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    Your Show of Shows

    The 4 Dallas art gallery shows you must see in May

    Kendall Morgan
    kendall Morgan
    May 15, 2015 | 10:01 am

    A Brit import’s digital revolution, 20 years of photography worth celebrating and candy-colored images from two young talents are all on the roster for the merry month of May.

    “My Shoes, My Stove, My Life,” Luke Dowd, at Zhulong Gallery
    Reception: May 15, 6-9 pm

    Exhibition dates: May 15-June 20

    Moving from collage to silkscreen to digital prints, London-based artist Luke Dowd’s work has remained incredibly personal, even as it backs away from a more organic process.

    “I was interested in his formal sensibility and his approach to art making, which has a strong modernist tack, given his thoughts on making, medium and composition,” says Zhulong owner Aja Martin, who brought the artist to Dallas after shows in London, Frankfurt, New York and Paris.

    “But Luke doesn’t allow this approach to bog down his practice, and he’s happy to step away from tradition — which is apparent in his use of various processes that incorporate printing technologies and even a light use of software.”

    Dowd’s 16 half-tone digital canvases of stoves, shoes and abstract shapes were crafted with Photoshop across the pond, but they were not printed until the artist arrived in town, providing for a bit of pre-opening nerves.

    Dowd says the results drawn a through line from his former work, with a trajectory that removes emotional content as his technique is refined. “You can cool it down as much as you want, but you can’t really escape yourself. There’s a certain continuity happening.”

    20th Anniversary Exhibition at PDNB Gallery
    Reception: May 16, 5-8 pm

    Exhibition dates: May 16-June 20

    Twenty years in the art world is no small achievement, and Photographs Do Not Bend is celebrating in a manner befitting its status as one of longest running spaces in the Design District. Originally opening its doors on Routh Street in 1995 with a Joel-Peter Witkin show paired with a show of Latin American artists, PDNB has culled some of its most iconic imagery from both their stable and their devoted collectors to celebrate their two decades in the industry.

    “A lot of the inventory is from our artists, but there are pieces I cannot get that I really wanted to include, so I asked some of my collectors to loan them for the show,” says co-owner Missy Finger. “There’s Joel-Peter Witkin, a Vic Muniz, and there’s a great Diane Arbus.”

    Things have changed from the days photography was considered the “bastard child of the art world,” but it’s still one of the most collectible mediums in contemporary art. One can score a print by the likes of Henri Cartier-Bresson or Man Ray for far, far less than equivalent pieces from blue chip painters, a fact that bodes well for PDNB’s continued success.

    “Truly, Madly,” Kasumi Chow and Desiree Espada, at the Public Trust
    Reception: May 23, 6-9 pm

    Exhibition dates: May 23-June 20

    The collaborative work of local photographers Kasumi Chow and Desiree Espada (a CultureMap contributor) captures imagery of champagne, cake and balloons in a way that is poignant and girlie without being too saccharin sweet. It’s their party, and they’ll cry if they want to.

    Discovered by the Public Trust’s Brian Gibb as he was looking for submissions to this year’s Slideluck event, the duo’s photography ended up being a pleasant surprise that led to a perfectly timed show at the gallery’s new space at 2271 Monitor St.

    “They were first in the slideshow and the DJ dropped in a Stereolab track and I thought, ‘I love this work!’”

    Having recently moved with neighbor Liliana Bloch from their former spot in Deep Ellum to a larger space next door to Galleri Urbane, Gibb had a vacancy in his schedule for a solo show that the two young talents easily filled.

    “[The work] says a lot about them,” he explains. “It’s contemporary still life reflections of young womanhood. They’re asking the same existential questions we all are, but they’re working through it through visuals that are really striking and fun.”

    Not to mention affordable. With prints measuring at a lofty 3-by-3-foot size and retailing for just $1,250, it’s an opportunity for collectors to nab something high impact at a very reasonable price.

