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Best of DIFF

14 must-see movies at Dallas International Film Festival 2015

Alex Bentley
Apr 8, 2015 | 10:05 am

The Dallas International Film Festival is back once again to bring movie lovers 10 days of new feature films, documentaries, shorts and more. Running April 9-19 at Angelika Film Center Dallas and other locations, the festival features almost 170 films, including 11 world premieres.

Those numbers sound daunting, so we're here to help you separate the wheat from the chaff. The 14 films below represent some, though certainly not all, of your best chances for success at this year's festival.

I'll See You in My Dreams
The opening night film stars Blythe Danner as a retiree who gets shaken out of her nice but monotonous lifestyle by the appearance of two men — one a pool cleaner 40 years her junior and the other a smooth-talking fellow retiree. Danner, director Brett Haley and other filmmakers will be in attendance on opening night. In addition to the April 9 screening at Majestic Theatre, it also screens on April 10 at the Angelika.

Have You Been Flying Blah Airlines?
We'll be honest: This is not a great movie. Instead, it's a five-hour-and-45-minute pseudo-ad for Virgin America designed to show what flying on other non-fun airlines feels like. So why recommend it? Because anyone who can sit through the entire film on April 10 will receive 2,500 Elevate points from Virgin, or the equivalent of one free flight.

5 Flights Up
Diane Keaton and Morgan Freeman are two of the most cherished actors in America, so who wouldn't want to see them together? This film juxtaposes their characters' current stage in life, in which they need to decide if they should move from their fifth floor apartment, with their beginnings when interracial relationships were still taboo. It plays at the Angelika on April 10.

Raiders!: The Story of the Greatest Fan Film Ever Made
Nearly everyone who grew up in the early 1980s was a fan of Steven Spielberg's classic Raiders of the Lost Ark. This documentary takes a look at two boys who took that fandom to the extreme — spending seven summers making their own version of the film — and their quest to finish it 30 years later. It plays at the Angelika on April 10 and 11.

Batkid Begins: The Wish Heard Around the World
Back in November 2013, thousands of people from around the San Francisco area helped stage one of the most elaborate Make-a-Wish events ever for Miles Scott, who was afflicted with leukemia. This documentary shows how the event evolved from what was supposed to be a small one to something that eventually reached even the president of the United States. It screens at the Angelika on April 11.

Playing It Cool
One of the Centerpiece Screenings at this year's DIFF, Playing It Cool stars erstwhile Captain America Chris Evans in a rare romantic comedy role. In a bit of meta storytelling, he plays a screenwriter tasked to write a romantic comedy, which could be a problem because he doesn't believe in love. It screens at the Angelika on April 11 and at Texas Theatre on April 17.

Animated Shorts Competition
Short films too often get short shrift, even at film festivals, but this year's animated shorts competition is one you shouldn't miss. Among the eight films shown are Pixar's latest, Lava, which the rest of the world won't get to see until June when it officially premieres before Inside Out, and World of Tomorrow, a trippy sci-fi film that Entertainment Weekly calls a "masterpiece." The shorts screen at the Angelika on April 12 and 13.

The Wolfpack
​You're not likely to see another documentary quite like The Wolfpack​. The five Angulo brothers grew up in Manhattan, but they were rarely allowed to go outside. They learned about the world through movies, which led to the quintet's reenacting their favorite films. The film uses home movies and new footage to give a full portrait of five unique individuals. It screens at the Angelika on April 13 and 14.

Nowitzki: The Perfect Shot
Every Dallas Mavericks fan knows what a sweet shooter Dirk Nowitzki is, as was especially evident during the Mavericks' title run in 2011. This documentary goes behind-the-scenes to look at Nowitzki's relationship with coach and mentor Holger Geschwindner, who helped refine his shot as a youngster in Germany. It shows on three screens at the Angelika on April 14 and once more on April 16.

Me and Earl and the Dying Girl
This film about an unlikely friendship between two teenagers could be this year's The Fault in Our Stars. A socially awkward boy is forced by his mother to befriend a leukemia-stricken girl, only to find that they share more than he thought possible. The film, which co-stars Nick Offerman, Connie Britton and Molly Shannon, plays at Cinemark West Plano on April 16.

Slow West
Many a filmmaker has tried his hand at making a Western, but it's not often one comes from the other side of the pond. Scottish filmmaker John Maclean directs up-and-comer Kodi Smit-McPhee as a lovelorn teenager who travels from Scotland to the American West to search for his love, only to fall in with a mysterious traveler played by Michael Fassbender. It screens at the Angelika on April 17 and 19.

The Lego Movie
Aside from getting a chance to see the best animated film of 2014 (which was criminally overlooked by the Oscars) on the big screen again, this screening also features an appearance by the film's writers and directors, Phil Lord and Christopher Miller, who are on quite the creative roll with this, the 21 Jump Street series and new show The Last Man on Earth. Lego plays at the Angelika on April 18.

Love & Mercy
The Beach Boys' Brian Wilson is the subject of this biopic, starring Paul Dano and John Cusack as younger and older versions of the man who has famously struggled with mental health and substance abuse issues. You can get a fuller understanding of the man with this film, then see him in concert when he comes to town in June. The film shows at the Angelika on April 18.

Manglehorn
Director David Gordon Green, who grew up in Richardson, is a festival favorite in Dallas, having had films at DIFF and the USA Film Festival the past two years. He's back for a third straight year with Manglehorn, a film starring Al Pacino as a locksmith looking to find love again, possibly in the form of Holly Hunter. It screens at the Angelika on April 19.

Nowitzki: The Perfect Shot screens three times at the Angelika on April 14 and once more on April 16.

Nowitzki. The Perfect Shot
Photo courtesy of Dallas International Film Festival
Nowitzki: The Perfect Shot screens three times at the Angelika on April 14 and once more on April 16.
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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