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    Theater Critic Picks

    These are the 14 can't-miss shows in Dallas-Fort Worth theater for February

    Lindsey Wilson
    Feb 1, 2019 | 12:55 pm

    UPDATE: Lyric Stage's production of I Do! I Do! now stars Sarah Gay and Christopher J. Deaton.

    ---

    The theatrical community of Dallas-Fort Worth has 14 perfect little valentines for you, spanning the romantic to the thought-provoking. And need we even mention that seeing a show is a date that's sure to impress?

    Here are the 14 shows to see, in order by start date:

    Lonely Planet
    Amphibian Stage Productions, February 1-24
    Denise Lee makes her Amphibian debut alongside Jamal Gibran Sterling in Steven Dietz's 1993 play about the AIDS epidemic and how it's rapidly growing among Hispanic and African American communities — yet that fact is rarely discussed. The play was originally written for two men, but director Bill Earl Ray cast Lee as only one way to update a script that still feels frighteningly relevant.

    Our Town
    Circle Theatre, February 2-March 9
    Kelsey Milbourn stars as the Stage Manager in this production of Thornton Wilder's classic. Told in three acts — "Daily Life," "Love and Marriage," and "Death and Eternity" — Wilder's Pulitzer Prize-winning play reminds us of the importance of love, loss, and living in the moment.

    An Iliad
    Undermain Theatre, February 6-March 3
    Bruce DuBose and Paul Semrad are reprising their roles as the Poet and the Musician in Lisa Peterson and Denis O'Hare's "one-man" play. They first stunned Undermain audiences in 2012, when Katherine Owens directed the modern-day retelling of Homer's classic.

    La Llorona: A Love Story
    Bishop Arts Theatre Center, February 7-24
    Kathleen Anderson Culebro is not only the artistic director of Amphibian Stage Productions, but also a respected playwright. Her piece premiered Off Broadway in 2007, and now Adam Adolfo is directing a cast of BATC newcomers in the haunting, humorous love story where tradition, superstition, and love collide.

    High Dive
    Echo Theatre, February 8-23
    The audience co-stars with Kristin McCollum in Leslie Ayvazian's one-woman play about an American celebrating her 50th birthday in Greece. From their "poolside tables," audience members will be asked to jump in and play various parts, echoing the play's theme about being willing to take risks.

    Falsettos
    AT&T Performing Arts Center, February 12-17
    A starry cast of Broadway names headlines this tour of William Finn and James Lapine's musical, about a dysfunctional family navigating modern challenges and trying to remember that love tells a million stories.

    Jersey Boys
    Performing Arts Fort Worth, February 12-17
    Those street corner-singing boys are back, showing how Frankie Valli and the Four Seasons rocketed to fame and fortune while battling personal struggles and changing the sound of American music.

    I Do! I Do!
    Lyric Stage, February 14-17
    Broadway veteran and Mesquite native Kristen Beth Williams returns to Lyric Stage with her husband, Broadway actor James Ludwig, to star in this musical celebration of marriage. Written by Tom Jones and Harvey Schmidt, of The Fantasticks fame, the show was originally written as a star vehicle for theater legends Mary Martin and Robert Preston.

    Are You Now or Have You Ever Been
    Stage West, February 14-March 10
    In the regional premiere of Carlyle Brown's play about the tense but necessary relationship between the arts and politics, poet Langston Hughes is preparing to appear before McCarthy's committee for "un-American activities." As Hughes fitfully tries to compose a poem, accusations whirl, censorships abound, and freedoms are called into question.

    You Got Older
    Kitchen Dog Theater, February 14-March 10
    What happens when your life path leads you right over a cliff? In this bawdy, irreverent, and touching new play that reunites Jenny Ledel and Barry Nash, Pulitzer-nominated playwright Clare Barron blends reality and fantasy in a dark comedy about falling apart as you're failing to launch.

    Bless Me, Ultima
    Cara Mía Theatre Co., February 15-March 3
    The beloved Chicano novel by Rudolfo Anaya is brought to the stage in physical style in a highly theatrical production. It tells the story of a young boy facing the toxic masculinity of a society who is mentored by the curandera Ultima, a native healer who uses herbs and magic.

    Anastasia
    Dallas Summer Musicals, February 19-March 3
    Journey to the past with this stage adaptation that boasts a score by Stephen Flaherty and Lynn Ahrens and a book by Terrence McNally. Years after the Russian royal family is executed, a young woman surfaces with knowledge only a princess would have.

    First Impressions Festival
    Imprint Theatreworks, February 20-23
    In its second year, this newish company promises more local works under the guidance of local directors. A complete list of performances hasn't been announced yet, but is promised to be soon.

    Guadalupe in the Guest Room
    WaterTower Theatre, February 22-March 17
    Guadalupe is living in the guest room of her son-in-law, Steve, while she works to translate from English to Spanish the children's books her deceased daughter has written. Overcome with grief and separated by a language barrier, the unlikely housemates struggle to communicate — until they begin watching the same television show. Then the two bond in the most unexpected of ways, leading Guadalupe and Steve to learn that understanding doesn't always require speaking the same language.

    The national tour of Anastasia comes to Dallas Summer Musicals.

    Lila Coogan in the national tour of Anastasia
    Photo by Matthew Murphy
    The national tour of Anastasia comes to Dallas Summer Musicals.
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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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