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    Theater Critics' Picks

    DFW Theater Critics Forum bestows honors for 2012-13 season

    Lauren Smart
    Sep 9, 2013 | 9:00 am

    Every year, the Dallas-Fort Worth Theater Critics Forum dishes out awards for best new play, best actor, best direction and myriad other theater categories. The group does not crown a winner in each category, nor does it declare a show of the year. Rather, the group gathers for a conversation about work that deserves special recognition.

    On Saturday, September 7, the forum gathered to reflect on the 2012-13 season. This year, there were some clear favorites. On the Eve, the brand-new post-modern musical extravaganza, with songs and lyrics by the local band Home by Hovercraft, earned accolades for its writing, cast, music and director. (Theatre Three will remount this show in January 2014).

    Kitchen Dog Theater had a standout season, with nearly every show receiving nominations for a design element or performance. There was also a unanimous desire to recognize the late Jerry Russell for his lifetime contributions to local theater and praise Fun House Theatre and Film for emerging as a stomping ground for young actors. In fact, Kennedy Waterman, an 11-year-old actress from Fun House, gave one of the best performances of the year for her role in Daffodil Girls.

    During the lunch meeting, critics dug through playbills to double check spellings and debated the merit of an actor's performance in one show versus another to nominate shows or performers in each category. They pared down several hundred shows into lists of up to 10. Here are this year's picks:

    New Play or Musical

    • On the Eve by Michael Federico and Shawn and Seth Magill
    • Dreams of Slaughtered Sheep by Matthew Posey
    • Daffodil Girls, inspired by David Mamet's Glengarry Glen Ross by Jeff Swearingen
    • Fly by Night by Kim Rosenstock, Bill Connolly and Michael Mitnick

    Direction

    • Jeffrey Schmidt, On the Eve (Nouveau 47 Theatre) and Bengal Tiger at the Baghdad Zoo (Theatre Three) and Enron (Theatre Three)
    • Regan Adair, In a Forest, Dark and Deep (Second Thought Theatre)
    • Tim Johnson, The Chairs (Kitchen Dog Theater)
    • Cheryl Denson, The Most Happy Fella (Lyric Stage)
    • T.J. Walsh, The Taming of the Shrew (Trinity Shakespeare Festival)
    • Jim Covault, The Taming of the Shrew (Stage West)
    • Susan Sargeant, Children of a Lesser God (Contemporary Theatre of Dallas) and Lydie Marland in the Afterlife (Wingspan Theater Co)
    • Jeff Swearingen, Daffodil Girls, inspired by David Mamet’s Glengarry Glen Ross (Fun House Theatre and Film)
    • Matthew Posey, Dreams of Slaughtered Sheep (Ochre House Theater)
    • Joel Ferrell, Gruesome Playground Injuries (Second Thought Theatre)
    • Jonathan Fielding, The True Story of the Tragic Life and Triumphant Death of Julia Pastrana, the Ugliest Woman in the World (Amphibian Stage Productions)

    Actor

    • Bruce DuBose, An Iliad (Undermain Theatre)
    • Raphael Parry, The Chairs (Kitchen Dog Theater)
    • Gregory Lush, On the Eve (Nouveau 47 Theatre) and Penelope (Undermain Theatre)
    • David Coffee, Fly by Night (Dallas Theater Center)
    • Jac Alder, Freud’s Last Session (Theatre Three)
    • Chris Hury, The Taming of the Shrew (Stage West)
    • Montgomery Sutton, Gruesome Playground Injuries (Second Thought Theatre)
    • Max Hartman, RX (Kitchen Dog Theater)
    • Ashley Wood, Children of a Lesser God(Contemporary Theatre of Dallas)
    • Alex Organ, The Most Happy Fella (Lyric Stage)

