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    Holiday Time is TV Time

    What to watch — on small screen and big — during the holiday break

    Mikela Floyd Kinnison
    Dec 25, 2013 | 9:22 am

    When the weather outside is frightful, it’s time to power up the TV. Christmas break is upon us, and free time is about to increase exponentially. So what’s the key to getting through the abundance of family time on the horizon? A fully stocked queue of Hulu and Netflix (and a couple of well-timed trips to the multiplex, of course).

    But in case you’re not quite sure what to dial up, we’ve got some suggestions to keep you entertained this holiday season.

    NETFLIX

    Drinking Buddies

    Watch it with: your beer-loving brother-in-law

    Olivia Wilde stars with New Girl’s Jake Johnson in this tale of a pair of microbrewery employees who mix work and play more often than not. Consider the flick improved with a nice seasonal ale.

    Frances Ha

    Watch it with: your high school BFF

    The always spot-on Greta Gerwig is Frances, a sometimes out-of-work modern dancer, who’s both seriously un-dateable and entirely relatable. She’ll make you feel like your life isn’t such a mess after all.

    The Iron Lady

    Watch it with: your grandmother

    She’ll eat this Margaret Thatcher biopic right up.

    Blackfish

    Watch it with: the non-squeamish

    This documentary of orca whale Tilikum examines the deaths of several trainers while he was in captivity, questioning the safety and humaneness of the orca (also know as killer whale) community. Don’t expect Free Willy fare.

    30 for 30

    Watch it with: your dad

    Pops will surely appreciate this docu-series which highlights sports, sex, drug use and warfare. Choose an episode at random; pretty much every story is sure to please his nonfiction-appreciating heart.

    Firefly

    Watch it with: your tween nieces and nephews

    Before Joss Whedon was the guy behind The Avengers, he was a sci-fi television master. This short-lived series (featuring Whedon fave Nathan Fillian) makes for easy watch that should take you and your pop culture-loving tweens no time at all to get though.

    Lilyhammer

    Watch it with: your Sopranos-loving uncle

    Sopranos favorite Steven Van Zandt stars as Frank “The Fixer” Tagliano in this tale of a mafia boss who leaves the Big Apple for the Fjords of Norway after being put into witness protection. Season 2 was just released, so you have more than enough of this Netflix Original to keep you busy.

    HBO GO

    Stoker

    Watch it with: your siblings

    Mia Wasikowska is a young girl changed by the death of her father and prompt arrival of her mysterious new Uncle Charlie who moves in with the family. The trio soon go down a dark, twisted path in this 2013 psychological drama.

    Girls

    Watch it with: your cousins

    Season 3 of this critically acclaimed dramedy returns January 12, so catch up on last season’s action while you can.

    Broken City

    Watch it with: the whole family

    Mark Wahlberg and Russell Crowe star in this revenge tale of ex-cop Billy Taggart, who is seeking redemption after being double-crossed and framed by New York City Mayor Nicholas Hostetler.

    HULU PLUS

    Misfits

    Watch it with: tweens, teens and sisters-in-law

    Five unruly teenagers forced to do community service face a whole new slew of problems after an electrical storm hits their town and turns them into superheroes. Each possesses a new power they didn’t want, one that explores their deepest, darkest insecurities.

    Moone Boy

    Watch it with: yourself

    Set in 1980s Ireland, this truly hilarious comedy follows 12-year-old Martin Moone as he navigates the intricacies of his eccentric childhood with the help of his bearded — and very sarcastic — imaginary friend Sean (played by Bridesmaids’ Chris O’Dowd).

    IN THEATERS

    Saving Mr. Banks

    Go see it with: your mom, aunt and grandmother

    Tom Hanks stars in this tale inspired by the untold story of how Disney’s Mary Poppins made it to the screen. Emma Thompson stars as P.L. Travers, the curmudgeonly writer not eager to see her story bastardized.

    American Hustle

    Go see it with: the whole family

    Director David O. Russell directs this fictional story of notorious con man Irving Rosenfeld (a barely recognizable Christian Bale) and his partner, portrayed by Amy Adams. The duo is forced to change things up after being discovered by the FBI, but the antics don’t die down a bit.

