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    Artful Philanthrophy

    Dallas' glam MTV Re:Define gala celebrates powerful women in art

    Kendall Morgan
    kendall Morgan
    Apr 18, 2018 | 9:03 am

    If there were ever an arts event that was site-specific, it would be MTV Re:Define. Now in its seventh year, the gala benefiting the MTV Staying Alive Foundation and the Dallas Contemporary has always been one of the highlights of the social season, and — depending on the venue — possesses a wildly different spirit from year to year.

    At its original location at the Goss-Michael Foundation, the event tended to be rollicking and raucous; at the Contemporary, more subdued and sophisticated (at least until the after party). So, having moved to NorthPark Center, how would the auction’s new environs affect the celebratory vibe?

    To be sure, holding a gala inside a mall is a bit of an outlier move. But NorthPark is far from your ordinary mall. Full of acclaimed 20th and 21st century art, the setting is quite often the first museum a Dallasite will ever encounter, and an art-filled destination for tourists.

    For NorthPark co-owner and co-founder of the Nasher Sculpture Center Nancy Nasher, Re:Define’s new location makes perfect sense.

    “We’re thrilled to host tonight,” she said. “We love (event hosts) Kenny and Joyce Goss, and everything they’ve done to build this. It’s such an important cause, and it brings great art and great artists to our community. I can’t say enough about them as art lovers and people that truly give back in important ways.”

    Having raised more than $12.5 million to date for HIV prevention through MTV Staying Alive, and the Dallas arts community through Dallas Contemporary, Re:Define is a significant event, no matter where it occurs. Still, mixing and mingling with the likes of artists Kenny Scharf and Marc Quinn in the shadow of a Louis Vuitton boutique felt surreal.

    When the Contemporary’s assistant curator Lilia Kudelia joked that “this looks like something out of a Fellini movie,” she wasn’t wrong. But if Re:Define were a Fellini film, it would most definitely be La Dolce Vita, with all the pleasure and indulgence that famous flick embodies.

    Curious onlookers couldn’t help but stare as well-dressed partygoers sipped cocktails and sampled savory caviar macaroons. Once everyone filed into the courtyard and entered the greenhouse-like tent in the shadow of artist Leo Villareal’s illuminated Buckyball sculpture, it felt like glamorous business as usual.

    Guests grazed on a salad of endive and beets and an entrée of duck, potatoes, and glazed sea bass while Dallas Contemporary director Peter Doroshenko delivered his opening remarks, revealing that Ian Davenport and Francesco Clemente are slated for shows in 2019.

    For Dallas Contemporary deputy director and chief curator Justine Ludwig, who is soon leaving Dallas to helm New York’s arts organization Creative Time, the night was significant because of its unusually large stable of female talent.

    “2018’s Re:Define is all about power women,” she said. “(It’s) chaired by Brooke Davenport and Maxine Trowbridge and supported by generous donations including those by important established and emerging female artists Ghada Amer, Alicia Kwade, Valerie Keane, Amélie Bouvier, Chloe Wise, and Sarah Morris."

    Then Joyce and Kenny Goss introduced honoree Tracey Emin. Renowned for her confessional and polarizing works, she was surprisingly soft-spoken while speaking about her auction lot of a rare neon artist’s proof and three gouaches.

    “They came from my personal collection because Kenny said, ‘You’ve got to pick something that’s really good and really special,’" she said. "They’re supposed to be for me, but I took them out of my auction so if you don’t bid on them, I probably will.”

    Some lucky guest snapped up the quartet for $220,000, setting the pace for a fast and furious set of bids led by expert auctioneer Simone de Pury. A Marc Quinn piece also garnered $220,000 and Scharf’s colorful canvas went for a cool $70 grand.

    After a set by singer-songwriter Arlissa, guests filed out into the empty mall to look over their winnings. Although the final tally is still being counted, Kenny Goss said he was ecstatic at both the sales and Re:Define’s new venue.

