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    Real weddings

    Glamorous Dallas wedding whisks in fun Hollywood surprise — complete with swear jar

    Stephanie Allmon Merry
    May 25, 2021 | 5:54 pm

    When Kristin Kay Sanders and James Robert Hallam got engaged on Mother’s Day 2020, they set a heartfelt intention for their dream wedding the following year.

    “Due to the pandemic, we felt inspired and called to put together a wonderful love-filled weekend with all of our closest friends and family after so many people had sat at home with little company and face-to-face interaction over the last year,” James says. “We thought the wedding should provide what folks had not been able to do — get dressed up and eat tasty food while dancing to incredible music.”

    On that last note, the couple had one very specific — and unorthodox — source of musical inspiration in mind: the 2003 Will Ferrell frat-boy film Old School. In a famous wedding-reception scene, a band called The Dan Band embellishes the newlyweds’ first dance to “Total Eclipse of the Heart” with some, shall we say, “four-letter-word flourish.”

    What if The Dan Band could show up and give James and Kristin’s guests the same out-of-nowhere, irreverent, joyful belly laughs after such a long and joyless pandemic year?

    To orchestrate their wedding — including bringing in the famous band from Los Angeles — the couple called on Dallas wedding planner-to-the-stars, Steve Kemble.

    Kemble crafted a two-day extravaganza for them, April 23-24, 2021 — three events in three venues — all with larger-than-life details that would fit his signature descriptor, “FABULOUS!”

    Elegant extravaganza
    James and Kristin were no strangers to fabulous events and experiences themselves. James — executive vice president of Ben E. Keith Co., and Kristin — an entrepreneur in fields ranging from health foods to private investigation — are theater, arts, and fashion aficionados who have traveled the world in pursuit of all three. One of their favorite dates, they agree, was the opening of the Christian Dior exhibit at the Dallas Museum of Art in 2019.

    The couple loves a great long-weekend adventure, so that’s exactly what they wanted to give their wedding guests.

    First came the Friday afternoon wedding ceremony at Highland Park United Methodist Church’s Cox Chapel, where James and Kristin exchanged vows before 125 friends and family, including Kristin’s sons, Jackson (13) and Christian (11) and James’ children, Georgia (21) and twins Hite and Hale (15).

    For her “something old,” Kristin wore her grandmother’s wristwatch — a family heirloom for three generations — which her dad placed on her wrist before escorting her down the aisle.

    The bride and groom chose not to see each other before the wedding, and the first time James glimpsed Kristin in her Carolina Herrera gown and hand-beaded veil, he nearly lost it.

    “When those doors opened and she walked down with her father, I have never seen something so breathtaking in my life,” he says. “Kristin was glowing and her dress was a beautiful shade of white with roses and just lovely. It was all I could do to not burst out in tears.”

    Bride and groom weren’t so successful suppressing tears when they were preparing to exchange their commitments.

    “The pastor had a beautiful message about how our love should be a guiding example for all to see,” Kristin says. “Literally, James and I were choking up before we even got to our vows. I looked to see the groom and all the boys were wiping their eyes. I had to pull it together.”

    After the chapel service, the wedding party and guests headed to nearby Park House at Highland Park Village for the first of two weekend receptions. The bride changed into a Chanel dress, towering balloon art sculptures greeted guests, and DJ Mark Ridlen kept the party soundtrack lively for the happy occasion.

    Black-tie affair
    To pull off the lavish, black-tie reception Saturday night, Kemble and a crew of 85 people worked for two days to transform Dallas Country Club into a magical, theatrical event space for 400.

    Twinkling candles set amid a floral wonderland cast a romantic spell for a night of dining, sipping, celebrating, and dancing. A regal black and gold “K & J” monogram created by 5 by 7 Designs adorned everything from favor boxes (containing Kristin’s favorite Nothing Bundt Cakes) to the bar station backdrops.

    One of the couple’s favorite details was a 12-foot-tall “LOVE” sculpture made of white roses and greenery that served as a selfie station. Guests also had fun with a smile imprint reader, who would have them kiss napkins and assess their smiles. “Men used lipstick, which was priceless,” James says.

    And then there was the cake — “OMG! The cake, the cake!,” Kristin enthuses. “Dallas Affaires created this contemporary, stunning design that had eight layers of pure ecstasy.”

    The newlyweds had kept The Dan Band a surprise for their guests, but an unusual decor detail hinted that something unorthodox was about to happen.

