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    Movie Review

    Romance and tragedy make a potent mixture in Chemical Hearts

    Alex Bentley
    Aug 19, 2020 | 4:30 pm
    Romance and tragedy make a potent mixture in Chemical Hearts
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    Teenage romances are a tricky thing to pull off. On one hand, the allure of young love is something that is universal, and thus eternal. On the other, the lasting power of teenage relationships is notoriously low, so putting stock into them, even in the fantasy world of movies, is a fool’s errand.

    Chemical Hearts, based on the 2016 novel Our Chemical Hearts by Krystal Sutherland, is a tragic love story where most of the tragedy happens before the two main characters meet. Henry (Austin Abrams) is a high school senior whose longtime goal was to become the editor of his school newspaper. His plans are altered when Grace (Lili Reinhart), a transfer student, joins the staff and is named co-editor by the faculty advisor.

    Grace, who uses a cane following a car accident, is initially sullen and withdrawn, but gradually opens up thanks to Henry’s kindness and persistence. As the two grow closer, the reasons for Grace’s gloominess become clearer, putting a crimp in their burgeoning relationship. Henry must try to navigate Grace’s ever-changing moods, while Grace tries to keep herself from falling to far into the darkness.

    The film is the sophomore effort by writer/director Richard Tanne, who also wrote and directed Southside by You, which detailed Michelle and Barack Obama’s first date. This one takes a little while longer to get going, but once Tanne establishes Henry and Grace’s bond, it grabs hold of the viewer and doesn’t let go. Even through the barrier of Grace’s physical and mental pain, the chemistry of the two characters is evident.

    Still, the trauma resulting from Grace’s car crash puts a cloud over the entire story, which is as much about her depression/PTSD as it is about the growing feelings between her and Henry. The complicated nature of her feelings about Henry become all the more complex when you bring in the other parts of her life, which contain events that are unenviable, to say the least.

    The film is not quite as successful when it comes with dealing with Henry’s quirky group of friends, who work alongside Henry and Grace at the newspaper. One, Muz (C.J. Hoff), is a cypher who only seems to exist to show that Henry has a male friend of some type. The other, La (Kara Young), is gay, and is given her own will they/won’t they romance with Cora (Coral Peña). However, the film doesn’t quite have enough energy to spend on their relationship, so it comes off as inclusion merely for the sake of inclusion.

    Abrams has built up a nice resumé in the last few years, starring in the underrated Brad’s Status and impressing in guest roles on both Euphoria and This is Us. He’s not a dynamic performer, but he’s steady and reliable, which makes him interesting. Reinhart, best known as Betty on Riverdale, turns in a nuanced performance here that makes her someone to watch in the near future.

    Romance tinged with tragedy is a staple of young adult movies in recent years, and Chemical Hearts fits right in with the best of them. It never tries to be much more than what it needs to be, delivering a story that touches the heart in multiple ways.

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    Chemical Hearts debuts exclusively on Amazon Prime Video on August 21.

    Austin Abrams and Lili Reinhart in Chemical Hearts.

    Austin Abrams and Lili Reinhart in Chemical Hearts
    Photo courtesy of Amazon Studios
    Austin Abrams and Lili Reinhart in Chemical Hearts.
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

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    Faces of Death is now playing in theaters.

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