    “This is so great, there was so much energy,” he said as patrons filed out into the night. “If they invite us back next year, we’re there."

    Adding life to the proceedings were attendees Brian Bolke, Heidi Dillon, Tammy Cotton-Hartnett, Lynn McBee, Melissa Enriquez, Faisal Halum, Jason and Nancy Koen, Muffin Lemak, Dr. Nimesh and Bina Patel, Amanda Lund, Jane McGarry, Anne and Steve Stodghill, Chuck Steelman, Jeremy Strick, David Simmons, Capera Ryan, and Taylor Tomasi-Hill.

    The crowd milled among luxury shops during the cocktail hour.

    The crowd milled among luxury shops during the cocktail hour
    Photo by WJNPHOTO
    The crowd milled among luxury shops during the cocktail hour.
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    Expedition d’ Elegance

    Dallas Crystal Charity Ball 2025 takes elegant expedition to South of France

    Stephanie Allmon Merry
    Dec 9, 2025 | 4:58 pm
    Crystal Charity Ball 2025
    Photo by Ashley Gongora
    Crystal Charity Ball is Dallas' biggest formal fashion moment: Laura Pierson (in Lela Rose), Francis Harrison (in St. John) Julianne Santarosa (in Terry John), Bailey Harrison (in Sue Gragg), Sharon Lee Clark (in Ese Azenabor), and Caroline Harrison (in Sue Gragg).

    Attendees of the 2025 Crystal Charity Ball were promised an Expedition d’ Elegance, and indeed, Dallas’ grand dame gala delivered a night of globe-trotting glamour.

    Ball chair Mary Martha Pickens selected the jet-setting theme to reflect her love of world travel, but waited to reveal the final port of call until the doors opened.

    As always, Crystal Charity Ball's true “destinations” remain the local children’s nonprofits that will benefit from the millions of dollars raised by the organization.

    Crystal Charity Ball 2025

    Photo by Ashley Gongora

    Laura Pierson (in Lela Rose), Francis Harrison (in St. John) Julianne Santarosa (in Terry John), Bailey Harrison (in Sue Gragg), Sharon Lee Clark (in Ese Azenabor), Caroline Harrison (in Sue Gragg)

    Doormen in white tie and top hats greeted 1,540 guests as they strolled into the Hilton Anatole on Saturday, December 6.

    Crystal Charity Ball 2025 The central foyer was transformed into a South-of-France villa, and harpists played on terraces.Photo by Ashley Gongora

    Hanging wisteria and small fields of sunflowers colored the landscape of Pickens' final destination choice - the South of France, said to be her favorite place to travel. The hotel's central foyer had been transformed into a colorful seaside villa, complete with harpists from the Octavia Harp Ensemble serenading on terraces.

    Tres magnifique.

    After posing for professional portraits by James French Photography and showing off their 'fits for the NorthPark Fashion Cam, guests grabbed glasses of wine or hand-crafted cocktails and noshed on salumi boats, artisan cheese cones, and jumbo shrimp at the Corient /Thoele Family Cocktail Reception.

    New this year was the Aligned Data Centers Lounge, a martini-sports bar in the far corner of the foyer where guests hungry for heartier sustenance could snack on sliders and watch a football game on TV.

    Crystal Charity Ball 2025 The prettiest seaside "shrimp boat" you'll ever see.Photo by Ashley Gongora

    Patrons could also try their luck in the casino, then redeem their winnings for home decor, children's toys, and gifts in the Boutique d’Elegance.

    The silent auction featured dozens upon dozens of magnificent trips, fine jewelry, artwork, runway fashion experiences, one-of-a-kind accessories, and many more exquisite items. Bidders checked their phones all night to see if they were still in the running. They could also buy Contribution Tickets for the chance to win a luxury car from Sewell or a Highland Park Village shopping spree.

