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    Gala Gets Downtown Artsy

    Art, fashion and Downton Abbey spoof dazzle at Untitled: Art Ball 2013

    Rachael Abrams
    Apr 14, 2013 | 5:23 pm

    We still have visions of red dancing in our heads from Untitled: Art Ball 2013 at the Dallas Museum of Art, a charitable gala so spectacular no name could do it justice.

    Honorary co-chair Mayor Mike Rawlings expressed it best. “These ladies went big,” he said, referring to co-chairs Jennifer Karol and Catherine Rose, who went above and beyond for the DMA’s largest fundraiser — during the same week as the Deep Ellum Arts Festival, Dallas International Film Festival and Dallas Art Fair.

    Their efforts paid off, surpassing all Art Ball expectations. Which is no easy feat, considering how fabulous previous affairs have been.

    Attendees abided by the request for unconventional attire, an elegant complement to Todd Fiscus’ swanky red design. Ladies donned gowns of all lengths, colors and textures, but by far the most stunning were Karol, in a tight mesh V-panel dress by Tom Ford, and Rose, in a red gown designed by her sister-in-law, Lela Rose.

    After registering via smartphone for the bidding, Jessica Olsson Nowitzki, Nancy Carlson, Cindy Rachofsky, Brian Bolke, Faisal Halum, Ceron, Nicholas Hall, Capera Ryan, Sheryl and Eric Maas, Kristie Ramirez, Tom Hoitsma, Toni Munoz-Hunt, Daniel Hunt, Merry Vose, Tracy Hayes, Karen Katz, and Carol and Don Glendenning poured into the Hamon Atrium to peruse the silent auction items. They carefully weaved the crowd, so as not to spill their cocktails.

    When the bells rang, attendees made their way into the tented dining area, stopping to admire the Cartier-clad models in the walkway. The centerpiece of the dining tent was the magnificent red Mark Di Suvero sculpture that graces the DMA’s front lawn. Further sexing up the scene were red carpet, TV screens dangling from the ceiling, and organic and sculptural centerpieces.

    As guests dined on the first course of Maine lobster salad, they looked up at the screen to see Elaine Agather, who said, “This is Masterpiece Classic.” Then, when they heard music from Downton Abbey begin to play, they knew this would be no ordinary video presentation.

    Maxwell L. Anderson, Karol, Rose, Rawlings, Rachofsky, John Eagle, Olivier Meslay and Deedie Rose starred in a spoof of the popular PBS show called Downtown Artsy. In the short, the Lord Grantham character, played by Anderson, broke the news about free admission to the museum.

    The cast not-so-subtly name-dropped and product-placed all of the sponsors — from Anderson’s Cartier timepiece to BMW car keys to a coffee sleeve from presenting sponsor The Joule — giving a humorous nod to their generosity and support. The crowd roared when grand dame Margaret McDermott made a cameo at the end.

    Table chatter turned when DJ Mia Moretti and electric violinist Caitlin Moe of The Dolls gave a spectacularly edgy performance. Moe’s high-energy movements onstage suited the exciting evening.

    Then the big-deal fundraising began, as Christie’s Lydia Wickliffe Fenet led the live auction featuring luxury items such as an ultimate ensemble excursion with Lela Rose and VBH in NYC, the chance to perform with Polyphonic Spree, and adventures in Amsterdam with Viktor & Rolf. We caught Rawlings kissing Jennifer Eagle’s hand after she purchased the first live auction item.

    After the dinner and auction, reenergized enthusiasts — led by Karol and Rose, who changed into shorter, flirtier attire —flocked to the after-party, where they danced the night away to old-school beats by the Pop Rocks. All tallied, this year's fete raised $2.25 million for the DMA.

    Watch Downtown Artsy, the Downton Abbey spoof presented by Untitled: Art Ball 2013:

    Sheryl Maas, Eric Maas

    Sheryl Maas, Eric Maas
    Photo by Jerry McClure
    Sheryl Maas, Eric Maas
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    A Glittering Celebration

    Christine Baranski brings Hollywood sparkle to Dallas luncheon

    Lindsey Wilson
    Nov 25, 2025 | 12:09 pm
    2025 Texas Women's Foundation luncheon
    Photo by Kim Leeson
    Karen Hughes White, Caren Lock, Christine Baranski, Shonn Brown.

    The Omni Dallas Hotel shimmered in ruby tones on November 14 as more than 950 supporters gathered to celebrate a milestone four decades in the making: the Texas Women’s Foundation’s Ruby Anniversary Luncheon.

    The afternoon blended Hollywood sparkle — courtesy of award-winning actress Christine Baranski — with heartfelt tributes to the visionary women who sparked a movement in Texas 40 years ago.

    The annual luncheon, one of the region’s most significant events advancing women and girls, raised an impressive $840,000. More than $112,000 of that came in during the program itself, underscoring the energy in the room and the urgency of the mission.

    TXWF used the occasion to announce a landmark figure: a cumulative $115 million in impact since its founding in 1985. That number includes nearly $90 million in grants to organizations serving women and girls, as well as more than $25 million invested in research, advocacy, and leadership initiatives designed to shape long-term change.

    Board chair Cris Zertuche Wong opened the program by welcoming seven of the Foundation’s 11 living founders, who also served as the event's honorary co-chairs: Susan Shamburger Bagwell, the Honorable Harryette Ehrhardt, Catalina E. Garcia, Frances Griffin-Brown, Helen LaKelly Hunt, the Honorable Kay Bailey Hutchison, Madeline Mandell, Patricia Meadows, Gwendolyn Oliver, CoYoTe PhoeNix, and Rebecca Russell Sykes.

    Their presence cast a powerful through line from 1985 to 2025, reminding guests how a collective of 19 bold women stepped across differences in background, beliefs, and political leanings to create an organization with the singular purpose of supporting Texas women and their families.

    Wong also recognized former Foundation leaders and Ruby Anniversary co-chairs from across the decades: Gail Griswold and Brenda Jackson representing the 1980s; Laura Estrada, the 1990s; Helen Frank, the 2000s; and Shonn Brown, the 2020s.

    TXWF president and CEO Karen Hughes White spoke to the road ahead, noting that while the founders’ vision remains timeless, the challenges facing Texas women have grown more complex. “It will take all of us to create meaningful, lasting, systemic change that levels the playing field for women and, in turn, creates a strong and vibrant Texas for all,” she said.

    Throughout the luncheon, guests were treated to archival video clips of the founders recalling how they built TXWF from scratch: the meetings held around kitchen tables, the spirited debates, the shared belief that change was not only possible but necessary.

    Brown then honored each of the 11 living founders, as well as those who have passed, noting that their collective voice will be further amplified in a forthcoming 40-story collection documenting TXWF's history.

    The afternoon’s featured guest, introduced by Target executive and event sponsor Sabrina Thomas, was the incomparable Christine Baranski, the Emmy and Tony-winning actress of The Good Wife, Cybil, and The Gilded Age.

    In an onstage conversation moderated by former board chair Caren Lock, Baranski charmed the audience with stories from her upbringing in Buffalo, New York, where she grew up in a working-class Polish American family. She spoke of perseverance, discipline, and dreaming big, qualities that carried her to Juilliard and ultimately into a celebrated four-decade career spanning television, film, and theater.

    As the luncheon drew to a close, the mood was equal parts celebratory and forward-looking. Forty years in, the Texas Women’s Foundation continues to push for equity with the same passion that fueled its founding.

    2025 Texas Women's Foundation luncheon

    Photo by Kim Leeson

    Karen Hughes White, Caren Lock, Christine Baranski, Shonn Brown.

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