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    Your Show of Shows

    Opening exhibit for new Dallas gallery and more must-see art this month

    Kendall Morgan
    kendall Morgan
    Sep 5, 2014 | 9:42 am

    September is here, and the art season is finally kicking into high gear. Aside from the opening of the Dallas outpost of LA-based street art center Lab Art and the big reveal of gallerist Erin Cluley’s eponymous space in Trinity Groves, there’s another new venue ready to make its mark on the Design District.

    We’ve also got the gallery debut of an acclaimed Dallas commercial photographer, some psychedelic still lifes by a San Fran spray artist and a sexagenarian with a razor-sharp sense of humor.

    “Of Land and Sea” by Casey Gray at Circuit 12 Contemporary
    Reception: September 6, 6-10 pm
    Exhibition dates: September 6-October 5

    Drawing from such disparate influences as Dutch Golden Age painting, skateboard culture and computer graphics, San Francisco artist Casey Gray’s electric still lifes are so vivid they almost vibrate off the canvas.

    Working in the medium of spray paint, Gray’s canvases bring back the cartoonish realism of the golden age of airbrush art. His exhibit of 15 new paintings at Circuit 12 Contemporary broadens his appeal with fresh figurative works that wouldn’t be out of place on the cover of a reissue of Bret Easton Ellis’ Less Than Zero.

    Says owner and curator Dustin Orlando, “Once I heard his work was spray paint, I got an immediate appreciation for it. Although the imagery is textbook of what you might see in a ‘fine art’ gallery, he’s mocking that whole system or gallery presentation of decorative work.”

    And in the Circuit 12 tradition of setting off the artwork with complementary backdrops for an immersive viewing experience, Orlando has created gradient walls in sunset hues, all the better to showcase Gray’s innovative technique.

    Geof Kern at Photographs Do Not Bend Gallery
    Reception and book signing: September 6, 5-8 pm
    Exhibition dates: September 6-November 15

    If you’ve found yourself drawn by a surrealistically beautiful ad buried in the pages of your favorite fashion magazine’s September issue, chances are it was shot by Geof Kern. His work has enlivened campaigns for Neiman Marcus and the cult Japanese label Matsuda — so much so, Kern’s imagery seems to be less about the clothes he was shooting and more about the alternate realities he creates.

    After debuting in the fine art realm four years ago with a solo show at Los Angeles’ Fahey/Klein Fine Art Gallery, the Dallas-based talent is finally being recognized on his home turf with an exhibition at Photographs Do Not Bend.

    For Kern, having a solo show wasn’t so much of a goal as an inevitable outcome of over three decades in the industry. He explains, “I don’t know if I’m a newcomer or latecomer to gallery work, but I’ve been a photographer a long time, and people have always asked me if I sold prints or had a book.

    “I’m a commercial photographer and most of the works are from advertising. When I started 35 years ago, photography wasn’t even considered art.”

    Times have luckily changed, although Kern’s aesthetic has remained wonderfully consistent. He doesn’t yet have the glossy hardback monograph he so richly deserves, but Kern will be on hand at the opening reception to sign a catalog published in conjunction with the exhibition.

    “Problem Child” by Gary Sweeney 
at Red Arrow Contemporary
    Reception: September 6, 6-9 pm 

    Exhibition dates: September 6-October 4

    Anyone lucky enough to catch Gary Sweeney’s 2013 overview at Blue Star Contemporary in San Antonio will be pleased that Big D is getting a solo exhibit from this wryly humorous artist. After participating in a 2012 group show, Erin and Elissa Stafford are bringing Sweeney back to Red Arrow Contemporary with 20 mixed media and print pieces.

    Says Elissa, “We went to his 60th birthday when we installed the last show, and I was like, ‘I want to be you, you’re awesome!’ We love his sense of humor. He’s a Peter Pan that never grows old.”

    Whether Sweeney is explaining why dog owners are psychopaths or sharing his family’s old vacation photos, the former airline baggage handler’s work is most definitely a conversation starter.

    “EX-Y: Representations of Contemporary Masculinity” by various artists 
at Cydonia
    Reception: September 12, 6-9 pm
    Exhibition dates: September 12-October 25

    If there was any doubt the Design District was still holding strong as gallery central, Cydonia has arrived. The newest ambitious space on the block, Cydonia is the brainchild of Goldsmiths graduate Hanh Ho, who worked for the likes of the Cranford Collection in London before returning home to be near family.

    Ho says the timing for Cydonia is just right. “There’s a need for it. I wouldn’t have gone away to school if I felt the dialogue was here, but now the mayor has done a lot for the arts, and there’s a lot of galleries opening now.”

    With a heavy emphasis on European talent, Ho is launching her space with a group show about modern masculinity encompassing performance, video and painting. Sponsored by the Adam Mickiewicz Institute and Lokal_30 Gallery, the show includes a performance by Warsaw-based artist Jan Mioduszewski September 12 at 7 pm.

    Next up? A solo show by Glasgow School of Art graduate Paul Knight’s photography and sculptural installations opening the first week in November.

    Casey Gray's solo show, "Of Land and Sea," at Circuit 12.

    Casey Gray
    Photo courtesy of Circuit 12
    Casey Gray's solo show, "Of Land and Sea," at Circuit 12.
    unspecified
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
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