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    Calling All Goddesses

    5 reasons why Cirque du Soleil's newest show is unlike any you've seen before

    CultureMap Create
    Nov 13, 2018 | 11:30 am

    For more than 30 years, Cirque du Soleil has been wowing audiences all over the world with its dazzling live shows. Featuring amazing performers who defy gravity with their acrobatic acts and musicians who play the original scores live, the experience is unlike any other form of entertainment.

    The latest Cirque du Soleil show, Amaluna, is bringing its blue-and-yellow-striped Big Top to Lone Star Park at Grand Prairie beginning January 23, 2019.

    The audience is invited to a mysterious island governed by goddesses and guided by the cycles of the moon. Their queen, Prospera, directs her daughter's coming-of-age ceremony in a rite that honors femininity, renewal, rebirth, and balance. In the wake of a storm caused by Prospera, a group of young men lands on the island, triggering an epic, emotional love story between Prospera's daughter Miranda and a brave young suitor named Romeo. But the couple must face numerous trials and overcome daunting setbacks before they can achieve harmony.

    Even if you've been lucky enough to witness a Cirque show before, here are five reasons why Amaluna is unlike anything you've ever seen before.

    1. The women are the stars
    Not only is Amaluna's storyline focused on females, the cast is comprised mostly of women. "I didn't want to build a 'women's agenda' show. I wanted to create a show with women at the center of it, something that had a hidden story that featured women as the heroines," says director Diane Paulus.

    2. They're in charge offstage too
    Amaluna is the first Cirque du Soleil show to be directed by a woman. Diane Paulus, the Tony-winning theater and opera director, drew from a series of classical influences when creating the concept of the show, including tales from Greek and Norse mythology, Mozart's The Magic Flute, and Shakespeare's The Tempest.

    3. Women also run the music
    Cirque du Soleil shows are known for their incredible scores and live musicians, and Amaluna is the first time the company has employed an all-female band.

    4. The show's title has a hidden meaning
    "Amaluna" is a fusion of the words "ama," which refers to "mother" in many languages, and "luna," which means "moon," a symbol of femininity. Together, the word evokes both the mother-daughter relationship and the idea of goddess and protector of the planet. Amaluna is also the name of the mysterious island where the show's story unfolds.

    5. There are two brand-new acts
    Jaw-dropping feats of physicality are what make Cirque shows so unique, and this one is no exception. Amaluna boasts not one, but two, new acts: the Waterbowl and the Balance Goddess.

    The Waterbowl is a pool that's more than 7 feet in diameter and weighs 5,500 pounds when filled. It's where Miranda and Romeo tentatively kiss for the first time, after Romeo watches Miranda perform a challenging hand-balancing routine before diving through the water.

    The Balance Goddess is shown creating a world in equilibrium with a mobile made of 13 palm leaf ribs. An ode to balance, her movements are slow, deliberate, and almost meditative as she concentrates all her attention on this literally breathtaking structure. And then she removes the smallest piece, everything disintegrates and the young couple's trials begin.

    ---

    Take advantage of 15 percent off select tickets, categories 1-2-3 for all weekday and Friday 4:30 pm shows.

    The goddess Prospera orchestrates the couple's trials.

    Cirque Du Soleil Amaluna
      
    Photo by Martin Girard
    The goddess Prospera orchestrates the couple's trials.
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    Movie Review

    Campy horror film sequel M3GAN 2.0 is a prime summer release

    Alex Bentley
    Jun 27, 2025 | 12:43 pm
    M3GAN in M3GAN 2.0
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN 2.0.

    When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.

    A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.

    Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because - surprise! - she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.

    Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.

    The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.

    The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.

    Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.

    As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.

    ---

    M3GAN 2.0 is now playing in theaters.

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