    “Given That Dan Band was going to be hurling well placed obscenities (as nice as you can) from the stage at the Dallas Country Club, I thought we should bring back the Bud Light 'Swear Jar' to get the audience wondering what in the world was about to happen,” James says. “Steve over delivered as usual and had a single spotlight on a Best Maid pickle jar, and as you would expect, as guests noticed it, they were asking “Why is there a swear jar?”

    James and Kristin (in a Ralph Lauren gown for this party) had taken Arthur Murray dance lessons for three months to pull off The Dan Band “Total Eclipse of the Heart" scene exactly as it unfolded in Old School — down to their “surprised” reaction when the lead singer tossed off the first obscenity. The crowd caught on and was quickly laughing along, just as the couple had hoped.

    After an hour of Dan Band fun and entertainment, the Jordan Kahn Orchestra — complete with brass section, backup singers, Go Go dancers, and light show — took over the stage to dance the night away.

    “The Hallam reception celebrated and danced until the lights were turned on,” James says.

    In fact, the bride and groom were having so much fun themselves, they skipped a traditional “grand exit” and were among the last to leave.

    “We were having so much fun dancing with everyone,” they say, “the idea of leaving early was not an option.”

    Just as they'd envisioned all those months ago.

    Wedding planner: Steve Kemble
    Ceremony: Highland Park United Methodist Church
    Friday reception: Park House, Highland Park Village
    Saturday reception and catering: Dallas Country Club
    Bridal attire: Carolina Herrera (bridal gown), Alisa Culp for Haute Hot Lingerie (custom veil), Ralph Lauren Purple Label (Saturday reception gown), Chanel (Friday reception dress)
    Groom’s tuxedo: Custom Vitale Barberis Canonico, Italy — Neiman Marcus
    Floral: Dr. Delphinium Designs and Events
    Cake: Dallas Affaires Cake Co.
    Entertainment: The Dan Band, Jordan Kahn Orchestra (Saturday reception), DJ Mark Ridlen (Friday reception)
    Photography: Danny Campbell Photography, Bryan Chatlien Photography
    Audio and lighting: Eagle AVL, Miller Pro Audio
    Favors: Nothing Bundt Cakes
    Invitations, favor boxes, napkins: 5 By 7 Designs
    Linen and chairs: TLC Event Rentals and Production Inc.
    Custom bars, food stations, dance floor: Shag Carpet Prop Rentals
    Drapery: Quest Events
    Party balloon art sculptures: EZ Party Time
    Hair and makeup: Jose Hernandez
    Transportation: Wynne Transportation
    Entertainment booking: Gary Osier Presents, Bravo Entertainment
    Accommodations: The Lumen Dallas

    ---

    Know of a Dallas-area wedding to consider for publication? Email stephanie@culturemap.com. Weddings must have taken place since July 1, 2019 and must not have appeared in other local publications.

    The ceremony took place in a heartfelt ceremony at Highland Park United Methodist Church's Cox Chapel.

    Hallam wedding
    Photo by Danny Campbell Photography and Bryan Chatlien Photography
    The ceremony took place in a heartfelt ceremony at Highland Park United Methodist Church's Cox Chapel.
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    Mosaic of millinery

    Mad Hatter's 2026 brings beautiful tableau of chapeaux to Dallas Arboretum

    Stephanie Allmon Merry
    Apr 30, 2026 | 12:49 pm
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    It is tradition that each chair of the Dallas Mad Hatter's Luncheon should choose a new theme for each new year - to start with a blank canvas, so to speak. But if a future chair were to repeat the 2026 theme "The Art of the Garden," it's hard to fathom anyone would complain.

    This year's most-anticipated spring luncheon wove the setting itself - the Dallas Arborteum and Botanical Garden - into an event mosaic of marvelous millinery, modeling of fine fashion, and mingling with friends over food and drink.

    The artsy theme was chosen by chairs Reagan Pace, Sheridan Reeder, and honorary chair Anne Stodghill as a way to honor the Dallas arts community, including the city's museums, artists, the Dallas Art Fair, and the burgeoning gallery scene. It also happened to coincide - "as if we had commissioned it ourselves," they write in the program - with sculpture artist Hunt Slonem's large-scale exhibition, "Bunnies, Birds & Butterflies," which had just opened on the grounds of the Arboretum days before the April 25 luncheon.

    Like any masterpiece, Mad Hatter's 2026 also took some risks, rearranged some focal points, and elicited emotion from those in attendance - from awe to "aw dang, it's warm out here."

