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Theater Critic Picks

These are the 10 can't-miss shows in Dallas-Fort Worth theater for April

Lindsey Wilson
Apr 3, 2018 | 11:45 am

You're not having deja vu — there's a lot that's familiar this month, from encore actor pairings to the return of a blockbuster tour to more than one show that uses vaudeville as its jumping-off point. It's also a strong 30 days for new work, especially from Dallas-area artists and playwrights.

Here are the 10 shows to see, in order by start date:

Empathitrax
Second Thought Theatre, April 4-28
When Jenny Ledel and Drew Wall get together onstage, bad things — but good performances — tend to happen. The duo that starred in STT's 2015 hit Belleville is back with Ana Nogueira's Empathitrax, an unflinching play in which a couple tests out a new drug that prompts users to experience exactly what another person is feeling. Carson McCain, who assistant directed Belleville, here takes the reins.

Whither Goest Thou America: A Festival of New Play Readings
Undermain Theatre, April 12-May 6
"How did we get here and where are we going?" That's the question Undermain is having four playwrights answer over a period of four weeks, with the playwrights leading a discussion following their final staged reading. The lineup is: A Love Offering by Jonathan Norton (April 12-15), The Light Collectors by Blake Hackler (April 19-22), Visible From Four States by Barbara Hammond (April 26-29), Shakey Jake + Alice by Len Jenkin (May 3-6).

The Automobile Graveyard
Teatro Dallas, April 13-May 6
Fernando Arrabal's play tells of an immigrant musician and other artists who are under the watchful eye of an oppressive state. Panic and humor go hand in hand in the story, which takes place in a hotel-brothel junkyard of old cars. Former artistic director Cora Cardona returns to direct this intimate production, which caps its audience at 45 seats per performance.

Bread
WaterTower Theatre, April 13-May 6
Dallas-born actress and playwright Regina Taylor weaves a compelling family drama of hopes, fears, thwarted dreams, and dark secrets against a turbulent backdrop of racial tension and social upheaval. Just as in her Trinity River Plays, this one is set in Oak Cliff, but late 2016 instead of decades past. The south Dallas neighborhood is on the verge of gentrification, and middle-class couple James and Ruth are planning a bright future for their teenage son and his soon-to-be-born brother. But when James' brother Jeb returns home, buried family tensions resurface and the past casts a troubling shadow across an uncertain future.

Where Earth Meets the Sky
Cara Mía Theatre, April 14-29
Get ready for a new genre: Afro/indigenous sci-fi. This world premiere — written by poet Edyka Chilomé, Cara Mía’s managing director Ariana Cook, and resident ensemble member Vanessa Mercado Taylor — tells the story of Anghared262, who left the earth in the year 2050 on the Omnivessel. She is sent to the once-dying Earth with a mission of scouting for food samples. When she encounters Earthroot, a peaceful matriarchy, she enters her ancestral past and questions her allegiance to Omnivessel.

Pompeii!!
Kitchen Dog Theater, April 19-May 6
KDT artistic company members Cameron Cobb, Michael Federico, and Max Hartman are using the uniquely American art form of vaudeville as a metaphor for the cycles of moral and social decline of both ancient Rome and the Roaring '20s. Expect some modern-day social commentary too, through song, dance, skits, and puppetry performed by a company that includes Hartman, Jeff Swearingen, Steph Garrett, Parker Gray, Ian Ferguson, Marti Etheridge, Dennis Raveneau, and Thiago X Nascimento.

The Trials of Sam Houston
Dallas Theater Center, April 20-May 13
Artistic director Kevin Moriarty commissioned Aaron Loeb to write this play about Texas' former governor, who on the eve of the state's secession in 1861 is torn between loyalty to Texas and loyalty to the United States. Artistic company member Steven Michael Walters, who's been working in California recently, returns to play Houston, alongside Ace Anderson, Kieran Connolly, Liz Mikel, Alex Organ, Charlie Robinson, David Coffee, and Kate Wetherhead as some of America's most famous leaders.

Les Miserables
Dallas Summer Musicals, April 24-May 6
The world's longest-running musical — it's been playing in London since 1985 — has been re-imagined by original director Cameron Mackintosh for this latest U.S. tour. If you haven't seen the international smash hit yet (or just want to experience it's grandeur and lush score), here's your chance.

