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    Dallas Gallery News

    Design District newcomer Zhulong Gallery lights up art scene with new media

    Kendall Morgan
    kendall Morgan
    Mar 24, 2014 | 9:43 am

    In the beginning, they said, “Let there be light.” In this instance, “they” are Zhulong Gallery owner Chris Lattanzio and director Aja Martin.

    On April 3, the duo unveils a multilevel space that provides a high-tech platform for contemporary new media works — conceptual, sculptural and virtual — in the Dallas Design District. The gallery was designed with an ambient sound system, LED theater lighting and a 17-by-10-foot facade for projecting images, text and video.

    “Right now in Dallas, you couldn’t pick a better time to get into new media,” says owner Chris Lattanzio.

    Named after the Chinese dragon of light, Zhulong is the brainchild of Lattanzio, a self-taught artist who often found himself the odd man out in the gallery scene. A former economics major and film student, Lattanzio decided to devote himself full time to creating his highly saturated works in the late ’80s after being encouraged to pursue art by his NYU grad school professor.

    “There was no artist in my family, and I didn’t go to museums until I was in college,” he says. “Looking back at the things I made, I was really good at it, I just didn’t know it was possible.”

    Upon returning to Dallas, he made T-shirts for the likes of Tripping Daisy before opening his own studio in Deep Ellum. Despite shows in Dallas, Houston and Santa Fe and a plum position as one of 10 artists to represent the 2006 Olympic Winter Games, his “unique, new media style” still had difficulties translating into a commercial career.

    The solution, of course, was to open his own space.

    “Right now in Dallas, you couldn’t pick a better time to get into new media,” Lattanzio says. “SMU is developing a whole arts and technology department with engineering and computing all in one building. At UTD you’re cross-training [in different methodologies]. Instead of us following what the coasts are doing, we are planting the flag.”

    Lattanzio calls partner Martin “super-sharp with a great eye,” and together they have aspirations to make their mark on the international art landscape, both in their programming and the technology of the space itself.

    “We have the budget to get Aja to Tokyo or Singapore or Beijing,” Lattanzio says. “She’s really bringing work that I would say is right on the verge of breaking big. It’s similar to what it was like to look at a Kandinsky for the first time; it’s so electric and vibrant. It’s digital, but it’s otherworldly.”

    Zhulong kicks off with its premiere show, “Satellite,” featuring 11 artists interpreting data, culture, travel and time in works relating to space exploration and an abstract notion of the satellite. The opening reception is April 3, 6-9 pm, and the exhibit continues through May 10.

    James Geurts, Drawing Horizon, 2010. Solar site work featuring a threshold of day night, high/low tide, full/no moon, ocean/sky, 39 ⅜ x 39 ⅜ in. Satelietgroep Den Haag Netherlands.

    James Geurts drawing horizon solar light installation
    Photo courtesy of Zhulong Gallery
    James Geurts, Drawing Horizon, 2010. Solar site work featuring a threshold of day night, high/low tide, full/no moon, ocean/sky, 39 ⅜ x 39 ⅜ in. Satelietgroep Den Haag Netherlands.
    unspecified
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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