight shows announced for the Dallas Summer Musicals 2020-21 season, only two won't be presented at the Music Hall at Fair Park.

    That's due to the new-ish partnership between DSM and the AT&T Performing Arts Center, which gives the former up to four weeks of access each year to the Winspear Opera House.

    But first, the shows. There are returning fan favorites, fresh adaptations, a play(!), and seven Tony Award winners.

    First up is the return of Jersey Boys, which was in Fort Worth in 2019 and ATTPAC's Broadway Series in 2018, but hasn't visited as part of DSM since 2008. Go behind the music and inside the story of Frankie Valli and The Four Seasons in the Tony and Grammy Award-winning true-life musical phenomenon. They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard, and the radio just couldn't get enough of. But while their harmonies were perfect onstage, off stage it was a very different story. It runs at the Music Hall November 10-22, 2020.

    The season continues with the 2019 Tony Award-winning Best Musical Revival Oklahoma!, which has been reimagined for the 21st century. Stripped down to reveal the darker psychological truths at its core, Daniel Fish's production tells a story of a community circling its wagons against an outsider, and the frontier life that shaped America. Upending the sunny romance of a farmer and a cowpoke, this Oklahoma! allows the classic musical — and our country — to be seen in a whole new light. It runs at the Winspear Opera House, December 9-20, 2020.

    Based on the Oscar-nominated film, Tootsie follows an out-of-work actor who poses as a woman in order to get a gig. It features a Tony-winning book by Robert Horn and an outrageously clever score by 2018 Tony winner David Yazbek (The Band's Visit, Dirty Rotten Scoundrels), all in a laugh-out-loud love letter to the theater. It runs at the Music Hall January 26-February 7, 2021.

    All rise for Academy Award winner Aaron Sorkin's adaptation of Harper Lee's Pulitzer Prize-winning masterwork To Kill a Mockingbird. Tony winner Bartlett Sher directs this adaptation of what many consider to be the greatest novel of all time, which has continually sold out its run on Broadway. This will be the first play that DSM has presented since Alfred Hitchcok's The 39 Steps in 2010. It runs at the Music Hall March 2-14, 2021.

    Direct from Broadway, Mean Girls is the hilarious hit musical from an award-winning creative team, including book writer Tina Fey, composer Jeff Richmond, lyricist Nell Benjamin, and director Casey Nicholaw. Cady Heron may have grown up on an African savanna, but nothing prepared her for the vicious ways of her strange new home: suburban Illinois. Soon, this naïve newbie falls prey to a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady devises a plan to end Regina's reign, she learns the hard way that you can't cross a Queen Bee without getting stung. It runs at the Music Hall April 6-18, 2021.

    Welcome to Hadestown, where a song can change your fate. Winner of eight 2019 Tony Awards including Best Musical, this acclaimed new musical by celebrated singer-songwriter Anaïs Mitchell and innovative director Rachel Chavkin is a love story for today and always. Hadestown intertwines two mythic tales — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — as it invites you on a hell-raising journey to the underworld and back. It runs at the Winspear Opera House May 18-30, 2021.

    Superstars come and go, but Cher is forever. The Cher Show is the Tony Award-winning musical of her story, and it's packed with so much Cher that it takes three women to play her: the kid starting out, the glam pop star, and the icon. The musical is 35 smash hits, six decades of stardom, two rock-star husbands, a Grammy, an Oscar, an Emmy, and enough Tony Award-winning Bob Mackie gowns to cause a sequin shortage. It runs at the Music Hall July 6-18, 2021.

    The smash hit Wicked returns as a seasonal add-on, looking at what happened in the Land of Oz — but from a different angle. Long before Dorothy arrives, there is another young woman, born with emerald-green skin who's smart, fiery, misunderstood, and possessing an extraordinary talent. When she meets a bubbly blonde who is exceptionally popular, their initial rivalry turns into the unlikeliest of friendships, until the world decides to call one "good" and the other one "wicked." It runs at the Music Hall August 4-September 5, 2021.

    "We are thrilled to kick off this new decade with a groundbreaking season of direct-from-Broadway hits," says Kenneth T. Novice, president of Dallas Summer Musicals. "I'm especially excited that DSM will be hosting Aaron Sorkin's adaptation of Harper Lee's To Kill a Mockingbird, and that our patrons will have the chance to experience this seminal piece of American literature brought to vivid life like only live theater can do."

    Season packages are currently on sale and start at $265, with an exclusive loyalty pricing offer starting at $230 available to existing subscribers who renew before February 3, 2020. For more information, patrons can visit the DSM website or call 1-866-276-4884. Single tickets will go on sale at a later date.

    The smash-hit stage version of To Kill a Mockingbird will play the Music Hall.

    Broadway cast of To Kill a Mockingbird
    Photo by Julieta Cervantes
    The smash-hit stage version of To Kill a Mockingbird will play the Music Hall.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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