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Your Show of Shows

The 4 Dallas art gallery shows you must see in May

Kendall Morgan
kendall Morgan
May 15, 2015 | 10:01 am

A Brit import’s digital revolution, 20 years of photography worth celebrating and candy-colored images from two young talents are all on the roster for the merry month of May.

“My Shoes, My Stove, My Life,” Luke Dowd, at Zhulong Gallery
Reception: May 15, 6-9 pm

Exhibition dates: May 15-June 20

Moving from collage to silkscreen to digital prints, London-based artist Luke Dowd’s work has remained incredibly personal, even as it backs away from a more organic process.

“I was interested in his formal sensibility and his approach to art making, which has a strong modernist tack, given his thoughts on making, medium and composition,” says Zhulong owner Aja Martin, who brought the artist to Dallas after shows in London, Frankfurt, New York and Paris.

“But Luke doesn’t allow this approach to bog down his practice, and he’s happy to step away from tradition — which is apparent in his use of various processes that incorporate printing technologies and even a light use of software.”

Dowd’s 16 half-tone digital canvases of stoves, shoes and abstract shapes were crafted with Photoshop across the pond, but they were not printed until the artist arrived in town, providing for a bit of pre-opening nerves.

Dowd says the results drawn a through line from his former work, with a trajectory that removes emotional content as his technique is refined. “You can cool it down as much as you want, but you can’t really escape yourself. There’s a certain continuity happening.”

20th Anniversary Exhibition at PDNB Gallery
Reception: May 16, 5-8 pm

Exhibition dates: May 16-June 20

Twenty years in the art world is no small achievement, and Photographs Do Not Bend is celebrating in a manner befitting its status as one of longest running spaces in the Design District. Originally opening its doors on Routh Street in 1995 with a Joel-Peter Witkin show paired with a show of Latin American artists, PDNB has culled some of its most iconic imagery from both their stable and their devoted collectors to celebrate their two decades in the industry.

“A lot of the inventory is from our artists, but there are pieces I cannot get that I really wanted to include, so I asked some of my collectors to loan them for the show,” says co-owner Missy Finger. “There’s Joel-Peter Witkin, a Vic Muniz, and there’s a great Diane Arbus.”

Things have changed from the days photography was considered the “bastard child of the art world,” but it’s still one of the most collectible mediums in contemporary art. One can score a print by the likes of Henri Cartier-Bresson or Man Ray for far, far less than equivalent pieces from blue chip painters, a fact that bodes well for PDNB’s continued success.

“Truly, Madly,” Kasumi Chow and Desiree Espada, at the Public Trust
Reception: May 23, 6-9 pm

Exhibition dates: May 23-June 20

The collaborative work of local photographers Kasumi Chow and Desiree Espada (a CultureMap contributor) captures imagery of champagne, cake and balloons in a way that is poignant and girlie without being too saccharin sweet. It’s their party, and they’ll cry if they want to.

Discovered by the Public Trust’s Brian Gibb as he was looking for submissions to this year’s Slideluck event, the duo’s photography ended up being a pleasant surprise that led to a perfectly timed show at the gallery’s new space at 2271 Monitor St.

“They were first in the slideshow and the DJ dropped in a Stereolab track and I thought, ‘I love this work!’”

Having recently moved with neighbor Liliana Bloch from their former spot in Deep Ellum to a larger space next door to Galleri Urbane, Gibb had a vacancy in his schedule for a solo show that the two young talents easily filled.

“[The work] says a lot about them,” he explains. “It’s contemporary still life reflections of young womanhood. They’re asking the same existential questions we all are, but they’re working through it through visuals that are really striking and fun.”

Not to mention affordable. With prints measuring at a lofty 3-by-3-foot size and retailing for just $1,250, it’s an opportunity for collectors to nab something high impact at a very reasonable price.

Shapes Zines Pop Up, various artists, at the Reading Room
Reception: May 23, noon-7 pm


Enthusiastic collectors of zines know it’s a passion that can’t quite be explained. Artist Randy Guthmiller turned his own fondness for shapes into an ongoing series of publications, and the local impact of his creations led other artists to ask how they can spread their own unique visions around town. Guthmiller responded by starting his own publishing house, and Shapes Zines will the first selection of these DIY collectibles May 23 at the Reading Room.

“We’ve got almost a dozen artists, and all of them are making at least one zine,” he says. “They’re all totally different and based off their own interests; there’s one by Brooke Granowski called America’s Hottest Potatoes that combines imagery of all types of potatoes with Maine potato harvest beauty queens.”

