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    Theater Review

    Powerful cast keeps If/Then from getting lost in time

    Alex Bentley
    Jan 28, 2016 | 1:20 pm

    When a musical is successful, it’s usually either because it has an abundance of unforgettable songs or because it has a strong story that just so happens to be propelled by songs. A very special few are able to succeed on both fronts, but those only come along once in a blue moon.

    If/Then, whose national tour will play at Winspear Opera House through January 31, is one of those musicals that works based on the strength of its singers and plot, and not necessarily because you’ll be humming its tunes on the way out.

    Set in New York City in the recent past, it’s a fanciful tale focused on Elizabeth (Jackie Burns), who has recently moved back to the city after a divorce. She meets two friends, one new (Kate, played by Tamyra Gray) and one old (Lucas, played by Anthony Rapp), and the story imagines two different timelines for her depending on whom she follows on one fateful day.

    Follow Kate, and it takes her down a path where she calls herself Liz and she meets perhaps the love of her life, Josh (Matthew Hydzik), but at the expense of a promising job prospect. Follow Lucas, and she calls herself Beth and nabs that job as a city planner, but she also experiences multiple romantic missteps that leave her unfulfilled in her personal life.

    The domino effects of both decisions reverberate in other ways, as the people around her also make different choices in their lives. These choices range from small to large, with the most momentous of them being one character switching sides with his sexuality. That is a curious decision since the other timeline doesn’t even hint at the character being gay. It’s also one of several plot machinations that do harm to the overall production.

    However, the powerful singing of the cast mitigates that harm. Burns, taking over for original star Idina Menzel, is naturally given the majority of the big moments, especially in second act songs like “I Hate You” and “Always Starting Over” that showcase her amazing range.

    But it’s her first act song, “What the Fuck?,” that truly sets the tone for the production, as it marks the point where the split timeline concept finally fully connects. Beth/Liz has encounters with different men at her apartment, and the rotating set, great choreography, and fun yet poignant lyrics of the song combine to realize the emotional stakes of the plot.

    Former American Idol contestant Gray, taking over for original star LaChanze, gives Kate the right amount of spunkiness the character needs as well as the pipes to go toe-to-toe with Burns. Rapp, the lone holdover from the original Broadway production, shows why he’s had such a long theater career, bringing in humor and gravity when needed.

    It’s unlikely that the soundtrack of If/Then will find its way into most people’s musical rotation, but the experience of seeing it performed live and in context makes it memorable as a whole. Don’t let this be a decision you’ll regret; see If/Then if you have the chance.

    Anthony Rapp and Jackie Burns in If/Then.

    Anthony Rapp and Jackie Burns in If/Then
    Photo by Joan Marcus
    Anthony Rapp and Jackie Burns in If/Then.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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