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    Actor Spotlight

    How Dallas actress Kateri Cale got bestselling author Patricia Cornwell to buy her dinner

    Lindsey Wilson
    Feb 3, 2013 | 12:00 pm

    As a producing partner of Echo Theatre, the area's only theater company dedicated exclusively to mounting works written by women, Kateri Cale has built up quite a vault of theatrical knowledge. All that experience has come in handy, because she's also appeared — either onstage or off — in productions all over Dallas-Fort Worth during the last 20 years.

    Her latest endeavor is The Lucky Chance, a play written by the first known female playwright, Aphra Behn, and set in 1960s London under the direction of René Moreno. Kateri took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Full name: Kateri Cale

    Role in The Lucky Chance: Gammer Grime, a Cockney landlady, and Mistress Pert, a social secretary.

    Previous work in the DFW area: Too much to list! I’ve been acting, designing and producing theater in Dallas for more than 20 years. Although I performed in the very first Echo Theatre production 15 seasons ago, it wasn’t until 2009 that I signed on as a producing partner.

    My “day jobs” have included working for the Dallas Business Journal for 12 years, Reading & Radio Resource for three, and currently I’m the office manager for the amazing new Perot Museum of Nature and Science in Dallas.

    Hometown: Amarillo

    Where you currently reside: Dallas

    First theater role: I took my first creative dramatics class when I was 5. My first non-school production was at the Amarillo Little Theater, and I played a 1776 feminist who tried to join the Minute Men. I think I was about 12 years old. That show also introduced me to the rejection that comes with being an actor when my best friend Beth was cast as the star of the play — a turkey! (My costume was much cuter than hers.)

    First stage show you ever saw: My grandmother took me to see a touring show of Guys and Dolls when I was about 8. It was an overwhelming experience. I loved it!

    Moment you decided to pursue acting: I think I was about 4 and realized that people had to “be” something when they grew up. I decided then that being a performer was a legitimate career. My parents were both art teachers and supported me wholeheartedly.

    Most challenging role you’ve played: In Echo Theatre’s production of End Days by Deborah Zoe Laufer, I played a Jewish woman whose family falls apart after the Twin Towers were attacked. When she heard about the Rapture, she decided that it was going to be exactly like the events of 9/11. She thought that the only way to keep her family all together forever was to become a born-again Christian and get her family to embrace Jesus too.

    It was a challenging play because it was a dark comedy about very personal topics — differing religions, family dynamics, depression, bullying, science that disproves religious beliefs, and American’s adulation of what could be considered false “idols.” It ran the risk of really offending our audiences, but it was thoughtfully produced by Echo Theatre and directed by one of our colleagues, Rhonda Blair; she’s on the theater faculty at SMU.

    Audiences loved it and found it both hilarious and touching, because at its core it was really about finding hope.

    Something you’re REALLY bad at: Tap dancing! (I’ll never get to be in Guys and Dolls!)

    Current pop culture obsession:Dancing with the Stars! (Those who can’t, watch.)

    Last book you read: A Kay Scarpetta novel by Patricia Cornwell, because she picked up the tab for my husband and me when we celebrated our wedding anniversary last summer at a fancy New York City restaurant. Long story, but she was dining there that night and the manager told us that she could tell it was a special occasion and just enjoyed seeing a couple so much in love. Needless to say I’m reading all her novels now! Thank you, Ms. Cornwell!

    Favorite movie(s):Stage Door Canteen (love the era), The Fifth Element (love the costumes), Will Ferrell movies (love his commitment to his ridiculous characters), and movies that make you think and talk about them for days.

    Favorite musician(s): I love Big Band music from the 1940s.

    Favorite play(s): At Echo Theatre, we only produce plays written by women. The voices of female playwrights are simply not heard on world stages as often as the voices of male playwrights are. Echo exists to produce highly theatrical, beautifully written, socially challenging plays by women. I’m always on the prowl for the next exciting work, whether it’s a brand-new work or a Restoration classic like The Lucky Chance by Aphra Behn. We transported the play to swinging London of the 1960s because of the similarities of the two eras.

    Favorite food: Champagne and caviar.

    Something most people don’t know about you: Racially, I’m Native American and Caucasian. In my acting career, I’ve played Hispanics, Italians, Native Americans, Caucasians, you name it! I’m completely energized by learning about other cultures and their dialects. In order to play someone outside my life experience in a true way, I want to understand their reality.

    Place in the world you’d most like to visit: New Zealand, Scotland, Italy, Spain — I’m up for any travel with my husband. Wherever we go we’d have to include fishing! We both love that.

    Pre-show warm-up: I have series of vocal warm-ups that I’ve developed over the years. Physical warm-ups vary from role to role but always include stretching and walking the stage. I check my props and costumes in exactly the same order every night. If I’m forced to vary the order I get really nervous before going onstage! I’ve had to deal with missing props, and it’s not fun.

    Favorite part about your current role: I’m a character actress at heart, so I love The Lucky Chance! I get to play two completely different women: the comical, unkempt landlady and the prim and efficient Mistress Pert.

    Most challenging part about your current role: I think the costume changes will actually be the trickiest part for me. And, probably, keeping a straight face when I’m onstage. This cast is so talented and funny I spent most of my time in rehearsals laughing and enjoying their performances!

    Most embarrassing onstage mishap: It could have been embarrassing and even dangerous, but it turned out well in the end. I was playing Lady Capulet in a Shakespeare Dallas production of Romeo and Juliet. I was in a scene with my daughter, Juliet, and her nurse. At the top of the scene, either the wind or a theater ghost toppled a prop lamp, and the glass globe completely shattered onstage.

    Leaving it there was simply not an option that early in the show; we had to go on with the scene and clean up the glass, all the while staying in character. It was brilliantly pulled off, I have to say. The audience recognized what was happening, and we got a great round of applause after the scene ended. Live theater is so exciting!

    Career you’d have if you weren’t a performer: Mega-Millions winner.

    Favorite post-show spot: At Echo, we call it “the bar up the hill,” but it’s really the White Rock Sports Bar. It’s a neighborhood dive bar that stays open until 2 am and serves food late. Perfect for hungry theater people who end their workday around 11 pm! And it’s about two minutes from the Bath House Cultural Center, where Echo produces the bulk of our shows.

    Favorite thing about Dallas-Fort Worth: Too many to choose from — the beautiful life my husband and I have made together, my dear friends, Echo Theatre, Bath House Cultural Center, Shakespeare Dallas, and the Perot Museum of Nature and Science, to name a few!

    Most memorable theater moment: When an audience member stays after a show to tell me that the play they just saw made a monumental difference in their life — they suddenly understood why their father acted the way he did, they realized that their decision to move their family to America was the right one after all, they are inspired by the strength of a character in the show and intend to follow her example.

    Theater shows us our collective souls, and the stories audiences witness touch them in myriad ways. Sometimes the most enlightening moments of our lives happen in the darkness of a theater.

    ---

    The Lucky Chanceplays February 7-23 at Bath House Cultural Center.

    Kateri Cale has been involved in the Dallas theater scene for more than 20 years.

     
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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