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Bang, bang theory

Dallas turns to tried-and-tired cliffhanger, but Larry Hagman still gets the best lines

Elaine Liner
Feb 4, 2013 | 11:08 pm

Bang! Bang! Way to go out on a familiar cliffhanger, third episode of Dallas. Annie (Brenda Strong), Bobby Ewing’s second wife, pulled a gun out of her handbag and plugged her abusive, baby-kidnapping ex, Ryland Harris (Mitch Pileggi), then calmly strode out the front door as he lay bleeding on the parquet.

Setting up a murder trial plot involving a major character is a tried-and-we’re-tired-of-it soap plot tactic. And for Dallas to do it again just seems lazy. This week’s episode, written by Bruce Rasmussen and directed by Jesse Bochco (son of NYPD Blue creator Steven), felt like two steps back from the fast-moving double pump of last week’s two-hour second season opener.

At least Larry Hagman’s J.R. still had some tasty nuggets of dialogue to chew on. The actor remained seated for most of his scenes this week, though his eyebrows were certainly tap dancing.

Best line: “I can make a dead body appear in the middle of a church social without anybody knowing how it got there.” — J.R. to creepy Barnes family muscle, “Smiling Frank” (Fahran Tahrir).

Real Dallas actors in this episode: Ochre House Theatre founder Matthew Posey made his first appearance as an alcoholic oil field foreman. (Getting a recurring role this season on the show, says Posey, “means Ochre House got a raise.”)

His character met up with J.R.’s kid, John Ross (Josh Henderson), in a bar, where local actress Connie Lane could be seen at a table in the background. Flame-haired Shakespeare Dallas regular Lydia Mackay played one of Christopher Ewing’s lawyers in a brief courthouse scene.

Minutes into the hour until Brenda Strong had to weep on cue: Four minutes into this episode, she was a waterfall. Ditto six minutes later.

Plots nobody cares about: Ho hum on the disappearance of Tommy Sutter (Callard Harris, unseen so far this season), brother of the brassy blonde (Alex McKenna) whom Christopher Ewing (Jesse Metcalf) married last season and is now trying to divorce.

This week she also vamoosed, paid off by Pamela Rebecca Barnes (Julie Gonzalo), the Ewings’ newest enemy. Pamela may have murdered Tommy, or maybe she’s just setting it up to frame Christopher for homicide. (Another murder plot! Bang!)

Glimpse of Judith Light: Only one. Playing Judith Ryland, evil former mother-in-law of tearstained Annie, so far the Emmy and Tony winner is acting uncharacteristically sclerotic.

Future episodes need to give Light the caliber of scenes she was known for devouring in her long-running role as Karen Wolek on daytime’s late, lamented soap One Life to Live. (We’ll just ignore her work on Who’s the Boss? for now.)

New beef on the hoof at Southfork: Actor Kuno Becker as Andres “Drew” Ramos, older, estranged brother of Christopher’s business partner and main squeeze, Elena (Jordana Brewster). Drew wants to drill for oil on his dead pop’s old piece of land, now owned by Bobby Ewing, even though a previous drilling effort hit a dry hole — much like this episode.

Geography lesson: Beneath the oil fields of North Texas (stop giggling) there are apparently “salt domes.” To picture one of those, just look at Mitch Pileggi’s head as the nefarious Ryland Harris.

Weirdest moment: Aforementioned Harris character making Annie Ewing flash her boobs to prove she was not wearing a wire. Too bad he didn’t check her purse for weapons. Again we are reminded of Brenda Strong’s memorable turn as the bra-flashing Sue Ellen Mischke on Seinfeld. Now it’s as if the Dallas writers are using her as an in-joke.

Details, details: For all their wealth, the Ewings and their loved ones seem to be cutting corners in the décor department. Sharp-eyed viewers on Facebook noted “cheap Big Lots cup towels” in the Southfork kitchen, along with tacky wall baskets and a fruitless brass fruit caddy on the kitchen island.

Sexy smooch-fu: Not much this week. Just one leg-wrapping lip lock between John Ross and Pamela Rebecca around the 56-minute mark.

Best episode highlights: The ones in Linda Gray’s hair in the scene where Sue Ellen’s son, John Ross, urged his “Momma” to start her own empire. At 72, Gray is still a major babe.

Coming up next week: Ken Kercheval is back as Cliff Barnes. Also look for a return soon by 1980s bombshell Audrey Landers as Pamela Rebecca’s mother, Afton Cooper.

---

Watch new episodes of Dallas Mondays at 8 pm on TNT. Catch repeats of full episodes online.

Patrick Duffy and Brenda Strong in Dallas.

Photo courtesy of TNT
Patrick Duffy and Brenda Strong in Dallas.
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Movie Review

Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

Alex Bentley
Jan 16, 2026 | 12:43 pm
Ben Affleck and Matt Damon in The Rip
Photo by Claire Folger/Netflix
Ben Affleck and Matt Damon in The Rip.

For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

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The Rip is now streaming on Netflix.

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