Hollywood in Cowtown

Costumes and props from Yellowstone prequel 1883 go on display in North Texas

"1883: The Journey West" wraps up at the National Cowgirl Museum on April 17.

Photo courtesy of National Cowgirl Museum and Hall of Fame

UPDATE 3-23-2022: Due to "unprecedented visitorship," the museum says, the exhibition will continue through April 17.

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Fort Worth's National Cowgirl Museum & Hall of Fame is taking visitors inside the world of 1883, the Paramount+ series that's become the buzziest show on earth. The new exhibition "1883: The Journey West" opens at the museum on Friday, February 11 and runs through March 20.

Organized by the museum in partnership with 101 Studios, Visit Fort Worth, and the Fort Worth Film Commission, the special exhibition includes costumes, props, and photography from the Yellowstone prequel, which was filmed in and around D allas-Fort Worth from July to October of 2021.

Highlights include an authentic wagon; a camp set-up; and apparel worn by stars Faith Hill, Tim McGraw, Sam Elliott, and LaMonica Garrett. There's also a display of behind-the-scenes photography.

Also of note is a collection of beaded items from Cowgirl Hall of Fame honoree Cathy A. Smith, an artist who works to preserve the history of the 19th century cowboy and cowgirl and the Plains Indians. The museum notes that Smith’s work was featured as part of the costuming for the Lakota, Crow, and Comanche tribes in 1883.

“A 'cowgirl' represents fortitude, determination, tenacity and grit," says David Glasser, CEO of 101 Studios, in a release. "It is that indomitable spirit that we are so thrilled to celebrate through the National Cowgirl Museum & Hall of Fame’s upcoming exhibit '1883: The Journey West.'"

With apologies to Hollywood, there really is no better place for an 1883 exhibition than the Cowgirl Museum. The show is written and directed by Fort Worth native and Weatherford resident Taylor Sheridan, who also created Yellowstone (along with Sicaro, Hell or Highwater, Wind River, and more). His wife, actress Nicole Sheridan, is a Cowgirl Museum board member; and the Hall of Fame's 2021 Patsy Montana Award recipient, Christina Voros, is the cinematographer on the hit series.

“We are honored to host the '1883: The Journey West' exhibition," says Dr. Diana Vela, the museum's associate executive director. "The ties to Fort Worth history, pioneers, and trailblazers make it a natural fit. The captivating series complements some of the real-life stories of very own honorees."

Yellowstone and 1883 follow the lives of the Duttons, first with the modern-day Western drama of the John Dutton family, then with the late 19th-century story of James and Margaret Dutton’s move west across the U.S.

When it filmed in Fort Worth last year, 1883 employed hundreds of local production crew and extras, used local businesses, and heavily featured locations like the Fort Worth Stockyards, the release notes. The show — whose official trailer featured a killer line about the city, delivered by star Billy Bob Thornton — was built up as one of the buzziest newcomers of the year.

1883 debuted in December and reportedly set a premiere record of 4.9 million households. The Yellowstone season finale drew an estimated 65 million households.

Powered by the success of the shows, Fort Worth recently shot onto a prestigious list of top filmmaking cities for first time; the city landed at No. 25 on Best Places to Live and Work as a Moviemaker, an annual list compiled by Los Angeles-based publication MovieMaker.

A couple of visits to the Fort Worth Stock Show & Rodeo by two of the shows' biggest stars February 1 and 2 drew swarms of fans, near and far.

“We are proud to partner with the National Cowgirl Museum & Hall of Fame and 101 Studios on this exhibition,” says Bob Jameson, president and CEO of Visit Fort Worth (which includes the Fort Worth Film Commission). “Film and television production not only creates jobs locally, it provides an opportunity to drive tourism to our city through location tours and exhibitions like this one.”

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"1883: The Journey West," February 11-March 20, National Cowgirl Museum & Hall of Fame, Fort Worth. Entrance is included with museum admission; tickets and more information at cowgirl.net.

1883 cinematographer Christina Voros (second from left) accepts the Patsy Montana Award.

Christina Voros, National Cowgirl Hall of Fame Induction Luncheon

Photo by Ashley Gongora

1883 cinematographer Christina Voros (second from left) accepts the Patsy Montana Award.

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Movie Review

Twin sisters set out for revenge in Tarantino-esque film 'Is God Is'

Photo by Patti Perret

Kara Young and Mallori Johnson in Is God Is.

The revenge story is one of the most enduring in all of cinema as it can be adapted to multiple different genres. It most naturally fits in the action/thriller genre, but comedies, dramas, Westerns, and more have made good use of characters seeking revenge. The new film Is God Is demonstrates that malleability by detailing an intensely personal story that turns into something bigger.

Twins Racine (Kara Young) and Anaia (Mallori Johnson) have lived a difficult life, going in and out of foster care and forced to endure stares and taunts because each bears burn scars from a childhood attack. Racine, whose scars are “only” on her left arm, has developed into the protector of Anaia, who suffered burns over much of her face.

An unexpected call from their mother, Ruby (Vivica A. Fox), who was burned almost beyond recognition in the attack, gives them a purpose: Seeking revenge on the man who ruined their lives. Setting out in a barely working car and with only a small amount of direction, the sisters attempt to fulfill the mission without losing their souls.

Written and directed by first-time feature filmmaker Aleasha Harris, the film may remind some viewers of Quentin Tarantino’s Kill Bill, and not just because Fox has small roles in both films. Harris has a knack for dialogue, especially between the twins, that ably gets across the story exposition and entertains at the same time. There are many instances where she has the sisters hold silent conversations told on screen via subtitles to convey twin-speak, a method that deepens their connection and draws the viewer in.

Harris also has her characters engage in the type of shocking violence that Tarantino has used to great effect. The difference here, though, is that even though the story is heightened to a certain degree, the egregious nature of the crime perpetrated upon the girls and their mother makes the whole thing feel bracingly real. This revenge plot is not meant to merely entertain; it’s designed to put the audience in Racine and Anaia’s shoes and fully embrace the call for justice.

There are a few times when the lack of experience by Harris shows up, especially in the climactic sequence where the stunt work could have used some more precision. But overall, it’s a self-assured filmmaking debut for the playwright-turned-director, who’s adapted her own play with a richness and depth that is not often found from someone stepping behind the camera for the first time.

Young and Johnson don’t especially look alike, but they embody the essence of twin sisters, and it’s their chemistry together that makes the story as impactful as it is. They’re joined by other strong female performances by Fox, Erika Alexander, and Janelle Monáe, each of whom brings a different vibe. And anyone who loves This is Us or Paradise should prepare themselves for a completely different kind of role for Sterling K. Brown.

Is God Is uses a variety of inspirations for its storytelling, but in the end it becomes its own thing. The filmmaking world can always stand to have another strong Black voice, and Harris has made an auspicious debut, one that should have cinephiles wondering what she’ll do next.

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Is God Is opens in theaters on May 15.

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