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    Theater Critic Picks

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 1, 2019 | 10:53 am

    For some, April is only about one show: Hamilton. But there are 11 other offerings opening this month, plenty of them regional premieres and even two world premieres. If you've already paid your respects to A. Ham, there's plenty else to check out.

    Here are the 12 shows to see, in order by start date:

    Hamilton
    Dallas Summer Musicals, April 2-May 5
    It's finally here. The blockbuster musical by Lin-Manuel Miranda that tells the story of founding father Alexander Hamilton through rap, pop, and other musical styles comes to the Music Hall at Fair Park, and people are more than a little excited about it. Come early to check out the rare documents that will be on display in the lobby.

    The Father
    Stage West, April 4-27
    David Coffee plays 80-year-old André, a retired tap dancer living with his daughter and her husband, and…or, no, wait, is he a retired engineer whose daughter is visiting from London? And who are those people who keep turning up in his flat, and where does his furniture keep disappearing to, and why is he still in his pajamas?

    Lela & Co.
    Second Thought Theatre, April 4-27
    Set against the backdrop of a refugee crisis in an unnamed foreign country, this regional premiere by Cordelia Lynn charts Lela's eventful journey from girlhood to womanhood. Separated from her childhood by the soldiers at the border of her country and the soldiers in the bedroom of her new home, Lela gains strength and wisdom that are hard-won and far beyond her years.

    On Your Feet!
    Broadway at the Bass, April 10-14
    Based on the life story of seven-time Grammy-winning international superstar Gloria Estefan and her husband, 19-time Grammy-winning producer-musician-entrepreneur Emilio Estefan, this musical is a catalog of their chart-topping hits. If you feel like doing the conga to "Rhythm Is Gonna Get You," "1-2-3," "Get On Your Feet," "Mi Tierra," "Don't Want To Lose You Now," and, yes, "Conga," there will be no judgment here.

    so go the ghosts of méxico, part three
    Undermain Theatre, April 11-May 5
    The centerpiece production of the Whither Goest Thou America Festival is this final installment in the three-play cycle exploring the U.S.-Mexico drug wars. A young Mexican couple gets caught up in the web of the drug trade between the two countries, changing their lives forever — but is their ordeal what it seems, or a mirage of disinformation created by unseen forces? The festival also includes staged readings of Red Chariot, Vox Humana, so go the ghosts of méxico parts 1 and 2, and He Brought Her Heart Back in a Box.

    Wolf at the Door
    Kitchen Dog Theater, April 11-May 5
    Marisela Treviño Orta's dark fairy tale follows Isadora, who finds the strength to stand up to her abusive husband, Septimo, when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own.

    Teatro en Fuga
    Cara Mía Theatre Co., April 12-28
    This festival features new works-in-progress by members of Cara Mía's resident ensemble, with the goal of developing for world premiere productions in future seasons.

    Office Hour
    Circle Theatre, April 18-May 11
    A troubled student hides behind dark glasses and writes disturbing and provoking literature. Is he venting or really troubled? His professor is the only one willing to get close enough to understand. Will the day end in tragedy, hope ... or somewhere in between?

    Everything Is Wonderful
    WaterTower Theatre, April 19-May 12
    Following a tragic car accident that killed her two brothers, Miri, the excommunicated daughter of an Amish family, returns home to find that her parents have taken in the wayward driver of the car. Quickly learning that time has not healed old wounds, Miri struggles with the contradictions of the culture she left behind, while being forced to confront Abram, the young Amish man whose actions drove her away.

    Pastry King
    Elevator Project April 23-May 5
    A husband and wife open a pastry shop in the North End, making the best cannoli in Boston. But upon meeting their neighbor, the Pastry King, one of the city's most established restaurateurs, odd and terrible things start to happen. It's a play about blame, the strength of relationships, and the perfect ricotta recipe.

    Raptured: A Sex Farce at the End of the World
    Theatre Three, April 25-May 19
    The congregants of the Third Baptist Church of Uncertain, Texas are only certain about two things; the rapture is definitely happening sometime in the next two hours (the Bible Math checks out), and two hours is not enough time to squeeze every single drop of life from this wicked, wonderful world. But some of them will try. Matt Lyle's fresh farce is full of love triangles, mistaken identities, a puckish youth pastor, a Preacher on a dubious mission, lots of doors, and, of course, deeply irrevocable existential longing.

    Real Women Have Curves
    Dallas Theater Center, April 26-May 19
    Ana just graduated from high school, and though she dreams of going to college and becoming a writer, for now she is stuck working in her sister's garment factory in East L.A. The hours are long, and the pay is low, but Ana grows to appreciate the strength, passion, and dedication of the women she works beside.

    Hamilton finally comes to Dallas.

    2018 touring cast of Hamilton
    Photo by Joan Marcus
    Hamilton finally comes to Dallas.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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