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    High Octane Rivalry

    Rush delivers thrilling story but humdrum race scenes

    Alex Bentley
    Sep 27, 2013 | 12:00 am
    Rush delivers thrilling story but humdrum race scenes
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    The not-so-secret secret behind most sports movies is that the vast majority of them are ultimately not really about sports. The sports aspect of the film is usually just a conduit to a deeper story about friendship, family, commitment or whatever else the filmmakers want to explore.

    But the sports component has to be compelling for the deeper story to truly take hold. In that respect, director Ron Howard may be facing an uphill battle with American audiences with his new film, Rush, which chronicles the fierce rivalry of two Formula 1 race car drivers in the 1970s.

    Chris Hemsworth is perfectly cast as cocky race driver James Hunt and embraces the role with gusto.

    On one side is James Hunt (Chris Hemsworth), a brash and cocky Englishman who uses those qualities — and good looks — to charm everyone in his path, especially women.

    On the other is Niki Lauda (Daniel Brühl), a reserved and determined Austrian whose interests lie solely in becoming the best Formula 1 driver in the world.

    Their rivalry plays out mostly over the course of the 1976 season, which finds them locked in a tight race for the top spot on the circuit over the course of numerous races in multiple countries. They do so knowing that the line between great driving and possible death is razor thin in their increasingly dangerous sport.

    Howard does his level best to give the audience a feel for the intensity of the sport, putting cameras in the cars and sometimes even the helmets of the two rivals. Even with all the tricks at his disposal, though, there’s only so much he can do to make their duel seem rousing. Individual moments have their thrills, to be sure, but the season-long back-and-forth is difficult to make exciting, no matter much how you gussy it up.

    Naturally, it’s both men’s approach to life, which also plays out in their respective romantic relationships, that gives the film its real depth. The fact that the two are so different off the track, yet equally as successful on it, provides for a variety of fun and interesting situations. Still, with everything else going on, it’s hard to say that we truly get to know either one of them.

    Hemsworth is perfectly cast as Hunt; not only does he have the long-haired look down, thanks to his multiple stints as Thor, but he also embraces the role with gusto. Brühl is also excellent, although in his case he’s both aided and hurt by a distracting set of false teeth that gives him a great ratty look and a horrendous speaking style.

    The actual racing in Rush will probably only delight those who already had a predilection toward the sport. But the contentious relationship between Hunt and Lauda, and the performances of Hemsworth and Brühl, make the film worth seeing even if you’ve never watched a race in your life.

    The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.

    Chris Hemsworth and Daniel Bruhl in Rush
    Photo by Jaap Buitendijk Universal Pictures
    The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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