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    Actor Spotlight

    Avant-garde Dallas actor divulges unique process and dream role

    Lindsey Wilson
    Oct 26, 2016 | 12:00 pm

    It would be pigeonholing to describe Justin Locklear as an artist-in-residence at Ochre House Theater. He is, but he's also a visual artist and a producer and conceptual artist with Danielle Georgiou Dance Group (DGDG). He also has popped up onstage and behind the scenes at theaters across Dallas.

    But his work at Ochre House — as playwright, actor, costumer, musician, puppet designer, and more — is what people associate him with the most. Locklear's keeping his Ochre streak going as Nikola Tesla with the Expo Park company's next original work, Dreaming Electric.

    Before the show opens on October 29 (it runs through November 19), Locklear took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Justin Locklear

    Role in Dreaming Electric: Nikola Tesla, scientist and inventor

    Previous work in the DFW area: Ochre House Theater, Shakespeare Dallas, WaterTower Theatre, Cara Mia Theatre Co., Undermain Theatre, Second Thought Theatre, Dead White Zombies

    Hometown: Decatur, Georgia

    Where you currently reside: White Rock Lake, in the water.

    First theater role: The Turtle in a skit about the Turtle and the Hare, in vacation bible school.

    First stage show you ever saw: No clue. Probably something at Georgia Shakespeare Festival.

    Moment you decided to pursue a career in theater: I was walking through the park one day, and I saw a bright flash of light. "Be an actor!" was somehow spoken to me, without words, and I saw an image of myself standing on a stage. And then, like, I got some fro-yo.

    Most challenging role you’ve played: Probably the Turtle.

    Special skills: Unsolicited anecdotes, shoulder massage, puns.

    Something you’re REALLY bad at: Listening to people eat.

    Current pop culture obsession: Mindless, unyielding human conflict.

    Last book you read: I was reading Illuminations, a collection of essays by Walter Benjamin, and then, like, stopped. But I liked it. It was cool.

    Favorite movie(s): The Imposters, Big Night

    Favorite musician(s): Eryka Badu, Ligeti, Stefan Gonzalez, Trey Pendergrass, BlackTaffy

    Favorite song: "My Guitar Wants to Kill Your Mama" by Frank Zappa

    Dream role: Krapp in Krapp's Last Tape by Samuell Beckett

    Favorite stageworks:Mean and Dreams of Slaughtered Sheep by Matthew Posey; Einstein on the Beach and Shakespeare’s Sonnets by Robert Wilson and the Berliner Ensemble; Cafe Müller by Pina Bausch; Mother Courage and Her Children and How Much Is Your Iron? by Bertolt Brecht; Krapp’s Last Tape by Samuel Beckett; La Veillee des Abysses by James Thiérée

    Favorite actors/actresses: Stanley Tucci

    Favorite food: Oreos

    Must-see TV show(s): Oxymoron, but I suppose I can recommend Psych for fans of Encyclopedia Brown, bad jokes, and '80s references.

    Something most people don’t know about you: I’m taller than I think I am.

    Place in the world you’d most like to visit: Surprise me, I’m down.

    Pre-show warm-up: Depending on the project: yoga, walking around in a state of irrationally stubborn concern, tongue twisters.

    Favorite part about your current role: Tesla was an actual genius, and it’s fascinating to investigate how a genius lives his truth — what his internal life looks like.

    Most challenging part about your current project: Getting to discover a new play in a matter of weeks is always the most challenging yet life-giving aspects of working at the Ochre House. It’s fun, it’s educational, it’s risky, it’s barreling headfirst down a hill of inspiration with an audience waiting at the bottom.

    Most embarrassing onstage mishap: Random C-word out of nowhere. Just a bad moment for a breath.

    Career you’d have if you weren’t in theater: Park ranger

    Favorite post-show spot: The Couch. It’s super exclusive.

    Favorite thing about Dallas-Forth Worth: The art and the people, not necessarily in that order.

    Most memorable theater moment: Getting stabbed? Or yeah, casual sodomy with confetti cannons.