    Actress

    • Tina Parker, RX (Kitchen Dog Theater)
    • Jenny Ledel, Becky Shaw (Kitchen Dog Theater) and On the Eve (Nouveau 47 Theatre)
    • Martha Harms, On the Eve (Nouveau 47 Theatre), RX (Kitchen Dog Theater), The Lucky Chance; or, The Alderman’s Bargain (Echo Theatre)
    • Marianne Galloway, Children of a Lesser God (Contemporary Theatre of Dallas)
    • Amber Nicole Guest, The Most Happy Fella (Lyric Stage)
    • Barbara Wood, Knock Me a Kiss (Jubillee Theatre)
    • Allison Pistorius, The Taming of the Shrew (Stage West)
    • Kennedy Waterman, Daffodil Girls (FunHouse Theatre and Film)

    Ensemble

    • On the Eve (Nouveau 47 Theatre)
    • The Taming of the Shrew (Trinity Shakespeare Festival)
    • Jailbait (Dallas Actor’s Lab)

    Creative Contribution

    • Score, Home by Hovercraft, On the Eve (Nouveau 47 Theatre)
    • Music and sound design, Bruce DuBose and Paul Semrad, An Iliad (Undermain Theatre)
    • Sound design, John Flores, Gruesome Playground Injuries (Second Thought Theatre)
    • Set design, Timothy R. Mackabee, The Odd Couple (Dallas Theater Center)
    • Set design, Bob Lavallee, The Tale of the Allergist’s Wife (Theatre Arlington) and Gruesome Playground Injuries (Second Thought Theatre)
    • Design team, The Taming of the Shrew and Julius Caesar (Trinity Shakespeare Festival)
    • Design team, Dreams of Slaughtered Sheep (Ochre House Theater)
    • Costume design, Ryan Matthieu Smith, The Lucky Chance; or, the Alderman’s Bargain (Echo Theatre)

    Touring Production

    • Anything Goes (Lexus Broadway Series)
    • The Book of Mormon (Lexus Broadways Series)
    • Traces (Lexus Broadway Series)
    • Underneath the Lentil (Patrick O’Brien at the Out of the Loop Fringe Festival)

    Special citations

    • The late Jerry Russell, founder of Stage West, for his lifetime contributions to the North Texas theater community as an actor, director, producer and advocate
    • Jeff Swearingen and Bren Rapp with Fun House Theater and Film, for their innovative youth theater and dedication to the future of the craft

    Participating critics

    • CultureMap Dallas: Lauren Smart
    • Dallas Morning News: Lawson Taitte
    • D Magazine: Lindsey Wilson, Liz Johnstone, M. Lance Lusk
    • Dallas Observer: Elaine Liner
    • TheaterJones.com: Mark Lowry, Kris Noteboom
    • Dallas Voice: Arnold Wayne Jones
    • Turtle Creek News: Martha Heimberg
    • CriticalRant.com: Alexandra Bonifield
    • Fort Worth Star-Telegram, Punch Shaw

    Regan Adair received a nod for direction.

    Dallas actor and director Regan Adair
    Photo courtesy of WaterTower Theatre
    Regan Adair received a nod for direction.
    unspecified
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    Theater Critic Picks

    DFW theater heats up with 14 must-see shows this February

    Lindsey Wilson
    Feb 2, 2026 | 9:03 am
    Kitchen Dog Theater presents Pompeii!!
    Photo by Jordan Fraker
    Kitchen Dog Theater is opening its new performance space with a remounting of 'Pompeii!!'

    It's cold outside but hot onstage, as evidenced by this extra-large list of plays and musicals opening in Dallas-Fort Worth this month. From theater festivals to one-night-only concerts, world premieres and returns to old favorites, there truly is something for everyone in February.

    Here are 14 shows appearing in Dallas-Fort Worth theaters in January, listed in order of start date:

    Hype Man: A Break Beat Play
    Jubilee Theatre, through February 28
    A pulse-pounding, thought-provoking work by Idris Goodwin that explores friendship, accountability, and the often-unseen creative forces shaping hip-hop culture. It follows three artists on the brink of a breakthrough: a rising rap star, his longtime hype man, and a gifted woman beat maker whose sound fuels their success. When an unexpected crisis erupts on the eve of a career-defining performance, all three must confront difficult truths about loyalty, responsibility, and whose voices are truly heard when the spotlight hits.

