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    Stranger Than Fiction

    No amount of rehearsal could prepare Dallas actress for this real-life role

    Elaine Liner
    Feb 24, 2016 | 1:31 pm

    The first neurologist to examine Dallas actress Sherry Jo Ward last year dismissed her with advice to “Google 'psychiatrist.'” The second neurologist was baffled by her symptoms: excruciating headaches, sudden muscle cramps, back and neck pain, numbness in her arms and legs. Tests were ordered for multiple sclerosis, Parkinson’s, and hepatitis. All came back negative.

    Whatever was going on had come on suddenly. At 40, Sherry says, she was healthy and active, keeping up with her sons (now 6 and 10) and performing onstage in demanding roles. (She had played the lead in WaterTower Theatre’s production of August: Osage County.)

    “I never had any vices,” she says, “or did anything to abuse my health.”

    Throughout late 2014 and early 2015, however, Sherry was getting more and more unsteady. “I’d be walking the dog and my arms would go numb,” she recalls. “I had twitches and tremors, vision problems. I was falling a lot. But the MRI came back showing nothing wrong.”

    Sherry and her husband, playwright and drama teacher Thomas Ward, had recently moved back to Dallas from Minnesota, where Sherry worked at the Minneapolis Children’s Theatre Company. In good weather up there, she rode her bike five miles to the job she recalls as “stressful and demanding.”

    Her new position in marketing for Dallas Children’s Theater (Thomas teaches elementary school in Keller) was “perfect,” Sherry says. “I couldn’t dream of a better environment. I could feel stress rolling off of me.”

    But her health problems persisted. She fell at work and again outside her home. Her legs, she says, would feel as if they were filling with wet cement.

    Neurologist No. 3 nailed the diagnosis only because he’d seen one other patient with it: stiff person syndrome (SPS). The rare neurologic disorder begins with the symptoms Sherry experienced, followed by progressively more serious rigidity, spasms, and stiffness in the torso and limbs. Only about 300 people in this country have it.

    There is no treatment, just physical therapy and pain management with prescription opiates and muscle relaxers. Sherry has joined the small community of SPS sufferers who communicate with each other through a Facebook group. (Throughout our interview, Sherry, nestled into the corner of a soft brown sofa, massages her left leg, which she says is in constant pain.)

    “When I finally had that one doctor look at me and say, 'You are not crazy,' I just started weeping,” she says. “I’ve found that it’s not uncommon among people with this disorder to be told that it’s all in your head.

    “I was lucky that it only took three doctors. It takes an average of seven years to get a correct diagnosis and only after 13 or 14 neurologists.”

    In the months since her diagnosis, there have been “good days and bad days,” she says. Sherry pulls up her shirt to show a thick black “X” inked onto the square inch of her lower back she calls her “don’t-touch-Mommy spot.” The slightest touch triggers blinding pain from inflamed nerves, she says. She can no longer walk without a cane and relies on a wheeled seat she can also push as a walker when she’s standing.

    The Wards moved out of their three-story townhouse and into a more navigable one-level, ranch-style home in Fort Worth. Sherry gave up driving and quit her job at DCT. But she hasn’t quit acting.

    Last year she starred in the critically praised Precious Little, an Echo Theatre production at the Bath House Cultural Center. She used her cane for the role, and director Kelsey Leigh Ervi made sure there were “resting spots” for her all over the stage.

    Thomas Ward also writes good roles for his wife. They co-starred together in his two-person, one-act International Falls, which debuted at last year's Out of the Loop Festival and was revived at Fort Worth’s Stage West. The Wards will co-star again in Thomas’ latest play, I Love You Honey Bunny, at this year’s Out of the Loop, which begins February 25.

    Sherry calls it a “caper comedy” about a couple who go on a crime spree because they’re so broke they can’t afford a date night. “I thought the idea of making a quick getaway with me on a walker was a really funny visual,” she says.

    So far her ability to memorize lines hasn’t been affected. “Just my stamina,” she says. “I could still do voiceovers.”

    One of the first people Sherry reached out to after her diagnosis was longtime Dallas theater director René Moreno, who has used a wheelchair since an accident in the 1990s. “One of the things René told me was 'Your dramatic life does not have to end because of this. You’ll find a way to make this play out dramatically.’

    “I’m already taking notes,” she says. “But I would rather play it out as comedy.”

    ---

    I Love You Honey Bunny starring Sherry Jo and Thomas Ward plays the Out of the Loop Theatre Festival at 7:30 pm, February 25; 7:30 pm, March 2; and 2 pm, March 5, in the Studio Theatre.

    Sherry Jo Ward in Precious Little.

    Sherry Jo Ward in Precious Little
    Photo by Shelby-Allison Hibbs
    Sherry Jo Ward in Precious Little.
    interviewtheater
    news/arts

    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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