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    Your Show of Shows

    Gallery picks of the month: Girl power, young guns and the next generation of talent

    Kendall Morgan
    kendall Morgan
    Mar 31, 2013 | 1:24 pm

    From the exploration of Western society ideals to a roundup of works from the area’s most promising young graduates, these three galleries are must-stops for exploring Dallas’ edgier contemporary art scene this month. And for scoring a piece by someone almost famous.

    JOINERY and IDEAL WOMAN: Kate Carr and Allie Pohl, at Galleri Urbane
    Opening reception: April 6, 6-9 pm
    
Exhibition dates: April 6-May 11

    Not just a sitcom from the ’80s, Kate and Allie are also must-see artists in April at Galleri Urbane. Kate Carr’s “Joinery” features hand-cut pieces inspired by the techniques used in Japanese woodworking, but it’s Los Angeles-based artist Allie Pohl’s Barbie-inspired works that should really get the conversation going.

    For the past two years, the 28-year-old has been exploring the unattainable ideals Western society has imposed on women by creating variations of an “Ideal Woman,” a blown-up version of a bombshell’s 36-24-36 measurements.

    “I think that my work comments on contemporary society and the way women are constantly changing and evolving,” she says. “Silly things like the vajazzling trend that happened in 2011—with this figure, I feel like I’m able to focus on specifically what females are doing to themselves and how technology feeds into it.”

    From a neon sculpture to a floor-to-ceiling caryatid based on ancient Greek columns to a series of “tramp stamp” ceramics, Pohl plays with these perfect proportions in a whimsical way.

    NINE ARTISTS: Various artists, at Blow-Up Gallery
    Opening reception:
    April 6, 7-11 pm

    Exhibition dates: April 6-20

    What happens when a bunch of young, artistically inclined talents gets together? Something like the upcoming “Nine Artists” exhibit at Blow-Up Gallery, we suspect. Curator Francisco Moreno took time off his day job as director/owner of the Forth Worth Drawing Center to put the show together, gathering work from peers Jesse Morgan Barnett, Cassandra Emswiler, Thomas Feulmer, Francis Giampietro, Kevin Rubén Jacobs, Michael Mazurek, Arthur Peña and Michelle Rawlings.

    Opened in December in the Shops at Park Lane by musician/artist Scott Tucker and Roma Boots’ Samuel Bistrian, Blow-Up aims to copy the Chelsea (New York and London) model of art space. Ten percent of proceeds for this — and every — show are donated to the Roma Boots Foundation to provide education and rain boots for globally impoverished children.

    The works in “Nine Artists” have no unifying factor (some are paintings, but most are mixed media) other than a larger-than-life element befitting the Blow-Up’s high-ceilinged space. Patrons who don’t score a piece of art can take purchase a two-volume catalog on the exhibit, with an essay by Meadows Museum curatorial assistant Shelley DeMaria.

    THE BEST: Various artists, at Red Arrow Contemporary
    
Opening reception:
    April 6, 6-9 pm

    Exhibition dates: April 6-May 11

    Every serious art collector knows today’s graduate student could be tomorrow’s Ryan McGinley. With that in mind, Red Arrow Contemporary has curated “The Best,” an exhibition of work from recent graduates of SMU, UNT, TCU, UTA, UTD, TWU and UD’s master of fine arts programs.

    The show’s co-curator, Erin Stafford, says this is the first time promising graduate talent has been gathered in one place, and she plans on “The Best” becoming an annual event. “It was important to us to pick artists who were pushing the definition of what art is, and these students brought something new to the conversation.”

    Ranging from works on paper to installations of video and glass, the seven participating artists explore everything from the personal nature of identity to our sensory relationship with the world. Both indulgent and inspirational, this is the show to catch if you want to say, “I knew them when.”

    Allie Pohl, from "Ideal Woman" at Galleri Urbane.

    Allie Pohl, Galleri Urbane
    Photo courtesy of Galleri Urbane
    Allie Pohl, from "Ideal Woman" at Galleri Urbane.
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    Final bow

    Dallas Opera CEO steps down and departs for Canada — again

    Stephanie Allmon Merry
    Feb 10, 2026 | 2:50 pm
    Joyce Goss, Ian Derrer, Lynn McBee
    Photo by WJNPHOTO
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    For the second time in a decade, a Dallas Opera CEO is leaving Dallas and heading to Canada: Ian Derrer, who has been the TDO Kern Wildenthal General Director and CEO since 2018, will not renew his contract when it concludes at the end of this fiscal year, TDO announced in a release on February 10.

    Derrer has been named General Director of the Canadian Opera Company (COC) in Toronto and will assume the role on July 1, the release says.

    “This is a bittersweet moment for The Dallas Opera,” said Board Chair Quincy Roberts in a statement. “While we are thrilled for Ian and his new adventure, we’re sorry to lose such a creative and collaborative leader. His tenure with the company has been marked by great successes, including the recent fundraising campaign which has strengthened our fiscal position. We are grateful for his dedication to advancing opera in North Texas, and we wish him well.”

    Derrer, a graduate of the SMU's Meadows School of the Arts, became the eighth general director in TDO's history. It marked a return to Dallas for Derrer (then the general director of Kentucky Opera), who served as artistic administrator of the Meadows School from 2014-16.

    Derrer was named head of TDO in 2018, less than four months after then-CEO and general director Keith Cerny announced his resignation and headed for a post in Canada: as general director and CEO of Calgary Opera.

    Cerny was lured back to North Texas the next year to become CEO of the Fort Worth Symphony Orchestra, a position he still holds.

    Dallas Opera administrators praised Derrer's tenure with the company, including his steady navigating of the pandemic; creating innovative ways to reach worldwide audiences; raising $54.5 million in six months and doubling its endowment; and commissioning and mounting multiple world premieres, the most recent of which garnered worldwide attention and rave reviews: Joby Talbot and Gene Scheer’s The Diving Bell and the Butterfly.

    “I am truly proud of the work that we’ve accomplished here in Dallas, and I know that I leave this great company in a solid position for its future,” said Derrer in a statement. “I am so very fortunate to have been able to work with a board, staff, and community that deeply loves opera, especially our music director, Emmanuel Villaume. While I look forward to this new opportunity with COC, I offer my sincerest gratitude and admiration to everyone at TDO and to the generous arts community in North Texas.”

    TDO has not announced plans for a search for Derrer's replacement.

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