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    Actor Spotlight

    How Tom Hanks inspired Dallas' Michael Federico to become an actor

    Lindsey Wilson
    Nov 6, 2014 | 1:02 pm

    Michael Federico has spent his years in Dallas making a name for himself not only onstage, but also off. A company member at Kitchen Dog Theater, Federico also wrote the book for the local musical that took the city by storm, On the Eve. The time-traveling show won accolades from critics and audiences alike as it played first at Fair Park’s Magnolia Lounge, and later as part of the 2014 season at Theatre Three.

    Now Federico returns home to KDT in The Arsonists. A new translation by Alistair Beaton of Max Frisch’s 1953 play, The Arsonists is an absurdly funny parable about accommodating the very thing that will destroy you. Original music by Jon Schweikhard rounds out the experience, which runs November 7 through December 13 at McKinney Avenue Contemporary.

    Federico recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Michael Federico

    Role in The Arsonists: Eisenring

    Previous work in the DFW area: Mike in Barbecue Apocalypse (KDT), Ralph D in The Motherfucker with the Hat (KDT), Leo in Profanity (Undermain), Andrew in Becky Shaw (KDT), Konstantin in The Seagull (KDT), Ariel in The Pillowman (KDT)

    Hometown: I was born in Philadelphia, but I grew up in Plano.

    Where you currently reside: East Dallas

    First theater role: I played Pat Sajak and emceed my elementary school talent show. Does that count?

    First stage show you ever saw:Annie at the Dallas Summer Musicals or Something’s Afoot at Creed Repertory Theatre. I can’t remember which one was first.

    Moment you decided to pursue a career in theater: I owe my theatrical career to the Tom Hanks/Meg Ryan classic Joe Versus the Volcano. During my eighth grade year, I was deciding whether or not to take theater in high school. I went to see that movie, and during the scene in which Hanks is dancing on a raft made of luggage while “Come and Go with Me” plays, I was like, “I’m going to take theater in high school, and I’m going to be an actor.” Always a good idea to make major life decisions at 14.

    Most challenging role you’ve played: Konstantin in The Seagull

    Special skills: Singing ’80s-style metal. Growing a beard quickly.

    Something you’re REALLY bad at: Cooking

    Current pop culture obsession: The return of Twin Peaks

    Last book you read:If on a winter’s night a traveler by Italo Calvino

    Favorite movie(s):Back to the Future

    Favorite musician(s): Sigur Ros, Mogwai, Pixies, Pavement, New Order, Led Zeppelin

    Favorite song: “Ceremony” by New Order

    Dream role: Bottom in A Midsummer Night’s Dream

    Favorite play(s):Travesties by Tom Stoppard, A Midsummer Night’s Dream, The Seagull, The Threepenny Opera, Cloud Nine by Caryl Churchill, On the Verge by Eric Overmyer

    Favorite musical(s): Into the Woods, Assassins, Hedwig and the Angry Inch, Little Shop of Horrors

    Favorite actors/actresses: Frances McDormand, Julianne Moore, Tina Fey, Stanley Tucci, Brian Cox, and basically the entire cast of Party Down

    Favorite food: Fried chicken (preferably from Babe’s)

    Must-see TV show(s):Broad City, Mad Men, Parks and Recreation, Doctor Who, Veronica Mars, Breaking Bad, Gotham, Twin Peaks, The Office (BBC), Sports Night, Slings and Arrows, Party Down

    Something most people don’t know about you: I am terrified of crocodiles.

    Place in the world you’d most like to visit: Iceland

    Pre-show warm-up: I usually drink a 32-ounce Coke, listen to show-related music and then do the Kitchen Dog group warm-up.

    Favorite part about your current role: It’s fun to play someone who is amoral.

    Most challenging part about your current role: I think Eisenring is always a few steps ahead of everyone else, so trying to keep up with the crazy jumps in his thought process can be a challenge.

    Most embarrassing onstage mishap: Opening night of Charm at Kitchen Dog, a prop that plays a huge part in the end of the show got stuck in a weird pocket-within-a-pocket of my pants and I couldn’t get it out. I tried for what felt like three hours. The playwright was in the house.

    Finally, I just grabbed another random prop that was in my other pocket. Luckily, I was on stage with John Flores and Jeffrey Schmidt and they totally went with it, changed the scene on the fly, and somehow made it work.

    Career you’d have if you weren’t in theater: I’d like to say superstar point guard for the Dallas Mavericks, but I’ll go with English professor.

    Favorite post-show spot:Lakewood Landing

    Favorite thing about Dallas-Fort Worth: Most of my favorite people live here. And the Mavs.

    Most memorable theater moment: Opening night of On the Eve at the Magnolia Lounge.

    Jihad Jones and the Kalashnikov Babes at KDT.

    "Jihad Jones" at Kitchen Dog Theater in Dallas
      
    Photo by Matt Mrozek
    Jihad Jones and the Kalashnikov Babes at KDT.
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    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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