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    Theater Review

    Dallas' Uptown Players get down and dirty with this campy musical

    Lindsey Wilson
    Sep 7, 2016 | 4:08 pm

    In the grand tradition of Spider-Man, the Flash, and the Hulk, scrawny Melvin Ferd the Third becomes a superhero through uncomfortable and slightly ooky circumstances. The New Jersey nerd is dunked in a vat of glowing toxic waste by a pair of bullies, and he emerges as a ripped and slimy mutant who's dead-set on saving his polluted town.

    But you won't find the Toxic Avenger — or Toxie, as he's affectionately called — in any major Marvel or DC flick. Instead, he's singing and dancing in a goofy, politically incorrect musical written by a Broadway team (it was a non-singing, horror-comedy cult film first). If you're willing to laugh at campy characters and blind-girl jokes, this show's for you.

    Especially this production from Uptown Players. Using a lean, five-person cast and costumes and set rented from the original Off-Broadway mounting, director Jeremy Dumont has crafted a swift two hours of gross humor and eye-popping visuals. What makes this one so great to watch are the lightning-fast quick changes three of the actors consistently undertake.

    Walter Lee and Clint Gilbert do most of the changing, impressively going from small-town toughs to giggly Jersey girls to a Frankenstein-like mob with nary a breath in between. Sara Shelby-Martin, as both Tromaville's corrupt mayor and Toxie's concerned mother, brings more than enough brassy bravado for both characters. And during her big act one finale, it's even at the same time.

    Uptown newcomer Katie Porterfield is a joy as the klutzy town librarian, mixing dumb sweetness with kooky enthusiasm. She's not put off by Toxie's scabby appearance because — luckily for him — she's blind, and he won't allow her to feel his face. She just feels his muscles and assumes his name means he's French.

    New York-based Dallas native John Campione is fresh off the Bridges of Madison County tour and clomping around the Kalita in sky-high platforms. Despite the challenges of his costume he looks like he's having a blast, and that even shines through all the Latex.

    The score, by Memphis duo Joe DiPietro and Bon Jovi keyboardist David Bryan, isn't especially memorable, though it is more than capably performed by music director Adam C. Wright and his small onstage band. What sticks in this show are the performances. Well, that and probably Toxie's touch.

    John Campione as Toxie.

    The Toxic Avenger at Uptown Players
    Photo by Mike Morgan
    John Campione as Toxie.
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    Art for all

    Dallas’ Katy Trail will debut new public art biennial in 2027

    Stephanie Allmon Merry
    Mar 11, 2026 | 9:56 am
    Man jogging on the Katy Trail
    The Katy Trail/Facebook
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    Dallas' most popular jogging trails will fill with art next year: A new contemporary public art biennial called KTX Biennial will debut in spring 2027 along Dallas’ Katy Trail.

    "The KTX Biennial marks Texas’ first biennial of its kind dedicated to public art and provides an open-air platform for engaging with ambitious contemporary artworks, free and accessible to all," says a release.

    Organized by Friends of the Katy Trail executive director Amy Bean and Katy Trail art director Amanda Dillard Shufeldt, the inaugural event will invite New York-based curator Jovanna Venegas to organize a display of nearly a dozen existing and newly commissioned works by living artists from across the world. Venegas, the curator at SculptureCenter, has an international reputation for exhibiting and commissioning major works by living artists.

    The Dallas presentation will span the 3.5-mile former railroad corridor running through Dallas’ Uptown, Knox, and Highland Park neighborhoods, which attracts 2 million annual visitors, they say. Artworks will be thoughtfully integrated into the trail’s natural environment, organizers say.

    "Building on the Katy Trail’s existing public art program - which has featured work from the likes of Iván Argote, Eddie Martinez, Will Boone, Nic Nicosia, Carolyn Salas, and more - the Biennial thoughtfully integrates art into its natural environment, creates new avenues for discovery for local and national audiences, and fortifies Dallas’ standing as an international art destination," the release says.

    Beyond the artworks that fill the trails, the event will include educational programs, public activities, panel conversations, and partnerships with local institutions and organizations, organizers say.

    “The KTX Biennial grows directly out of our belief that the Katy Trail belongs to everyone," says Bean in the release. "By bringing ambitious contemporary art into an open-air setting, free and accessible to all, we are inviting both longtime visitors and first-time audiences to experience the Trail in an entirely new way. This Biennial strengthens the Trail’s role not only as a place for recreation, but also as a space for creativity, reflection, and shared discovery."

    The inaugural KTX Biennial will open in spring 2027 and will be free and open to the public.

    artsart festivalsculpturesgallerymuseumskaty trail
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