    Shapes Zines Pop Up, various artists, at theReading Room
    Reception: May 23, noon-7 pm


    Enthusiastic collectors of zines know it’s a passion that can’t quite be explained. Artist Randy Guthmiller turned his own fondness for shapes into an ongoing series of publications, and the local impact of his creations led other artists to ask how they can spread their own unique visions around town. Guthmiller responded by starting his own publishing house, and Shapes Zines will the first selection of these DIY collectibles May 23 at the Reading Room.

    “We’ve got almost a dozen artists, and all of them are making at least one zine,” he says. “They’re all totally different and based off their own interests; there’s one by Brooke Granowski called America’s Hottest Potatoes that combines imagery of all types of potatoes with Maine potato harvest beauty queens.”

    Other options include Vice Palace artists Larry Carey’s illuminati grids and Evan Henry’s impressions of a visit to SXSW. Each retails for just $5, so you can collect them all. Guthmiller plans on following up this pop-up with a more traditional zine fair at the Wild Detectives on September 6.

    A publication from Shape Zines at the Reading Room.

    Shapes Zines
      
    Photo courtesy of Reading Room
    A publication from Shape Zines at the Reading Room.
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    Ballet news

    Texas Ballet Theater executive director leaving for new gig in Northeast

    Stephanie Allmon Merry
    May 19, 2025 | 2:38 pm
    Vanessa Logan, Texas Ballet Theater
    Photo courtesy of Texas Ballet Theater
    Vanessa Logan joined Texas Ballet Theater in 2016.

    Vanessa Logan, who has served as Texas Ballet Theater executive director since 2016, is leaving TBT for a new role in the Northeast, the company says. Her final day with TBT will be June 30, 2025.

    The move will allow Logan to be closer to her family, the organization says. Her new position has not yet been announced.

    "While we will greatly miss Vanessa and her leadership at TBT, we support her decision to do what is best for her and her family and wish her well in her new pursuit," says TBT board of governors chair Anne T. Bass in a May 19 release. "Throughout her tenure at TBT, Vanessa has demonstrated the highest level of professionalism. It has been a delight to have worked closely with Vanessa over the last nine years, and I am most grateful for her unstinting efforts that have advanced TBT in so many respects."

    Logan joined North Texas' largest ballet company before the 2016-17 season; she previously had worked at the American Repertory Ballet in New Jersey and Boston Ballet.

    "Being part of TBT has been an immensely enriching and transformative experience. Partnering with Artistic Director Tim O’Keefe, working alongside such talented artists, and collaborating with a dedicated administrative and school staff has been a true privilege," Logan says in the release. "I am also deeply grateful for the unwavering support of our committed Board Chair and the Board of Governors, whose vision and leadership have been instrumental. Contributing to productions that bring beauty and artistry to our audiences and nurturing ballet education for countless children in Dallas-Fort Worth has been incredibly rewarding."

    During her tenure with TBT, Logan helped the company navigate through the challenges of the COVID-19 pandemic of 2020 followed by a catastrophic winter storm of 2021; she helped smooth the transition of artistic director from Ben Stevenson to Tim O'Keefe in 2023; and she oversaw new school facilities in Richardson and Dallas. TBT has also begun a 65,000-square-foot renovation of its Fort Worth facility to support future growth.

    "Vanessa’s support and partnership during the transition was phenomenal. I cannot imagine another leader better equipped to guide TBT seamlessly through such a transformational change," O’Keefe says. "Her steadfastness instilled confidence and built trust with staff, students and subscribers as she ensured that we held true to TBT’s mission of honoring classical ballet while embracing a new chapter of artistic evolution."

    TBT’s Board of Governors will immediately start searching for Logan’s successor and will quickly name an interim executive director to oversee operations until a permanent leader is in place, they say.

    Texas Ballet Theater, which is a resident company of both Winspear Opera House in Dallas and Bass Performance Hall in Fort Worth, just closed its 2024-25 season with O'Keefe's all-new staging of the beloved ballet Giselle.

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