    Fashion moment
    Crystal Charity Ball is not only the grandest gala of the year in Dallas, it's also the city's biggest formal fashion moment. Dallas' best-dressed women dazzled in their glamorous gowns.

    Crystal Charity Ball 2025 Ball chair Mary Martha Pickens in a vibrant green and blue Michael Faircloth gown (with Dr. John Pickens).Photo by Tamytha Cameron

    Shades of blue that matched the water and sky motifs of the evening were popular (as seen on Julianne Santarosa, Kim Hodge, and Leila Henderson-Gary). So were vibrant jewel tones (Anne Davidson, Monica Davy, Cary Deuber); holiday reds (Heather Wick, Haley Dearman, Veronica Moye, Laurie Sands Harrison); and various shades of white (Caroline Harrison, Sharon Lee Clark, Victoria Cullum, and Sabrina Harrison - whose sculptural gown seemed the embodiment of Pantone's 2026 color of the year, "Cloud Dancer").

    Beloved local designers were well-represented, including Nardos, Michael Faircloth, Patti Flowers, Ese Azenabor, and Venny Etienne.

    In a fun Dallas charity-fashion mashup, quite a few attendees wore gowns purchased at the Salvation Army Fashion Show & Luncheon: Candace Winslow donned a hand-painted Patti Flowers ballgown that was the grand finale look of 2025 event, and the 2025 chair Stacey Walker wore a Roland Nivelais number. 2026 chair Katherine Coker sparkled in a gold Monique Lhuillier dress, and longtime auxiliary member Maggie Kipp wore a black Carolina Herrera.

    (Scroll through the photo gallery, above, to see dozens of gorgeous looks from the evening.)

    Dancing, dinner, more dancing
    When doors opened to the massive Chantilly Ballroom for dinner at 9 pm, musicians from Dallas Live Orchestra, perched on pedestals, played electric violins while dancers from Bruce Wood Dance Dallas, clad in all white, twirled and leaped across the dance floor. Splendid rose-filled centerpieces, with hanging crystals and votive candles, filled each table.

    Crystal Charity Ball 2025 Dancers from Bruce Wood Dance Dallas and electric violin players from Dallas Live Orchestra entertained before dinner.Photo by Ashley Gongora

    Guests sat down to a decadent meal of Arcadian salad topped with a goat cheese crisp; filet with dauphinoise potatoes and roasted Brussels sprouts and carrots; and a dainty “Flower Dream” mousse-cake on a pistachio shell for dessert.

    An orchestra composed of local musicians provided the dinner music, and once the last morsels had been eaten, the party revved up. The party band Simply Irresistible kicked things into high gear with their covers of hit pop and disco songs, and the dance floor filled quickly.

    Those who wanted to call it a night scooped up their party favors - an exquisite Nambe bowl courtesy of sponsor Amase Stays - and picked some hot coffee and freshly made doughnuts on the way to the valet stand. Surprise! There was another gift, a golf umbrella from PlainsCapital Bank, left inside the car at valet.

    Pulling the extravagant event together was a massive team that included producer Tom Addis of Tom Addis Productions, Inc.; Junior Villanueva of The Garden Gate for the florals; Lambert's, which donated all the greenery, trees, and flowers; Hilton Anatole executive banquet chef Matthew Martin, and hundreds more.

    Crystal Charity Ball 2025 The ball was attended by 1,540 guests.Photo by Ashley Gongora

    The point of it all
    The Crystal Charity Ball’s purpose is to aid, support, and make contributions to charitable organizations dedicated to the welfare of children located in Dallas County. The ball has distributed about $200 million since 1953.

    The 2025 Crystal Charity Ball will fund seven Dallas beneficiaries with an extraordinary collective commitment of $7,459,305: Café Momentum, Cristo Rey Dallas College Prep, Dallas CASA, Foundation for the Callier Center for Communication Disorders, Retina Foundation of the Southwest, The Stewpot, and West Dallas Community School.

    The celebration ball is held annually to express appreciation to the organization's generous donors.

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