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    Actor Spotlight

    Popular Dallas actress cops to roller coaster obsession and circus dream

    Lindsey Wilson
    Nov 20, 2015 | 2:07 pm

    Those who watched Breaking Bad with the fervor it deserved are in for a shock the first time they attend a show at Kitchen Dog Theater. That's because Saul Goodman's secretary, Francesca, is usually onstage performing or welcoming the crowd with a big "Howdy!" before the show.

    If you're familiar at all with the Dallas theater scene, you know Francesca is really Tina Parker, co-artistic director of Kitchen Dog Theater. Before Parker assumes the role of Penny, a fearless political candidate in Peter Sinn Nachtrieb's The Totalitarians, from November 20-December 19 at The Green Zone, she took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Tina Parker

    Role in The Totalitarians: Penny

    Previous work in the DFW area: Fifty-plus shows as director/designer/actor with Kitchen Dog Theater; roles with Shakespeare Dallas, Watertower Theatre, and Undermain Theatre; and multiple readings for Arts and Letters Live at the DMA.

    Hometown: I was born in Woodville, Texas, but have spent most of my time in Dallas, so I claim it as my home base.

    Where you currently reside: In Oak Cliff — OC, baby!

    First theater role: A spinning top in a Christmas pageant when I was in kindergarten, because I was abnormally tall for my age. And a ham.

    Moment you decided to pursue a career in theater: Though I toyed with the idea of being a horse jockey in first grade (but was already too tall, much to my chagrin) and a doctor, according to my compelling fifth grade autobiography entitled “Just Little Ol’ Me,” I have always known I’d be in the arts in some capacity.

    Most challenging role you’ve played: Two roles who are both strangely named Mary and both directed by Tim Johnson: In The Jungle of Cities by Bertolt Brecht and Detroit by Lisa D’Amour. Both took me to the limit physically/emotionally every night. Now that I say that, most Kitchen Dog roles have done this to me.

    Special skills: Can laugh like Snoopy and make dolphin sounds. Lots of weird voices.

    Something you’re REALLY bad at: Delegating

    Last book you read: Men, Women & Children, for a role I was auditioning for.

    Favorite movie(s): Too many to list, but out right now I would say Sicario: provocative story, solid performances, and don’t even get me started on the cinematography!

    Favorite musician(s): I heart the jams! Currently hot in my playlist circulation are: Tame Impala, King Tuff, Leon Bridges, Foxygen, Wilco, and old-school Van Halen.

    Favorite play(s): Too many to list. I can’t decide!

    Favorite musical(s): Hedwig and the Angry Inch — still my all-time fave.

    Favorite actors/actresses: Judy Dench, Cate Blanchett, Ben Kingsley, Kate Winslet, Phillip Seymour Hoffman (RIP), Daniel Day Lewis, Cherry Jones, Mark Ruffalo, Julianne Moore, Bryan Cranston, Michael Fassbender, and many more who I am not remembering.

    Favorite food: All things Tex-Mex and Italian. I also have a huge sweet tooth. Note to self: Go on a diet.

    Must-see TV show(s): I do love me some Project Runway and Top Chef. Loved the first season of Better Call Saul.

    Something most people don’t know about you: I almost always buy a piece of jewelry when I go on trips to remember the trip by. Also, I'm obsessed with roller coasters.

    Place in the world you’d most like to visit: Right now: Tahiti! Or maybe Australia.

    Pre-show warm-up: Twenty-minute physical/vocal warm-up with the cast, then whatever I have superstitiously set as my routine for that particular show: water consumption, snack at certain time, etc. Each show is different. Haven’t set one for Penny yet ... will probably involve eating early and some kind of energy potion.

    Favorite part about your current role: She lives in the moment, says what she thinks, and regrets nothing.

    Most challenging part about your current project: It requires a lot of energy to keep Penny alive. And you have to do it all in heels and power suits.

    Most embarrassing onstage mishap: In my first KDT show, Sore Throats by Howard Brenton, the strap to my slip broke midcombat and it was a whole lot of boobs/the hiding of boobs for that audience during that act. Lordy.

    Career you’d have if you weren’t in theater: Trainer in the cat circus.

    Favorite post-show spot: Used to be Ships Lounge. No new place yet.

    Favorite thing about Dallas-Fort Worth: We have an amazing arts community: vibrant, creative, supportive of each other. It's a very cool time to be here as an artist.

    Most memorable theater moment: What gets me every time is when you finally, finally, hit a performance in stride with your cast mates, firing on all cylinders. That is one amazing ride.

    Parker in KDT's Detroit.

    Kitchen Dog Theater presents Detroit
    Photo by Matt Mrozek
    Parker in KDT's Detroit.
    theaterinterview
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
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