Hollywood in Cowtown

Costumes and props from Yellowstone prequel 1883 go on display in North Texas

"1883: The Journey West" wraps up at the National Cowgirl Museum on April 17.

Photo courtesy of National Cowgirl Museum and Hall of Fame

UPDATE 3-23-2022: Due to "unprecedented visitorship," the museum says, the exhibition will continue through April 17.

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Fort Worth's National Cowgirl Museum & Hall of Fame is taking visitors inside the world of 1883, the Paramount+ series that's become the buzziest show on earth. The new exhibition "1883: The Journey West" opens at the museum on Friday, February 11 and runs through March 20.

Organized by the museum in partnership with 101 Studios, Visit Fort Worth, and the Fort Worth Film Commission, the special exhibition includes costumes, props, and photography from the Yellowstone prequel, which was filmed in and around D allas-Fort Worth from July to October of 2021.

Highlights include an authentic wagon; a camp set-up; and apparel worn by stars Faith Hill, Tim McGraw, Sam Elliott, and LaMonica Garrett. There's also a display of behind-the-scenes photography.

Also of note is a collection of beaded items from Cowgirl Hall of Fame honoree Cathy A. Smith, an artist who works to preserve the history of the 19th century cowboy and cowgirl and the Plains Indians. The museum notes that Smith’s work was featured as part of the costuming for the Lakota, Crow, and Comanche tribes in 1883.

“A 'cowgirl' represents fortitude, determination, tenacity and grit," says David Glasser, CEO of 101 Studios, in a release. "It is that indomitable spirit that we are so thrilled to celebrate through the National Cowgirl Museum & Hall of Fame’s upcoming exhibit '1883: The Journey West.'"

With apologies to Hollywood, there really is no better place for an 1883 exhibition than the Cowgirl Museum. The show is written and directed by Fort Worth native and Weatherford resident Taylor Sheridan, who also created Yellowstone (along with Sicaro, Hell or Highwater, Wind River, and more). His wife, actress Nicole Sheridan, is a Cowgirl Museum board member; and the Hall of Fame's 2021 Patsy Montana Award recipient, Christina Voros, is the cinematographer on the hit series.

“We are honored to host the '1883: The Journey West' exhibition," says Dr. Diana Vela, the museum's associate executive director. "The ties to Fort Worth history, pioneers, and trailblazers make it a natural fit. The captivating series complements some of the real-life stories of very own honorees."

Yellowstone and 1883 follow the lives of the Duttons, first with the modern-day Western drama of the John Dutton family, then with the late 19th-century story of James and Margaret Dutton’s move west across the U.S.

When it filmed in Fort Worth last year, 1883 employed hundreds of local production crew and extras, used local businesses, and heavily featured locations like the Fort Worth Stockyards, the release notes. The show — whose official trailer featured a killer line about the city, delivered by star Billy Bob Thornton — was built up as one of the buzziest newcomers of the year.

1883 debuted in December and reportedly set a premiere record of 4.9 million households. The Yellowstone season finale drew an estimated 65 million households.

Powered by the success of the shows, Fort Worth recently shot onto a prestigious list of top filmmaking cities for first time; the city landed at No. 25 on Best Places to Live and Work as a Moviemaker, an annual list compiled by Los Angeles-based publication MovieMaker.

A couple of visits to the Fort Worth Stock Show & Rodeo by two of the shows' biggest stars February 1 and 2 drew swarms of fans, near and far.

“We are proud to partner with the National Cowgirl Museum & Hall of Fame and 101 Studios on this exhibition,” says Bob Jameson, president and CEO of Visit Fort Worth (which includes the Fort Worth Film Commission). “Film and television production not only creates jobs locally, it provides an opportunity to drive tourism to our city through location tours and exhibitions like this one.”

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"1883: The Journey West," February 11-March 20, National Cowgirl Museum & Hall of Fame, Fort Worth. Entrance is included with museum admission; tickets and more information at cowgirl.net.

Apparel worn by Sam Elliott will be on display.

Photo courtesy of Paramount+

Apparel worn by Sam Elliott will be on display.

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Movie Review

Michael Jackson can do no wrong in fawning biopic Michael

Photo by Glen Wilson

Jaafar Jackson in Michael

Among the complicated figures in pop culture history, Michael Jackson has to be at or near the top. On one hand, he’s responsible for some of the most enduring music of all time, thrilling generations with his voice and dance moves. But his later years were marred by accusations of child sexual abuse and erratic behavior, including his premature death at the age of 50.

So the new biopic Michael is a tough one to judge from a critical standpoint, not least because director Antoine Fuqua and writer John Logan have elided - perhaps temporarily - the thornier parts of Michael’s history. Instead, this film focuses on the 20-year period in which Michael (played as an adult by Michael’s nephew Jaafar Jackson) goes from the prepubescent lead singer of the Jackson 5 to one of the biggest music superstars of all time.

That choice puts an overly sympathetic tint to Michael’s story, as he spends most of that time under the thumb of his domineering father, Joseph (Colman Domingo). Joseph has a vision for Michael and his brothers, and he pushes them hard in a quest to become rich and famous. Even when they achieve that goal, though, Joseph refuses to let up, holding onto Michael even when it’s clear he should go out on his own.

As a reminder of the enormous impact Michael Jackson had on the music industry and world at large, the film is successful. Fuqua and Logan include plenty of music, naturally, but they seem to be most interested in depicting Michael as a human being. They lay it on thick, whether it’s showing him spending time among his family members away from the stage, hanging out with bodyguard Bill Bray (KeiLyn Durrel Jones), or visiting sick kids in hospitals. The message that Michael is a harmless, good person couldn’t be clearer.

The film hints at but doesn’t really explore Michael’s oddities. His obsession with kids literature and movies, especially Peter Pan, are seen as inoffensive quirks, as is his menagerie of animals, including a creepy CGI version of Bubbles the chimp. His arrested development seems to be partially blamed on his parents treating him like a child well into his adulthood, and the resulting fallout is not (yet) addressed.

Many viewers will be most interested in the music sequences, and - save for some repetitive shots of fans fainting at the mere presence of Michael - they are handled well. Whether it’s at home, in the studio, on the set of the “Thriller” video, or at live performances, the film manages to fully get across just what a phenomenon Michael was at his peak. The staging and editing of each scene is dynamic, complementing Michael’s other-worldly abilities well.

If there is one reason to see the film, it is the performance of Jaafar Jackson. Whether he’s capable of doing any other kind of role is undetermined, but his portrayal of his uncle is compelling, as he demonstrates singing, dancing, and acting skills in equal measure. He’s aided by an equally great performance by Domingo, who - with the help of facial prosthetics - overcomes the trope of the bad father. Nia Long and Larenz Tate are also good in smaller roles, but Miles Teller is an odd presence as Michael’s manager.

There are reports that legal complications prevented the filmmakers from using previously-shot scenes delving into accusations against Michael, and there are rumors that a second film will be made about the last 20 years of his life. But that speculation can’t absolve Michael of showing all the positive aspects of Michael Jackson’s life and not even touching any of the negative ones.

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Michael opens in theaters on April 24.

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