    Gem of the Ocean
    Soul Rep Theatre Company, February 5-22
    Set in 1904, August Wilson's Gem of the Ocean begins the playwright's legendary Century Cycle with a spiritual journey toward freedom and redemption. Through the mystical presence of Aunt Ester, a 285-year-old spiritual guide, Wilson weaves a powerful meditation on memory, responsibility, and Black survival.

    Pompeii!!
    Kitchen Dog Theater, February 11-March 8
    Opening their brand-new home in the Design District, Kitchen Dog Theater co-artistic directors Christopher Carlos and Tina Parker will direct a remounting of the company's first-ever company-created musical. Under the shadow of a volcano, the citizens of Pompeii sing, dance, and tell jokes in this zany vaudeville show. It's togas and tap shoes, centurions and sing-alongs in the timely satire of nationalistic hubris and narcissistic excess.

    Medea/Liturgia
    Cara Mía Theatre, February 12-22
    This world premiere of a contemporary, multimedia adaptation of the Greek tragedy Medea is written and directed by Diego Fernando Montoya, Colombia’s 2025 National Playwriting Award winner. The production reimagines Medea through a modern lens that confronts imperialism, immigration, and rebellion.

    22nd International Theatre Festival
    Teatro Dallas, February 7, 14, 21
    The festival takes place over three weeks, featuring three separate productions from Portugal, England, and Argentina.

    Six
    Broadway at the Bass, February 10-15
    Divorced, beheaded, died, divorced, beheaded, survived. From Tudor queens to pop icons, the six wives of Henry VIII take the microphone to remix 50 years of historical heartbreak into a euphoric celebration of 21st-century girl power.

    Dallas Divas
    Lyric Stage, February 11
    This one-night-only event serves as a fundraiser for Lyric Stage, with some of Dallas' most talented voices singing songs that run the gamut from Broadway to pop.

    Bull in a China Shop
    Amphibian Stage, February 11-March 1
    This is an explosive queer romantic comedy set amidst the fight for women’s rights. Galloping across four decades at Mount Holyoke, Mary Woolley and Jeannette Marks light fires in the classroom and in the bedroom. As their ambitions grow bolder, so do the cracks in their relationship.

    The Skin of Our Teeth
    Undermain Theatre, February 12-March 8
    Thornton Wilder’s classic three-part allegory about the resilience of mankind centers on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama follows the family through an impending Ice Age, a world war, and a devastating flood, all of which they survive by the skin of their teeth.

    The Great Gatsby
    Broadway Dallas, February 17-March 1
    Based on the classic American novel by F. Scott Fitzgerald, this musical is an unforgettable journey of love, wealth, and tragedy that brings the Roaring Twenties to life onstage.

    Penelope
    Theatre Three, February 19-March 22
    What’s Penelope been up to since Odysseus went off to war? She’s had a few drinks and started a band! So go ahead and grab a drink too, and listen to this ancient tale made new with a beautiful folk-inflected pop score about a woman wondering who she is if she’s alone, and discovering that she has, is, and will always be complete, with her husband by her side or otherwise.

    Where We Stand
    Dallas Theater Center, February 25-March 22
    Your town stands at a crossroads. A neighbor, desperate and out of options, has struck a dangerous bargain. Now their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic. The play, making its regional premiere, is a co-production with Stage West.

    You Must Wear a Hat
    Echo Theatre, February 26-March 14
    Two survivors of a climate apocalypse strive to preserve their humanity, and community.

    Hairspray
    Casa Mañana, February 27-March 8
    Set in 1962 Baltimore, the musical follows Tracy Turnblad, a big-hearted teen with dreams of dancing on The Corny Collins Show. As she fights for a chance to shine, Tracy challenges outdated norms and pushes for a more inclusive future. RuPaul's Drag Race star Nina West plays Edna Turnblad.

    the great gatsbybroadway dallasbroadway tourdallas theater centerpompeii musicalsix musicalnina westhairspray musicaltheater
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