    The company of The Show About Men.

    DGDG present The Show About Men
      
    Photo by Trenton Ryan Stephenson
    The company of The Show About Men.
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    Season Announcement

    Uptown Players Dallas reveals glitter-drenched new season for 2025-26

    Lindsey Wilson
    Apr 30, 2025 | 10:09 am
    Urinetown: The Musical at NYCC Encores
    Photo by Joan Marcus
    A New York production of "Urinetown: The Musical" was produced in early 2025.

    The newly-released 2025-26 season of Uptown Players Dallas comes with a knowing wink behind the titles, with a goal to provide comfort, commentary, and chuckles.

    It's the 24th season for the company, one of the leading regional theaters in the DFW area, with a blend of satire, spectacle, and heartfelt storytelling in five bold productions celebrating queer joy and resilience.

    Highlights include a holiday misadventure, fairy tale revue, the political satire Urinetown, and Paula Vogel’s Mother Play. The season runs December 2025 to August 2026 at Dallas venues.

    It begins with festive flair during the holidays, as Carol Ann Knipple — first seen in 2021's When Pigs Fly — returns forStar of Wonder: A Carol Ann Christmas.

    Micah Green stars in this world premiere, with book and original lyrics by Mark Waldrop and additional material by B. J. Cleveland. After her beloved Melody Barn theater in Minnesota burns to the ground, Carol Ann refuses to give up her dream and relocates her Christmas spectacular to a Dallas stage she doesn’t fully understand. What follows is a merry misadventure of casting chaos, theatrical surprises, and side-splitting parodies, all led by Carol Ann’s blissfully misguided vision and unstoppable spirit. It runs December 5-14, 2025, at the Kalita Humphreys Theater.

    Pure Glitter, a dazzling new comedy by Chicken & Biscuits playwright Douglas Lyons, is a love letter to the shimmering chaos of chosen family and queer friendship.

    The story unfolds during a surprise 10th anniversary bash thrown by Stan for his husband Tony. But when a handful of uninvited guests arrive, the night explodes into a whirlwind of secrets, sass, and unexpected truths. This Texas premiere runs March 20-29, 2026, at the Kalita Humphreys Theater.

    The beloved fundraiser Broadway Our Way returns with a mischievously magical new theme: Fractured Fairy Tales.

    Written and directed by B.J. Cleveland, this all-new musical revue turns “happily ever after” on its rhinestone-covered head, blending Broadway’s biggest hits with a wild world of rogue royals, sassy witches, enchanted misfits, and storybook rebels. Whether you're team villain, fairy godmother, or a prince who prefers heels, this sparkling spectacle promises a magical night of laughter and inclusive storytelling. It runs April 30-May 3, 2026, at the Kalita Humphreys Theater.

    In a city where private restrooms are banned and a corporation controls the most basic human need, a rebellious uprising takes shape in Urinetown: The Musical.

    This fiercely funny, Tony Award-winning satire skewers capitalism, bureaucracy, and environmental collapse, with music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, and book by Kotis. A timely production by Uptown Players will turn a sharp eye on justice, activism, and the enduring power of community to challenge the status quo. For marginalized communities, the musical’s central fight — for dignity, voice, and bodily autonomy — feels deeply personal. It runs July 10-19, 2026, at the Kalita Humphreys Theater.

    Closing out the season is Paula Vogel's Mother Play, which ran on Broadway just last year with Jessica Lange, Celia Keenan-Bolger, and Jim Parsons.

    This raw and resonant semi-autobiographical work by the Pulitzer Prize-winning playwright spans from 1962 to the present, following Phyllis, a fiercely independent single mother, and her two children as they navigate evictions, emotional upheavals, and the fragile balance between love and self-preservation. It runs August 21-20, 2026, at Theatre Three.

    Season tickets are on sale now, with discounts on both premium and regular seating. Season tickets can be purchased online at www.uptownplayers.org or by phone at 214-219-2718. Single tickets will go on sale September 2, 2025.

    uptown playersurinetown the musicalbroadway our waymother playlgbtqtheater
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