Other options include Vice Palace artists Larry Carey’s illuminati grids and Evan Henry’s impressions of a visit to SXSW. Each retails for just $5, so you can collect them all. Guthmiller plans on following up this pop-up with a more traditional zine fair at the Wild Detectives on September 6.

A publication from Shape Zines at the Reading Room.

Shapes Zines
Photo courtesy of Reading Room
A publication from Shape Zines at the Reading Room.
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RIP, Irma

Dallas actress and 'Soul Food' star Irma P. Hall passes away at 91

Stephanie Allmon Merry
Nov 11, 2026 | 2:37 pm
Irma P. Hall
Courtesy photo

Irma P. Hall

Dallas actress and longtime resident Irma P. Hall, best known for playing Big Mama Jo in the 1997 film Soul Food, died Tuesday, November 10, surrounded by loved ones, according to an announcement from her family. She was 91.

Hall built a nearly five-decade career in film, television, and theater, earning an NAACP Image Award for Soul Food and a Jury Prize at the 2004 Cannes Film Festival for her performance in The Ladykillers.

"Her commanding presence and remarkable ability to bring depth and authenticity to every character made her one of Hollywood's most respected and recognizable character actresses and a cultural icon," her family says in a statement.

Before becoming a familiar face on movie screens, Hall spent more than 20 years teaching English and foreign languages in Dallas public schools. She maintained her ties to her native Texas throughout her Hollywood career.

Born Irma Dolores Player on June 3, 1935, in Beaumont, Hall grew up in Chicago before returning to Texas to attend Texas College in Tyler. Her path to acting began unexpectedly when actor and director Raymond St. Jacques discovered her talent during a poetry reading in Dallas, her family says.

She made her film debut in Book of Numbers in 1973, launching a second career that would take her from Dallas stages to Tinseltown sets.

Hall became widely recognized for her portrayal of Big Mama Jo in Soul Food, the 1997 film about a close-knit family whose Sunday dinners bring generations together. She starred alongside stars Vanessa Williams, Vivica A. Fox, Nia Long, and Michael Beach.

"One of the most iconic mother roles in film history, "A Song for Mama" by Boyz II Men was written and produced by Kenneth 'Babyface' Edmonds, specifically centering on Irma P. Hall's character in Soul Food," the family statement says. "Decades after its original release, this song is still one of the most popular and enduring Mother's Day anthems of all time."

Hall's other credits included A Family Thing (1996), Midnight in the Garden of Good and Evil (1997), Beloved (1998), Patch Adams (1998), The Ladykillers (2004), Collateral (2004), and Tyler Perry's Meet the Browns (2008). She also reprised her role as Mama Joe in the television series based on the film.

Hall's performance in Soul Food earned her an NAACP Image Award for outstanding supporting actress in a motion picture. In 2004, she shared a Jury Prize at Cannes for The Ladykillers, in which she starred opposite Tom Hanks. She also received honors from the Chicago and Kansas City film critics associations for A Family Thing and was inducted into the Texas Film Hall of Fame.

Irma P. Hall

Courtesy photo

Irma P. Hall stayed connected to the Dallas arts and theater community throughout her life.

Hall remained connected to Dallas and its arts community her whole life, her family says. She co-founded the Dallas Minority Repertory Theatre in 1973. Her contributions are also remembered through the Irma P. Hall Black Theatre Awards, known as The Irmas, an annual celebration of performing and technical theater talent across Dallas-Fort Worth, founded in 2015.

Education remained another lifelong passion. Hall received an honorary doctorate in Fine Arts and Education from Texas College in recognition of her work in the arts and education. At Inspiring Body of Christ Church in Dallas, where she was a longtime member and cherished Church Mother, she regularly visited the church's University of Dreams school to read to children and share her love of storytelling. She also participated in the church's theater ministry.

“Today, we celebrate the extraordinary life of a woman whose faith, wisdom and love touched so many," senior pastor Rickie G. Rush says in a statement. "Our beloved Church Mother, Irma P. Hall, has taken her final bow on the stage of life and stepped into eternity.”

Hall is survived by her only daughter, Irma Hall Crayton, who remembered her mother's influence as both an educator and a mentor.

“She started as a teacher in the classroom but ended up being a teacher to the world,” Crayton says. “My mom used to always say, ‘To the world you may be one person, but to one person you may be the world.’ And she was just that to many people.”

Funeral services and memorial arrangements will be announced at a later date.

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