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Theater Critic Picks

These are the 9 can't-miss shows in Dallas-Fort Worth theater for May

Lindsey Wilson
May 1, 2018 | 9:16 am

May gives audiences a bit of a breather, but just because there are slightly fewer shows to see doesn't mean that they're any less interesting. Several major tours are coming our way, along with a world premiere from a local playwright and the return of a cult favorite. The introduction of TodayTix to DFW means that it's even easier now to get theater tickets at a discount — you don't even have to leave your phone.

Here are the nine shows to see, in order by start date:

Air Play
Off Broadway on Flora, May 2-4
Flying umbrellas, larger-than-life balloons, giant kites floating over the audience, and the biggest snow globe you've ever seen are part of this circus-style adventure that follows two siblings journeying through a surreal land of air. The creation of husband-and-wife team Seth Bloom and Christina Gelsone, Air Play merges their circus and street theater performance art with Daniel Wurtzel's sculptural artistry.

The Freedmans
Soul Rep Theatre Company, May 2-13
This acclaimed production — part of AT&T Performing Arts Center's Elevator Project — is composed of compelling and colorful true and imagined stories told through poetry, monologue, song, and dance. Written by members of Soul Rep's writing consortium, the show was created to commemorate the opening of Dallas' Freedman's Memorial 20 years ago, and to pay homage to the city's black pioneers and early Freedman's community of the late 19th and early 20th centuries.

We're Gonna Die
Amphibian Stage Productions, May 4-5
DFW got a taste of Young Jean Lee's pop concert/autobiographical lament in 2017, when Jake Nice presented it before one of the closing performances of Lee's Straight White Men at Second Thought Theatre. He went on to mount it at other places around DFW, with local musician Sammy "Rat" Rios as the Singer, who returns for this Fort Worth engagement.

The Humans
AT&T Performing Arts Center, May 8-20
Our modern age of anxiety is keenly observed with humor and compassion in this new American classic that won the 2016 Tony Award for Best Play. Stephen Karam's script — which was also nominated for the Pulitzer Prize — concerns the Blake family, who gather for Thanksgiving dinner at the new lower Manhattan apartment of youngest daughter Brigid and her boyfriend. Get $38 tickets through TodayTix here.

Cry, Havoc!
Amphibian Stage Productions, May 11-27
This one-person play is written and performed by U.S. Army veteran Stephan Wolfert, who leads audiences on an interactive journey to meet Shakespeare's veterans using his own military experiences. The play shows us that the military men and women of Shakespeare's time wrestled with the same hopes and worries that occupy our modern lives.

Self Injurious Behavior
Theatre Three, May 17-June 10
For anyone who has cared for a child with ASD, it can be all-consuming and exhausting. In this very personal account from Dallas playwright and actor Jessica Cavanagh, a woman struggles to raise her autistic son and we are reminded that life never turns out the way you plan it. Through every effort to do what is best for her son, she discovers that loss, sacrifice, and little leaps of faith can lead to the life that maybe you didn't plan, but the life you love.

Hir
Stage West, May 17-June 17
After returning from the wars, Isaac arrives at his childhood home to discover that the house and family he knew have been upended. His once-timid mother is on a whirlwind crusade to subvert the patriarchy and his sister is now his genderqueer brother who refers to hirself in gender-neutral pronouns. Meanwhile, his stroke-ridden father slumps on the couch in a muumuu and clown makeup. As Isaac attempts to reclaim structure in a household that refuses to be tamed, the family is forced to confront what it is to live in a new world when one is stuck in the past. Get $10 tickets through TodayTix here.

Jersey Boys
AT&T Performing Arts Center, May 22-27
This is the true story of how a group of blue-collar boys from the wrong side of the tracks became one of the biggest American pop music sensations of all time: Frankie Valli and The Four Seasons. They wrote their own songs, invented their own sounds, and sold 175 million records worldwide, all before they were 30. The show features all their hits, including "Sherry," "Big Girls Don't Cry," "Oh What A Night," "Walk Like a Man," "Can't Take My Eyes Off You," and "Working My Way Back To You."

White Rabbit Red Rabbit
Dallas Theater Center, May 30-July 1
When Amphibian Stage Productions mounted this mysterious show in 2017, it ended up being one of the most memorable moments of the year. The actor who will perform this play has never seen it. In fact, there is a new actor every performance, and they've only been told what is absolutely necessary about this global sensation that no one is allowed to talk about. TodayTix has rush tickets here.

Those Jersey Boys come back to Dallas on tour.

Jersey Boys
Photo by Joan Marcus
Those Jersey Boys come back to Dallas on tour.
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Dance Off

Texas ballet company turns Timothée Chalamet dig into genius promotion

Brianna Caleri
Mar 13, 2026 | 1:12 pm
Timothée Chalamet
Courtesy
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It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

"Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

"For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

---

Stephanie Allmon Merry contributed to this story.

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