    Her

    Go see it with: your significant other

    Joaquin Phoenix stars as a withdrawn writer who falls in love with his computer’s highly advanced operating system in this comedy from director Spike Jonze.

    Anchorman 2: The Legend Continues

    Go see it with: anyone looking for a laugh

    Ron Burgundy and his band of bros are back, and they’re taking the 24-hour news world by storm. Expect tons of cameos, a fair amount of scotch, and a lot of antics that make it difficult to stay classy.

    Amy Adams and Christian Bale in American Hustle.

    Amy Adams and Christian Bale in American Hustle
    Photo by Francois Duhamel Annapurna Productions
    Amy Adams and Christian Bale in American Hustle.
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    Movie Review

    Jennifer Lawrence plays overwrought mom in thriller Die My Love

    Alex Bentley
    Nov 7, 2025 | 3:23 pm
    Jennifer Lawrence in Die My Love
    Photo by Kimberley French/courtesy of MUBI
    Jennifer Lawrence in Die My Love.

    Writer/director Lynne Ramsay does not make feel-good movies. Her previous two films —You Were Never Really Here and We Need to Talk About Kevin — were about a traumatized veteran who tracks down missing girls for a living and parents reckoning with a child who might be a sociopath, respectively. Her latest, Die My Love, has a story as dark as its title.

    Grace (Jennifer Lawrence) and Jackson (Robert Pattinson) are a married couple who move into a run-down house that used to belong to Jackson’s uncle, who shot and killed himself on the property. That doesn’t exactly scream “great vibes,” but the somewhat manic duo quickly introduce a child into the equation, an event that forms a schism between two people who previously seemed to be on the same off-kilter wavelength.

    While Jackson works to provide for the family, Grace is left to take care of the baby and herself at the somewhat remote house. She doesn’t appear to be a big fan of the arrangement, engaging in all manner of odd behavior, like crawling around the floor, talking to herself, and taking the baby on miles-long walks to visit her mother-in-law, Pam (Sissy Spacek), who’s not doing well herself after recently losing her husband, Harry (Nick Nolte).

    Ramsay, who co-wrote the film with Enda Walsh and Alice Birch, foregrounds Grace’s experience above all others, but the film is far from straightforward. The idea of post-partum depression is raised as a reason for Grace’s weird behavior, but as both she and Jackson are introduced as two people who skew to the “ab” side of normal, it’s difficult to say that everything she does is due to feelings that arise after giving birth.

    Plus, Grace has plenty to be upset about in general, including living in a death house, being left alone with their child the majority of the time, and Jackson bringing home a yapping dog without even so much as a conversation. But the manifestation of her anger/depression is hard to parse, as Ramsay includes scenes of her carrying around a butcher knife, meeting up with a mysterious figure on a motorcycle, and other strange things that may or may not actually be happening.

    There is clearly a lot of metaphorical work being done by seemingly random things like the reappearance of a black horse on multiple occasions, blaring rock music that accompanies several scenes, and the use of the 1x1 aspect ratio by Ramsay. It’s easy to feel the intensity of the film’s central relationship and their conflicts even if you can’t make heads or tails of the allusions that the filmmaker seems to love.

    Lawrence is put through the wringer almost as much as she was in Darren Aronofsky’s Mother!, and her performance is one that can be felt strongly. Still, because the narrative is unclear, she often appears to be overwrought in certain scenes. Pattinson never fits well with his uncaring and/or oblivious character. Spacek makes a nice impression in a limited amount of screen time, but why Ramsay chose to use the ultra-talented LaKeith Stanfield in the nothing part of the motorcycle rider is baffling.

    Those who love to dig into symbolism and non-linear storytelling will have a field day with the arty Die My Love. But for everyone else, anything Ramsay might have been trying to say about the difficulties of being a mother gets buried under many scenes that don’t make any logical sense and over-the-top acting that’s only fit to match the bizarreness of the film itself.

    ---

    Die My Love is now playing in theaters.

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