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    The CultureMap Interview

    Holocaust scholar Charlotte Decoster on Anne Frank and why she was anything but typical

    Claire St. Amant
    Feb 17, 2013 | 10:00 am

    Charlotte Decoster is a walking encyclopedia about Anne Frank. And it’s a good thing too, as she serves as the voiceover for Frank’s diary at the Dallas Holocaust Museum. Decoster, a native of Belgium, reads Anne’s words in the original Dutch and also translates them to English for a special exhibit displaying the Frank family’s private photo album. Decoster recently walked through the museum with CultureMap and shared her insights.

    CultureMap: How did you first become interested in Anne Frank and the holocaust?

    Charlotte Decoster: My grandfather was a liberator and a medical doctor. When the British military moved through Belgium, he joined up with them. For two years, he helped Jewish victims recuperate medically in Germany at the former site of Bergen Belsen, the concentration camp where Anne Frank and her sister Margo died of typhus. If she had lived a few weeks longer, my grandfather could have been the one to nurse her back to health.

    “We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before,” Decoster says.

    CM: Why do you think Anne Frank’s legacy has been so enduring?

    CD: Anne was a very good writer for such a young age, and she edited her works several times. She loved Hollywood and wanted to be an actress or a writer, and she hoped that her work would one day be published.

    Her father, Otto, realized how important Anne’s memories were not only to her but to the rest of the world to learn about the persecution of the Jews.

    He was really the driving force to make sure that her legacy grew. He created the Ann Frank foundation in Switzerland, and soon after that the Anne Frank House opened in Amsterdam, along with the Anne Frank Center in New York.

    CM: What’s something most people don’t know about Anne Frank?

    CD: Most people know little tidbits about Anne Frank, but a lot of people don’t know basic things about her story. For example, she didn’t hide in an attic. She hid in an annex.

    CM: Were you surprised by anything about the exhibit?

    CD: The thing that surprised me the most is where these pictures came from. The photos were actually lost for a long time.

    When Jews were sent to concentration camps, a Dutch moving company was in charge of taking their belongings out of houses and storing them in Amsterdam before they were eventually sent to Germany to be redistributed. When the Frank family was captured, the photo albums were hidden in the couch.

    It’s a mystery where they’ve been all these years, but when the Anne Frank House opened in Amsterdam in the ’90s, a cardboard box with the photo albums was on the steps. Otto Frank died in 1980, so he never found out they’d been recovered.

    CM: What does the photo exhibit add to our understanding of Anne Frank and her family?

    CD: It gives you a glimpse into their everyday lives before they went into hiding. It shows photos from school days, vacations and holidays. We tend to focus so much on horrors of the holocaust that we neglect these beautiful lives that existed before. It’s a celebration of the Frank family.

    CM: What’s a typical day like for you?

    CD: I basically teach teachers about the holocaust. I run teacher workshops, help school groups that come to the museum, train museum docents and write curriculum for students. I just developed an Anne Frank Curriculum trunk that teachers can check out free. We’ve had requests from as far as Oklahoma.

    CM: How did you end up in Dallas?

    CD: I’d been to Texas several times for horse riding competitions before I attended Austin College in Sherman. I met my husband there and he’s from Gainesville. I found that you can’t take a Texan out of Texas, so I was very happy to find a job here.

    CM: You recently earned your doctorate in history at the University of North Texas. What was the topic of your dissertation?

    CD: Rescue networks that operated in Western Europe during the holocaust. My research also involved hidden children.

    The interesting thing is that Anne Frank is recognized as the example of the hidden child, but she couldn’t be more atypical. Most children hid alone, not with their families, and very few kept diaries as it was both dangerous and expensive to buy paper. Lastly, unlike Anne and her sister Margo, many children hidden during the holocaust survived.

    ---

    Anne Frank: A Private Photo Album is on display at the Dallas Holocaust Museum and Center for Education and Tolerance until March 31.

    "I love this image because it just shows the silent bond between sisters," says holocaust scholar Charlotte Decoster.

