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    Arts News

    South Dallas Cultural Center creates new artist residency program

    Teresa Gubbins
    Feb 24, 2021 | 9:04 am
    The Beauty of South Dallas
    Image from The Beauty of South Dallas, by Nitashia Johnson.
    Photo courtesy of Natashia Johnson

    A cultural center in South Dallas has a new residency program for artists. Called the Juanita J. Craft House Artist Residency Initiative, it's an immersive, interactive program for artists of all disciplines to connect with South Dallas neighborhoods.

    The program is at the South Dallas Cultural Center, under the wing of Dallas' Office of Arts and Culture department. It will begin accepting applications in April.

    The residency will offer non-living studio space and connect artists to residents, organizations, and institutions to develop a body of work centering on community activism.

    It opens space for artists to capture the rapid change of historical neighborhoods due to socio-economic shifts, creating a document of South Dallas for future residents, visionaries, and developers.

    As noted in a release, since the 1950s, South Dallas has been predominately populated by African Americans with 15 neighborhoods which vary from working middle class to working poor. Now, like many other neighborhoods around the country that are near downtown areas, it's become appealing for urban renewal and redevelopment and is being carved into trendy districts.

    The South Dallas Cultural Center has been led by manager John Spriggins since 2017, who used the pandemic downtime to develop the residency program.

    "I am a native of South Dallas and dreamed of making an impact on my neighborhood," Spriggins says in a statement. "I know the power of a residency and at the time, there weren't many artist residencies in Dallas that focused on supporting artists of the African Diaspora."

    He drew inspiration from other residencies like Project Row Houses in Houston and Rebuild Foundation by Theater Gates in Chicago, "where specifically Black artists went into Black communities and developed art projects with a community focus, making a cultural impact," he says. "My hope is to connect creativity with community in South Dallas. It is the right time to launch the residency with all of the changes happening in the area."

    Spriggins worked with artist Nitashia Johnson to pilot the program. Johnson was raised in South Dallas and graduated from Booker T. Washington High School for the Performing and Visual Arts in 2008. Her work includes The Smart Project, a creative after-school program for artistic teens; and her 2018 photographic book series, The Self Publication, created to uplift the Black community and dismantle harsh stereotypes associated with the culture.

    Her unique voice and community-oriented work made her the ideal candidate to pilot the residency.

    "The art of storytelling has always influenced my multimedia artwork," Johnson says. "My eagerness and love for the world and others have pushed me to produce a body of work highlighting environmental spaces, communities, and individual muses. When I started working on the residency project which I’ve titled The Beauty of South Dallas, Capturing the Now Before the Future, I was excited yet nervous about where to begin. South Dallas is a large area, and I wanted to make sure to capture the spirit of the people and the land."

    She welcomes all to share their South Dallas photos and memories as part of The Beauty of South Dallas project at www.thebeautyofsouthdallas.com.

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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

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