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    Actor Spotlight

    Dallas actor Akron Watson channels '70s funk for Fortress of Solitude

    Lindsey Wilson
    Mar 10, 2014 | 8:43 am

    Even if you've never read The Fortress of Solitude, the title might sound familiar. Dallas Theater Center is adapting the popular coming-of-age novel into a stage musical (which Time.com noted as one to watch), and author Jonathan Lethem visited the DMA last month to talk about the process of bringing his story from the page to the stage.

    Likewise, even if you don't immediately recognize the name Akron Watson, chances are you've seen his work. The Dallas native last graced the DTC stage in Kevin Moriarty's reimagined A Christmas Carol as Bob Cratchit, and he was in 2011's To Kill a Mockingbird. But he's also popped up on practically every Dallas-Fort Worth stage from Theatre Three to Lyric Stage to Casa Mañana.

    Add on a featured role in the TV series Friday Night Lights and a controversial appearance on American Idol, and Watson is a memorable performer.

    Catch him in The Fortress of Solitude at Dallas Theater Center through April 6, and stay late after the show as he moderates a talk-back with the audience. Watson recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Akron Watson

    Role in The Fortress of Solitude: Subtle Distinction. I wish I could say more.

    Previous work in the DFW area: So many shows I am proud of. A few are The Shipment, Undermain Theatre; Bengal Tiger at the Baghdad Zoo, Theatre Three; Diary of a Worm, Dallas Children's Theater; and Fences, African American Rep.

    Hometown: Right here in Dallas. Pleasant Grove, to be specific.

    Where you currently reside: Old East Dallas

    First theater role: Tiny Tim in A Christmas Carol at my church

    First stage show you ever saw: An original piece about the story of David and Goliath at my elementary school

    Moment you decided to pursue a career in theater: I don't recall a specific moment. A number of people and places helped me decide — the exceptional educators at Collin County Community College, playing Mercutio in a re-envisioned version of Romeo & Juliet and super supportive parents.

    Most challenging role you've played: Tom Robinson in To Kill a Mockingbird at Dallas Theater Center. He had such a beautifully simple mind and such a pivotal role in an American classic story.

    Special skills: Um, singing? You can't tell from this, but I'm a pretty great writer. I'll prove that one day.

    Something you're REALLY bad at: I plead the fifth!

    Current pop culture obsession: Instagram! Facebook! Basically my cellphone.

    Last book you read: I'm going to name drop real quick: The Actor and the Target, given to me by DTC Resident Acting Company member and SMU professor Michael Connolly. Great guy, great book.

    Favorite movie(s): Epics and sci-fi, anything Marvel, all the new Batmans, Gladiator

    Favorite musician(s): John Legend

    Favorite song: "All of Me"

    Dream role: Coalhouse in Ragtime

    Favorite play(s): Tempest, All My Sons, Top Dog/Underdog, all things August Wilson

    Favorite food: Salmon

    Must-see TV show(s): I never watch TV.

    Something most people don't know about you: People don't know those things for a reason.

    Place in the world you'd most like to visit: London, Australian, Russia — all to audition.

    Pre-show warm-up: "Trinida and the big Mississippi, and the town Honolulu, and the Lake Titicaca, the popacatapital is not in Canada, rather in Mexico Mexico Mexico, Canada, Malaga, Remedy Brendesey, Tibet, Tibet Tibet ..."

    Favorite part about your current role: The dancing. The feeling of moving to a vibe of the '70s: funk!

    Most challenging part about your current role: The dancing!

    Most embarrassing onstage mishap: Once I wore boxers in a scene without a button. It was a very intimate black box theater full of family and friends. It was a really long scene. Many times in the scene I was blocked to walk downstage toward the audience and just stand and deliver. I could literally feel the eyes ... smh ...

    Career you'd have if you weren't a performer: Math teacher or accountant

    Favorite post-show spot: A booth with the cast, with a table covered in Mexican food and tequila

    Favorite thing about Dallas-Fort Worth: The space, the job market, the prices and DTC

    Most memorable theater moment: Breaking down into tears during a rehearsal of To Kill A Mockingbird as Tom Robinson. All the pressure and power of representing a man, a family and an entire race wrapped in such a simple set of answers. The complex nature of his disposition: innocent but filled with guilt, terrified but just brave enough, tortured. It was a breakthrough for me as an actor and as a black man to find Tom Robinson and live as him onstage.

    Watson as Tom Robinson in To Kill a Mockingbird at Dallas Theater Center.

    "To Kill a Mockingbird" at Dallas Theater Center
    Photo by Karen Almond
    Watson as Tom Robinson in To Kill a Mockingbird at Dallas Theater Center.
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    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
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