The Last One Nighter on The Death Trail
Theatre Three, April 26-May 20
You haven't seen the last of vaudeville this month: T3 also has an original work that uses the performance style. A troupe of vaudevillians in the early '30s wait behind a theater in Dallas for their opportunity to go onstage. They're what's known as the "disappointment act," and only go on if someone else cancels. Christie Vela and David Goodwin's story, with songs by Endeavors Theater Collective, questions what is and isn't art and why it is necessary.

Murder Ballad
Imprint Theatreworks, April 27-May 12
Director Ashley H. White is transforming the Margo Jones Theatre in Fair Park into an immersive bar as the setting for this sexy musical about an illicit affair. Kyle Igneczi, Brett Warner, and Aaron C. White form the dangerous triangle, with Laura Lites serving as the narrator. In a cool bit of casting, Jamall Houston and Beth Lipton are not only covering both roles for their gender, but are also alternating pre-show rock performances where they'll get to show off their gritty vocal chops.

Imprint Theatreworks is turning the Margo Jones Theatre into a bar for Murder Ballad.

Imprint Theatreworks presents Murder Ballad
Photo by Kris Ikejiri
Imprint Theatreworks is turning the Margo Jones Theatre into a bar for Murder Ballad.
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Music and Fashion

Miranda Lambert's 'Velvet Rodeo' wardrobe stars in new DFW exhibition

Alex Bentley
Oct 14, 2026 | 9:21 am
“Miranda Lambert: Velvet Rodeo” at National Cowgirl Museum & Hall of Fame
Photo by Tyler Conrad
“Miranda Lambert: Velvet Rodeo” will open on November 7 at the National Cowgirl Museum & Hall of Fame.

Country star Miranda Lambert is bringing a bit of Las Vegas glamour and bling to North Texas. Her one-of-a-kind wardrobe from her "Velvet Rodeo" residency will go on display at the National Cowgirl Museum & Hall of Fame in Fort Worth when its new Icons Gallery opens November 7.

According to a release, the exhibition, called "Miranda Lambert: Velvet Rodeo," was created in collaboration with Lambert, and will feature costumes from the singer's Las Vegas residency, which ran from September 2022 to April 2024.

Lambert said her inspiration came from an earlier visit to the Fort Worth museum, where she spotted historic Western pieces that she photographed and sent to her stylist, Tiffany Gifford. They combined those influences with the glitz of Elvis Presley's heyday to create the "Velvet Rodeo" wardrobe.

“Seeing these pieces now have a life beyond the stage as part of the Museum’s new Icons Gallery feels really full circle and special,” Lambert said in a statement.

Visitors will now have the opportunity to study garments usually seen in motion and under stage lights, appreciating the details that help transform clothing into an essential part of a performance.

The Icons Gallery is part of the Museum’s 16,000-square-foot expansion, which introduces new galleries and experiences that explore the accomplishments and influence of women of the West. The $19 million expansion features a new entrance facing Dickies Arena, new galleries including a photography gallery, an event space accommodating up to 250, and the new Cowgirl Carousel.

Cowgirl Hall of Fame Inductions, Miranda Lambert Miranda Lambert, right, with rodeo queens onstage at the 45th Cowgirl Hall of Fame Induction Luncheon at Dickies Arena. Photo by Ashley Gongora

Lambert, who was inducted into the National Cowgirl Hall of Fame in 2021, is an active mounted shooting competitor and horsewoman, giving her a connection to the West that reaches beyond her music. "Velvet Rodeo" brings together Lambert's identity as a cowgirl and her creative expression as a performer.

“Miranda’s confidence, determination and independence make her a wonderful representative of the women we honor,” says Pat Riley, executive director of the National Cowgirl Museum & Hall of Fame, in the release. “Opening our Icons Gallery with this collaboration celebrates her accomplishments while giving visitors a new way to connect with a cowgirl they know and admire.”

According to a museum spokesperson, the temporary exhibition will remain on display for at least one year; no specific end date was given.

In preparation for the expansion grand opening, the Cowgirl will be closed to the public beginning October 19 and will reopen November 7, with a members-only preview at 10 am and a public opening at noon.

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