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    Art in the Park

    What's new at Richardson's Cottonwood Art Festival this autumn

    CultureMap Create
    Sep 13, 2017 | 2:50 pm

    Cooler temps herald the return of one of Richardson's most highly anticipated events: Cottonwood Art Festival. Held at Cottonwood Park October 7-8, this free celebration of all things arty has plenty of new and exciting additions in store. Here's your sneak peek at what not to miss that weekend.

    Featured artist Gregory Arth
    The ​Colleyville-based artist is the very definition of diverse, dabbling in contemporary Cubist sculpture, Old World-style murals, and Impressionistic paintings. Arth got his start designing sets and painting theatrical backdrops, and that sense of drama has never left his work — at one time, he even specialized in painting underwater scenes on swimming pool bottoms. His well-known tree series features heavily in this year's festival marketing, with the "dream trees" representing the repository of our dreams in case we lose them.

    Craft beer garden
    What goes better with fine art than fine beer? The offerings at this year's Lakeside Courtyard comprise an epic lineup of craft beer from mostly local breweries, all of which pair exceptionally well with the assortment of food that's available from the festival's vendors. In this oasis for craft beer-lovers you'll find: Revolver Blood and Honey, Rahr Ugly Pug, Lakewood Lager, Blue Moon, Shock Top Belgian White, Deep Ellum Blonde, Deep Ellum Neato Bandito, Bishop Crackberry Cider, Community Witbier, Franconia Dunkel, Bud Light, and brews from Richardson's own 4 Bullets Brewery.

    Not a beer fan? Margaritas, prosecco, and wine are also available. And don't forget that Mimosa Mornings begin at 10 am, giving early birds the opportunity to enjoy a delightful morning beverage.

    Live music performances
    The lineup for this year's concerts on the Courtyard Stage includes musician Devin Leigh, a favorite who frequently plays at The Rustic, and The Free Loaders, who regulars at The Free Man in Deep Ellum will certainly recognize. Also catch sets from La Pompe, Raquel Lindemann, RJ Ballard, FogHouse Band, Bob Culbertson, Heather Little, Davis & Rose, The 3 Amigos, and Chaz Marie. Performances start early and play well into the evening on both the Courtyard Stage and the Food Court Stage (the festival itself runs 10 am-7 pm on Saturday and 10 am-6 pm on Sunday).

    When you're not sipping suds or tapping your toes at a concert, don't forget the main reason why Cottonwood has been a Richardson staple for more than 40 years: its more than 200 museum-quality works from some of the country's top artists and craftsmen. The juried art show receives more than 800 submissions and pares those down to the selection you'll get to enjoy in October. You'll find jaw-dropping pieces in 14 categories — everything from ceramics and glass to painting, pastels, photography, and sculpture. There are even categories for such specialized skills as jewelry, leather, metalwork, fiber, wood, digital art, and 2-D and 3-D mixed media.

    The ArtStop Children's Area ensures that pint-size Picassos also get in on the fun, with interactive workshops and arts-and-crafts projects so fun they might make adult jealous. It doesn't get any cooler than this, so be sure to mark your calendar for Cottonwood Art Festival.

    Cottonwood has been one of Richardson's most beloved festivals for more than 40 years.

    Cottonwood Art Festival
    Photo courtesy of Cottonwood Art Festival
    Cottonwood has been one of Richardson's most beloved festivals for more than 40 years.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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