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    Season Announcement

    Dallas Opera's new season mixes crowd-pleasing classics with an intriguing premiere

    Lindsey Wilson
    Jan 27, 2017 | 10:53 am
    Dallas Opera presents La traviata
    Verdi's La traviata is part of Dallas Opera's 2017-18 season.
    Photo by Maxine Helfman

    The theme for Dallas Opera's 2017-18 season is "Motives Unmasked," inspiring visions of deceitful decisions and sexy double-crossing, along with some brutal truth-telling.

    That's all in line with Camille Saint-Saëns' season opener Samson and Dalila, one of three classics that Dallas Opera has on tap for its 61st season. Tenor Clifton Forbis and Russian soprano Olga Borodina — in her eagerly awaited Dallas Opera debut — portray the doomed twosome, trapped in a love affair of biblical proportions. The five performances are October 20, 22 (matinee), 25, 28, and November 5 (matinee).

    Next up is Giuseppe Verdi's heartbreaking 1853 masterpiece La traviata, sung in Italian with English supertitles. Called "the perfect Pretty Woman night at the opera," the perennial crowd-pleaser is a revival of a Lyric Opera of Chicago production and spotlights conductor Carlo Montanaro and director Stefania Panighini in their company debuts. Its performance dates are October 27 and 29 (matinee) and November 1, 4, 10, and 12 (matinee).

    A unique pairing of two works is third: Erich Wolfgang Korngold's Violin Concerto in D major, Op. 35 and The Ring of Polykrates​. The latter is described by Dallas Opera general director and CEO Keith Cerny as "a delightful opera rarity so rare, that we believe it has only had two professional productions in this country since it originally premiered in Munich 100 years ago." The duo opens 2018 and will have only four performances: February 9, 11 (matinee), 14, and 17.

    The term "groundbreaking" is apropos when applied to the next opera, which mixes 3-D elements into the live staging. Sunken Garden is composed by Michel van der Aa with libretto by British novelist David Mitchell, and van der Aa himself is directing. The critically acclaimed "occult film mystery opera" concerns a filmmaker’s obsession with the disappearance of a young girl and the discovery of a walled garden, which is the barrier between life and death. Performances are March 9, 11 (matinee), 14, and 17, 2018.

    To close out the season, Dallas Opera is bringing back Mozart’s hell-raising comedy-drama Don Giovanni, based on the exploits of the legendary Don Juan. Polish baritone Mariusz Kwiecień stars in this provocative, R-rated production, under the baton of Dallas Opera music director Emmanuel Villaume. It runs April 13, 15 (matinee), 18, 21, 27, and 29 (matinee), 2018.

    The Dallas Opera Family Performance Series also has some intrigue on tap, with two performances each of Donizetti and Company (October 15 and February 18, 2018), The Three Little Pigs (November 4 and February 3, 2018), and Pépito (November 19 and February 10, 2018). Tickets for these shows are only $5 and opera-lovers of all ages are welcome.

    Single tickets to Dallas Opera's main 2017-18 season go on sale to the public in July and are available online at www.dallasopera.org or by calling 214-443-1000.

    In addition, the next free live simulcast is set for March 18 at 7:30 pm and it's at a brand-new location. Dallas Cowboys world headquarters The Star in Frisco will host its first arts event with the high-definition screening of Madame Butterfly. Puccini's Italian opera is the third production in Dallas Opera's current season.

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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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