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    Coronavirus impact

    Dallas arts groups have lost nearly $100 million during pandemic, report says

    Stephanie Allmon Merry
    Feb 5, 2021 | 4:38 pm
    DSO, concert truck
    Dallas Symphony Orchestra presented concerts via mobile concert truck in late 2020.
    Photo courtesy of The Concert Truck

    The first eight months of the COVID-19 pandemic affected the Dallas nonprofit arts and culture community to the tune of more than $95 million and 1,000 jobs, a sobering new report shows.

    The third survey on the pandemic's impact conducted by a trio of Dallas arts advocacy organizations — The Arts Community Alliance (TACA), Dallas Arts District (DAD), and Dallas Area Cultural Advocacy Coalition (DACAC) — covered the period from March 13, 2020 (initial government-mandated shutdowns) through November 30, 2020. Results were detailed in a February 5 news release.

    In total, the pandemic-related impact for the nonprofit arts community within the city of Dallas reached $95,545,710 in financial losses, including 3,145,209 in lost or deferred attendance, the report showed.

    “The impact of the pandemic on the arts in Dallas — financial, human and cultural — continues to be staggering,” says Terry D. Loftis, president and executive director of the arts funding organization TACA, in the release. “We’re encouraged that our organizations are resilient and finding ways to engage the community. But these losses are not sustainable and no one is expecting a return to normal anytime soon.”

    Seventy groups responded to the most recent survey, but a total of 91 organizations provided economic impact figures across all three surveys the trio conducted in 2020; those losses are aggregated as part of the total economic impact, the report says. Individual artists were not surveyed.

    According to the most recent report, the 2020 closures of museums and performing arts venues caused:

    • Performing arts organizations to cancel or defer 2,088 performances
    • Visual arts organizations to close, collectively, for 2,142 attendance days
    • All groups together to cancel or reschedule 9,725 workshops, classes, and programs

    Many performing arts organizations, such as The Dallas Opera, had to cancel or push back entire seasons into 2022, losing almost two years’ worth of earned revenue.

    According to the release, since the initial shutdowns:

    • 15 arts and cultural facilities have reopened for live, in-person experiences at a reduced capacity.
    • 40 of the respondents said their traditional performance or exhibition space has not been able to reopen.
    • 27 organizations have resumed presenting live, in-person programing.
    • 37 respondents are using virtual platforms or streaming, or are presenting their work in new and alternative spaces, including parking garages, warehouses, storefronts, churches, plazas, parks, and outdoor performance venues.

    Safety was the number one barrier to reopening, the survey showed. Groups said they didn't have the resources, rehearsal space, or blessing of their audiences to reopen safely. "Many of our long-term patrons are 65+ and have firmly stated that they are not interested in attending a live choral performance before a vaccine is widely available," one respondent said.

    Fourteen groups cited union restrictions as their top barrier to reopening. The Actors' Equity Association revoked Firehouse Theatre's status as an Equity producer last fall when a COVID-19 outbreak forced the abrupt shutdown of a production at the Farmers Branch theater.

    For arts organizations that have been able to present live and in-person experiences or virtual, 39 groups say they have been able to generate revenue through admissions or fees — but at lower rates than normal. Most say they have been able to fundraise to make ends meet, even when they can't rely on lavish galas and other large gatherings to do so. Funding from the city has also helped, they say.

    “The fact that the City of Dallas was able to keep the funding for most organizations level with the prior year helps explain why most Dallas arts and cultural organizations have survived,” says Joanna St. Angelo, Sammons Center for the Arts Executive Director, in the release. “The next year will be a challenge, but we are fortunate our city leaders recognize the importance of the arts community to the economy, jobs, tourism and the quality of life in Dallas.”

    Dallas arts groups will continue to innovate to survive in 2021 and beyond, they say. Besides presenting virtual shows, they have taken their performances into unique spaces, such as parking lots, drive-ins, and garages; the Dallas Symphony Orchestra even brought in a mobile concert truck.

    “There is no question our arts community is creative, passionate and resilient, but limited resources only go so far,” says Lily Weiss, executive director of the Dallas Arts District, in the release. “These are small businesses sustaining major revenue and job losses. I worry that many of our organizations are reaching a tipping point. This is going to be a very difficult year.”

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    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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