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    Movie Review

    An animated Will Smith makes Spies in Disguise fly high

    Alex Bentley
    Dec 27, 2019 | 9:10 am
    An animated Will Smith makes Spies in Disguise fly high
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    As a live action actor, Will Smith has not exactly been lighting it up in recent years. In fact, in the past 10 years, his only true success was 2015’s Focus, and even that got middling reviews. However, as the mostly animated Genie in the new version of Aladdin and now as the lead in the animated Spies in Disguise, the ability to utilize elements not available to him in live action movies has proven to be a boon for his career.

     

    Smith plays Lance Sterling, a spy who plays by his own rules and prefers to work by himself. His antics raise the ire of his boss (Reba McEntire), but earn him praise and admiration from most of his co-workers. They include gadget engineer Walter Beckett (Tom Holland), whose ideas are way outside of the box and get him banished to a cubicle just outside of the bathroom.

     

    When one of Sterling’s missions runs him afoul of evil mastermind Killian (Ben Mendelsohn) and his own agency, he decides to go into hiding. He turns to Walter, who had been developing a new idea that could make things disappear. When Sterling accidentally ingests the potion, it becomes mixed with one of Walter’s pigeon’s feathers, turning Sterling into, you guessed it, a pigeon.

     

    The spy genre, especially as portrayed in the James Bond and Mission: Impossible series, is one where filmmakers can let their creativity go wild. Directors Nick Bruno and Troy Quane, working from a script by Brad Copeland and Lloyd Taylor, go all in, dreaming up innumerable outlandish concepts. Because it’s an animated film, none of seems out of place and almost everything shown is tons of fun.

     

    Sterling’s inability to use his normal skills as a pigeon and the way he and Walter find alternative methods is also highly entertaining. Things that would seem unnatural and goofy in a live action film make total sense in the context of this film. Sterling also attracts the attention of an eccentric group of real pigeons, and the way they help him throughout the film is both hilarious and strangely touching.

     

    The filmmakers also do a great job fleshing out their characters. As the main characters, Sterling and Walter are a given, but Killian is given more than just evil plotting to do. Also interesting is Marcy (Rashida Jones), an internal affairs officer at the spy agency who tracks Sterling around the world.

     

    At his best, Smith has just seemed cooler than most other actors, and that comes through loud and clear here, even in animated form. As Holland has shown as Spider-Man, he has an innocent goofiness that works well for this character, too. Jones gives Marcy a nice spunk, and Mendelsohn, experienced at playing villains in movies like Rogue One, is right at home.

     

    With lots of Oscar-worthy dramas and Star Wars dominating theaters right now, Spies in Disguise is great counter-programming and a perfect holiday option for families. It’s also the best thing Smith has made in years; maybe he’ll use it as a springboard toward better live action choices in the future.

     

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.

    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise
      
    Photo courtesy of Twentieth Century Fox Film Corporation
    Walter (Tom Holland) and Sterling (Will Smith) in Spies in Disguise.
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    Movie Review

    New Superman film honors the past while forging into the future

    Alex Bentley
    Jul 11, 2025 | 1:26 pm
    David Corenswet in Superman
    Photo by Jessica Miglio
    David Corenswet in Superman.

    When the character of Superman was invented in 1938, it was perhaps easier to see the world in good and bad terms. Fascism was already on the rise in Germany under Adolf Hitler, and the idea of an all-powerful superhero who stood up for people in need was a welcome one. In the nearly 90 years since, though, the world and the character have undergone multiple evolutions, and the thought of someone who is purely good is often met with cynicism or worse.

    The new Superman, written and directed by James Gunn, puts the superhero (or metahuman, as the film calls him and similar creatures) squarely in the midst of the modern world, with geopolitical conflicts, mega-corporations, and social media all combining to make the altruism of Superman/Clark Kent (David Corenswet) questionable. That skepticism even extends to his coworker/girlfriend Lois Lane (Rachel Brosnahan), whose knowledge of his exploits puts her in a tricky position personally and professionally.

    Lex Luthor (Nicholas Hoult) is out to dominate the world and take down Superman, with his eponymous corporation and vast group of underlings dedicated to doing both. Superman is generally a one-man fighting crew, but he’s occasionally aided by a group calling themselves the Justice Gang, comprised of heroes many have never heard of like Guy Gardner (Nathan Fillion), a version of Green Lantern; Hawkgirl (Isabela Merced), a flying metahuman; and Mr. Terrific (Edi Gathegi), who knows all kinds of technology.

    One of the best things about this new version of Superman is that it mostly dispenses with introductions, putting the audience in a world where Superman is already a well-known quantity who’s adored by many and hated by some. Gunn has used his new position as co-CEO of DC Studios to honor the past of the hero and take him into the future. With the 1978 John Williams theme song echoing throughout and Corenswet giving off Christopher Reeve vibes, it’s clear Gunn wants audiences to feel nostalgia while still getting something new.

    He also appears to want viewers to fight against the negativity that the modern world can bring. The plot involves manipulation of the public, usually at the hands of Luthor, through bombastic talk shows, political theater, and social media, the latter of which - in a great joke - comes to involve hundreds of typing monkeys. The film could be read as a rebuttal of many real-world ills as, despite Luthor’s machinations, many choose to continue to believe in the goodness of Superman.

    There is a lot going on in the film, but somehow it never comes off as overly complicated. Superman’s relationship with Lois Lane and Luthor’s attempts at taking him down are given the most prominence, with everything else supporting those two main things. The Justice Gang is a fun addition, with Mr. Terrific becoming the breakout hero of the group. The addition of the (CGI) dog Krypto provides levity, poignant moments, and unexpectedly great action scenes. The only part that gets somewhat short shrift is the crew of The Daily Planet, with everyone besides Lois and Jimmy Olsen (Skyler Gisondo) getting little more than face time.

    Being the new Superman is a lot to live up to, but Corenswet is completely up to the job. He, like Reeve, plays the character as someone who is earnest but not naive, a quality that comes through even when he’s in the middle of fight scenes. Brosnahan is also fantastic, providing a nice balance to the relationship while also proving the character’s own worth. Hoult makes for a great new version of Luthor, and Gathegi nearly makes the case that Mr. Terrific should get a starring film of his own.

    Just as he did with the Guardians of the Galaxy trilogy, Gunn has shown that success can be found through making characters people want to see. Not everyone in this Superman will be familiar to viewers, but in the end a group of people working together toward a goal that serves the common good is one worth watching and cheering for.

    ---

    Superman is now playing in theaters.

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