    Anne Frank
    ©AFS AFF, Amsterdam/Basel Anne Frank: A Private Photo Album was developed by the Anne Frank House and is sponsored in North America by the Anne Frank Center USA.
    "I love this image because it just shows the silent bond between sisters," says holocaust scholar Charlotte Decoster.
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    Theater Critic Picks

    Dallas theaters light up November with fresh plays and holiday hits

    Lindsey Wilson
    Nov 10, 2025 | 2:30 pm
    The Outsiders' North American tour
    Photo by Matthew Murphy
    Corbin Drew Ross and Nolan White in 'The Outsiders' North American tour.

    We're well into November, and for Dallas theater buffs, that means three don't-miss shows that all end this week. From there, it's a segue to the beginning of holiday season with Christmas-themed productions starting to surface in the last half of the month.

    Here are 10 shows appearing in Dallas-Fort Worth theaters in November, listed in order of start date:

    Libro de Los Sueños Olvidados
    Ochre House Theater, through November 13
    Written and directed by artistic director Matthew Posey, and in collaboration with the 2025 Dallas Flamenco Festival, this fantasy Flamenco play is about two homely sisters who steal an enchanted book of spells called The Book of Forgotten Dreams to cast a spell that will make them glamorous movie stars. Instead, they conjure a fantasy world of magical creatures, witches, and the Moon King and Queen, who own The Book of Forgotten Dreams.

    Job
    Teatro Dallas, through November 16
    This psychological thriller zooms in on two careerists of different generations, genders, and political paradigms to examine what it means to be a citizen of the internet and our obligation to help the people who need it most.

    The Outsiders
    Broadway Dallas, through November 16
    Winner of the 2024 Tony Award for Best Musical, The Outsiders is adapted from S.E. Hinton's seminal novel and Francis Ford Coppola's iconic film. In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade, and their Greaser family of ‘outsiders’ battle with their affluent rivals, the Socs. Look out for Dallas' own 2023 HSMTA winner, Corbin Drew Ross, who plays Ponyboy's brother, Sodapop.

    The Voices of Donny Hathaway
    Jubilee Theatre, through November 30
    This powerful play, written by Robert King Jr., brings to life the music, struggles, and brilliance of an artist whose voice defined a generation. Through a rich tapestry of Hathaway’s most beloved songs, the story explores the beauty of his genius alongside the challenges he faced, painting an intimate portrait of a man whose art continues to inspire.

    Action
    Undermain Theatre, through December 7
    Four friends seek solace in each other's company by sharing a house over the Christmas holidays after a catastrophic event has thrown the world into chaos. This is considered to be among Sam Shepard’s most important works, and has been compared to the work of Samuel Beckett.

    & Juliet
    Broadway at the Bass, November 12-16
    & Juliet flips the script on the greatest love story ever told and asks: What would happen next if Juliet didn’t end it all over Romeo? Her new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone‚” “Roar,” “Baby One More Time,” “Larger Than Life‚” “That’s The Way It Is,“ and “Can’t Stop the Feeling!” Look out for Dallas' own multi-year HSMTA winner — and 2025 national winner — Fabiola Caraballo Quijada as Juliet.

    Goblin Market
    Theatre Three, November 13-December 7
    What lived under your bed when you were a kid? This original musical probes into the sexually charged fantasies of two sisters who relive their childhood experiences in an imaginary world peopled by seductive goblins. The production is in the Theatre Too space.

    A Christmas Story: The Musical
    Broadway at the Center, November 21-23
    From Benj Pasek and Justin Paul, the songwriting team behind Dear Evan Hansen and The Greatest Showman, A Christmas Story: The Musical brings the classic 1983 movie to hilarious life onstage.

    Rudolph the Red-Nosed Reindeer
    Casa Mañana, November 22-December 23
    Rudolph, Hermey the Elf, Yukon Cornelius, and the Abominable Snow Monster go on an unforgettable adventure that's filled with holiday hits like “A Holly Jolly Christmas,” “The Island of Misfit Toys,” “The Most Wonderful Day of the Year,” and “Rudolph the Red-Nosed Reindeer."

    A Christmas Carol
    Dallas Theater Center, November 28-December 27
    Black Hackler is this year's Ebenezer Scrooge in Kevin Moriarty's adaptation of Charles Dickens' classic tale. Follow Ebenezer Scrooge’s unforgettable journey from miserliness to generosity as he encounters the Ghosts of Christmas Past, Present, and Future — all in 90 minutes.

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