    Now in its 38th year, Mad Hatter's remains the beloved fundraising event sponsored by the Women’s Council of the Dallas Arboretum and Botanical Garden. It's also one of the most coveted tickets in town.

    Mad Hatter's 2026 This group went all in on a Monet "Water Lilies" theme. Photo by Ashley Gongora

    A few hundred VIPs mingled on the Ginsburg Plaza, clad in their finest floral frocks and with bubbly in hand, for a first look at each other's hats and the first chance to bid on silent auction items. Guests went all out in their execution of the "art" theme - from fascinators featuring Monet's "Water Lilies" to big hats with paint brushes and palettes.

    It was also the first time folks got to view the new set-up for the event's fashion show. Instead of the traditional catwalk inside Rosine Hall, the runway would be the al fresco pathway through the garden between Rosine and A Tasteful Place (a risk, considering it had been a cloudy, windy morning). Pretty paper parasols had been placed on each seat, which would prove useful not only as sun protection, but as seat place holders.

    At 11 am, clouds parted, the sun came out, and the crowd of about 500 took their seats (and opened their parasols) for the fashion show featuring the designs of acclaimed Dallas designer Esé Azenabor. The unmistakable intro to Abba's "Dancing Queen" came over the speakers, and to the audience's surprise and delight, a group of little girls - not grown-up fashion models - appeared on the stage. Walking two by two on the runway, they modeled Azenabor's darling new children's collection.

    Then, legendary fashion show producer Jan Strimple began sending models out to showcase more than 50 stunning looks by Azenabor, including breathtaking ballgowns and wedding gowns with intricate ornamentation and draping. The audience was so close to the runway that the rhythmic "swishing" of silk and "clinking" of beading could be heard as the models walked by. "I felt like I was Anna Wintour at the front row of Fashion Week," one attendee could be overheard saying. The program provided descriptions and prices for all the designs - from slightly less than $1,000 to $28,000 - adding to the fairy tale of it all.

    Mad Hatter's 2026 One of the stunning couture gowns in the Ese Azenabor fashion show. Photo by Ashley Gongora

    Instead of the luncheon following the fashion show this year, an outdoor reception took place around the plaza. Here, the hat judges got up-close looks at the most impressive creations of the day, and guests posed for each other's photos and videos. DJ Lucy Wrubel - wearing a party-ready hat topped with a champage bottle - kept the beats lively.

    With temperatures pushing toward 85 degrees, some patrons headed inside to the air-conditioned relief of Rosine Hall and A Tasteful Place, and began enjoying the cold water set at their place for lunch.

    The big moment came when hat awards were announced in seven art-themed categories. Winners and judges were:

    • The Inaugural Carole Ann Brown Best in Show: Prashe Shah (judged by honorary chair Anne Stodghill)
    • Italian Masters: Debbie Murray ("classical creations," judged by Capera Ryan)
    • Impressionists: D&M Leasing group ("best group category," judged by Nicole Myers)
    • Surrealism: Elizabeth Smith ("over the top creations," judged by Sharon Lee Clarke)
    • Rococo: Sarah Ring ("best use of live botanicals," judged by Eliot Whitall)
    • Cubism: Allison Brodnax’s group ("monochromatic geometry," judged by Hannah Fagadau)
    • Pop Art: Erin Jett ("brightly colored tribute to pop culture," judged by John Sughrue)

    Mad Hatter's 2026 "Surrealism" category winner Elizabeth Smith, whose hat twirled around like a carousel. Photo by Ashley Gongora

    At tables adorned with gorgeous spring floral centerpieces by Gro Designs and The T Shop, guests dined on a spring salad of mixed greens, feta, candied pecans, pickled onions, and champagne vinaigrette; a plate of finger sandwiches (chicken salad and pimento cheese), Greek pasta salad, and mini mandarin orange souffle; and a decadent individual carrot cake for dessert. Wine stewards kept glasses filled.

    Attendees adjusted their hats for some final photos at the valet line, and picked up their swag bags filled with goodies from Eataly.

    Money raised through Mad Hatter's assists with the development, growth and maintenance of A Woman’s Garden, a major garden at the Arboretum.

    Scroll through the photos, above, to see who was there and glimpse all the highlights of the hats, fashion show, and more.

    Mad Hatter's 2026

    Photo by Ashley Gongora

    The winning group of the "Impressionists" category in the hat contest.

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