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    Theater Critic Picks

    Best of 2018-19 get standing O from Dallas-Fort Worth theater critics

    Lindsey Wilson
    Sep 11, 2019 | 8:55 am

    It was a strong season for women in Dallas-Fort Worth theater, not just acting-wise but also directing, music directing, writing, designing, leading, and playing musical instruments.

    That made it that much harder for the eight critics of the DFW Critics Forum to narrow down our choices for the best of 2018-19. There was much debating, much lobbying, only a little name-calling (kidding), but eventually we finalized our list.

    Not everyone's picks made it through the voting process, which needed either more than 50 percent of the votes or a unanimous decision if only two or three critics had seen the production. Look for personal favorites not included here to pop up in critics' end-of-year lists.

    Without further ado, here are the awards:

    Outstanding Direction:

    • Tim Bond, Sweat, Dallas Theater Center
    • Kelsey Leigh Ervi, Everything Is Wonderful, WaterTower Theatre
    • Joel Ferrell, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
    • Jonathan Fielding and Brenda Withers, Artist Descending a Staircase, Amphibian Stage Productions
    • Alex Organ, Incognito, Second Thought Theatre
    • Mara Richards Bim and Tim Johnson, Crossing the Line, Cry Havoc Theater Company and Kitchen Dog Theater
    • Christie Vela, What We Were, Second Thought Theatre
    • Ashley H. White, Ghost Quartet, Imprint Theatreworks

    Outstanding New Play or Musical

    • Crossing the Line, ensemble of Cry Havoc Theater Company
    • penny candy, Jonathan Norton, Dallas Theater Center
    • Jo & Louisa, Isabella Russell-Ides, WingSpan Theatre Company
    • What We Were, Blake Hackler, Second Thought Theatre

    Outstanding Performance by an Actor

    • Chad Cline, Raptured, Theatre Three
    • Sonny Franks, The Cake, Uptown Players
    • Blake Hackler, Twelfth Night, Dallas Theater Center; and Drunk Enough to Say I Love You & Here We Go, Second Thought Theatre
    • David Meglino, In the Next Room (or The Vibrator Play), Imprint TheatreWorks; and Angels in America, Part Two: Perestroika, Uptown Players
    • Steven Pounders, Everything Is Wonderful, WaterTower Theatre
    • Christopher Llewyn Ramirez, Sweat and Twelfth Night, Dallas Theater Center
    • Drew Wall, Incognito, Second Thought Theatre

    Outstanding Performance by an Actress

    • Betty Buckley, Hello, Dolly!, Dallas Summer Musicals
    • Sarah Gay, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
    • Ana Hagedorn, Steel Magnolias and The Wolves, Dallas Theater Center; and The Armor Plays: Cinched & Strapped, Theatre Three
    • Lindsay Hayward, Fur, Teatro Dallas
    • Jennifer Kuenzer, In the Next Room (or The Vibrator Play), Imprint Theatreworks
    • Laura Lites, Disaster!, Uptown Players
    • Shannon McGrann, The Cake, Uptown Players; Raptured, Theatre Three; Incognito, Second Thought Theatre; A Doll’s House, Part 2, Stage West
    • Christine Sanders, Artist Descending a Staircase, Amphibian Stage Productions; and Obama-ology, Jubilee Theatre
    • Lucy Shea, Bright Star, The Firehouse Theatre
    • Sally Nystuen Vahle, Sweat and Steel Magnolias, Dallas Theater Center

    Outstanding Performance by an Ensemble Cast

    • Bright Star, The Firehouse Theatre
    • Crossing the Line, Cry Havoc Theater Company
    • Ghost Quartet, Imprint Theatreworks
    • Incognito, Second Thought Theatre
    • Men on Boats, Circle Theatre
    • penny candy, Dallas Theater Center
    • What We Were, Second Thought Theatre
    • The Wolves, Dallas Theater Center

    Outstanding Touring Production

    • Aladdin, Dallas Summer Musicals
    • Hamilton, Dallas Summer Musicals
    • Hello, Dolly!, Dallas Summer Musicals
    • The Play That Goes Wrong, AT&T Performing Arts Center
    • Unveiled, WaterTower Theatre

    Outstanding Design or Creative Contribution

    • Vonda K. Bowling, music direction, The Ballad of Little Jo, WaterTower Theatre
    • Aimee Hurst Bozarth, pianist and musical associate, Sweeney Todd: The Demon Barber of Fleet Street, Circle Theatre
    • Design team, Artist Descending a Staircase, Amphibian Stage Productions
    • Design team, Everything Is Wonderful, WaterTower Theatre
    • John M. Flores, sound design, What We Were, Second Thought Theatre
    • Olivia de Guzman, music, and Justin Locklear, lyrics, Doom McCoy and the Death Nugget, Ochre House Theater
    • Rusty Jones, scenic design, Babette’s Feast, Amphibian Stage Productions
    • Justin Locklear, score, Elwood, and puppet design, Doom McCoy and the Death Nugget, Ochre House Theater
    • Kelly McCain, choreography, Bright Star, The Firehouse Theatre
    • Adam C. Wright, music direction, Ghost Quartet, Imprint Theatreworks

    Special Citations

    • To Katherine Owens (1957-2019), co-founding artistic director of Undermain Theatre, for groundbreaking work in experimental theater and excellence in producing modern classics, staging 35 world premieres in 35 years, and seeding the ground for the birth of exciting new companies in North Texas over the past three decades.
    • To Cora Cardona, founder and former artistic director of Teatro Dallas, for introducing North Texas audiences to writers from the Spanish-speaking world, giving emerging theater artists a home, creating the International Theater Festival, and keeping alive the legacy of Teatro Dallas.
    • To Joanie Schultz for her brief but significant contributions during her tenure as artistic director of WaterTower Theatre (December 2016–December 2018), including championing female directors, playwrights of color, and other inclusive initiatives; encouraging new works; and reinvigorating the DFW theater scene.
    • To Mara Richards Bim, Tim Johnson, Cry Havoc Theater Company, and Kitchen Dog Theater for creating Crossing the Line, a thorough and compelling look at the immigration controversy devised through extensive research that included a trip to the border to gather facts and opinions from a wide range of sources. Bim and Johnson edited hundreds of pages of interview transcripts into a narrative that delved deeply into the immigration issue.

    Participating Critics

    • Lindsey Wilson, CultureMap
    • Janice L. Franklin, TheaterJones.com
    • Jan Farrington, TheaterJones.com
    • Martha Heimberg, TheaterJones.com and Dallas Weekly
    • Arnold Wayne Jones, Dallas Voice
    • Mark Lowry, TheaterJones.com
    • Manny Mendoza, Dallas Morning News
    • Jill Sweeney, TheaterJones.com

    Dallas-Fort Worth Theater Critics Forum is an organization of professional, paid critics that recognizes outstanding theatrical contributions in North Texas. Members see 40 or more productions per season (Sept. 1-Aug. 31) and are not practicing theater artists.

    Shannon McGrann won four acting awards, the most of any person this year.

    The Cake at Uptown Players
    Photo by Mike Morgan
    Shannon McGrann won four acting awards, the most of any person this year.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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